From men’s perspective, it is a natural behavior paying attention to the female body, and Lao Da has realized this point of view through the language of art. His perspective is undoubtedly masculine, aesthetical, and subjective. His artistic language is practical, the illustrative, elegant and exquisite. With the contemporary Chinese female body, and to factor in all such elements, yet we can see something unreal.Lao Da’s figure sculptures have indeed been focusing on the illustration of the luring body and the sexual appeal of the female body, and the expression of the thrive and lust for human body and sexuality have been focusing on the youth and the innocence of women. In those sculpture works, the luring body and the sex appeal are concrete (with the aid of reality and aesthetics, it has highlighted traditional point of view of gender issue), but their youth and innocence are actually abstract (suggested through more works, with the age contrast has been highlighted). Perhaps, it is precisely this kind of duality that makes these works so attractive.Passing through the modern metropolis life, it is literally impossible for the young to retain their respective youth and innocence. And it is not only limited to the females, similarly, the visual impact that youth and innocence could exert won’t be able to change the inevitable course of aging. In this regard, the female body serves a metaphorical function. In reality, the females have been moving across different positions, whilst the abstract ideality stands still in the sculpture. The male’s perspective that has been going along with the artist’s body won’t last forever, what will last forever would be the youth and innocence that has been highly desirable from the male’s perspective. La Dao, same as his fellow human beings, has been heading in the direction toward aging, however, his ideality and anticipation for youth and innocence would merely remain in the physical form of his art works.