Bai Ming’s proximate natural abstract painting express that the mystery,change and beauty of rock、mountain and rivers，white、grey and enigmatical black become the main melody of elegant cool and ease, the former linear style get advancement in the whisht artistic conception and skillfully created the artistic conception full of verve. But the cultural abstract is static, expressed the history affairs and caky humanities and geographical desolate、evidence full of stains and spots，along with the density of vision enlarge and deepen obviously，clarty and embellish move to the condition and gaseity of profound and doughty.“XIANG MANG”is the concentrate exhibition of Bai Ming’s 60 works of proximate created abstract painting. The works approximately divided into two kinds of states, two interrelate experimental spaces. The former is natural abstract, the later is cultural abstract and the two shine upon each other and explain each other. In fact, they are one integrated mass of organic whole.Introjecting the image methods, Bai Ming’s abstract painting focus on lasting appeal and savvy. But it also rely heavily on the instinct of apperceive and hidden consciousness deep in the soul to push the menu and the artistic conception deepen and broaden gradually. It contains the verve of nature, full of the mystery、change and beauty of heaven and earth and ever phenomenon, gradually visualize the frostily ease and vigorous firm emotion express abstract painting style. This painting style tendency in the final analysis is the artistic conception token of individuality and personality.