With the extreme economic changes occurring in China, people have tended to forget the real meaning of life. The artist Lisa Wong has a different understanding of life. As a female artist, she is passionate about it. In her paintings she captures the details of life from a feminine point of view. Lisa Wong was born into a highly cultured family, which inspired her interest in art. She graduated from the Central Academy of Fine Art in China. With her bright and relaxing brush strokes, she points us towards the path of the pursuit of beauty. All her work is vivid, active and positive. In her wood carvings we can see both masculine strength and feminine dedication, which reflects her own character. In early 1950 she began teaching and creating artworks in southern China, when realism dominated artistic representation. Even though this trend strongly influenced her art, she aspired to move more toward romanticism. When she first came to Guangzhou, she was attracted to the beautiful southern scenery. As a result, two wood carvings—"The New Village of Huaqiao" and "In Front of the Window"—were created. Through her mature carving technique, we can see the strong contrast of black and white, proper composition, and clear and correct form, which are always honest and never exaggerated. Although "In Front of the Window" successfully shows the real mood and real goal of the artist, it also left a mark in the history of Chinese art by showing a different way of creating. "Einstein" was her representative art after the Cultural Revolution, and was displayed in the Chinese National Art Exhibition. The image of Einstein in her art became the symbol of science and culture, by which she told people that the period of closed science and culture was past. Integrated impression was born in the time of a new society and environment. Even though she lived in a time of closed culture, Lisa Wong never lost her desire to learn new things and continued to explore the potential textures of wood carving and tried to shorten procedures. She was struck by the new trend in art, in which she became active. In 1996 a trip to Europe not only changed her artistic ideas, but also led her water color style to evolve in a new direction, resulting from her power of observing color. In the water colors one could see a different descriptive language. She substituted bright colors and casual brushstrokes for conventional browns, forms, and depth relationships. Instead, her focus was on the relationships of colors and the harmony of forms. Because of her subjective approach to art, we can see the freedom of the artist, the honesty of the art, and its emotional content. Through her imagination, we can enter a world of dreams.