In the last years our artistically interests have changed more and more towards the examination with the aesthetics of wares-production, the phenomenon of reversal of the society of consumers into a society of throwaways, the rapid breaking of values,- the hollowness and spiritlessness. Likewise the mass-media.

Because of this, the ideell equipment of DADA and FLUXUS gets a new actuality for us, even in a changed and developed form, in a new context.

For this, we operate with different methods, specially the relativization, the fragmentation, the isolation, the overlaying, the confrontation, the collage…

We operate with the principle of the “Creative Destruction” as a principle of reversal, which stands exemplary in opposite position to the circulation of the wares-production.

And also: Found pieces, things, used to be “citations”, detached out of their coherence. They stand isolated for themselves, or one against to another one. More or less arbitrarily.

The citations are real, but our art is not realistic.

For example, for us, the foam is a metaphor for fullness as well as for emptyness.

On the other side, the layerings which are produced by transparence, reflects the complexity of our perceptions of a particular period. Our life is characterized by complexity. Reduction by plurality.

Every sign will be neutralized to a questionmark.

By the inversion, the replaceability of values becomes obvious. (Generally, and in special case of “Nothing” and “Something”, of “Fullness” and “Emptyness”) The Nothingness of “Something”, the fullfillness of “Nothing”.

The question for the meaning of meaninglessness.

This is more than a game with excitement of mysteriousness.