我认识法国一位非常著名的摄影艺术家卡乐迪艾•布莱森，在威尼斯他曾与著名的雕塑家艾伯特•加高麦蒂和画家巴奥粟思共同举办了一个轰动欧洲的三人艺术展。当时他站在博物馆的走廊里，脖颈上始终挂着他那架135相机，他告诉我，他就是用那架从不离身的相机创作了这些让历史铭记的伟大的作品。说实话，在我漫长而幸运的生命历程中，我认识世界上许多伟大的摄影师，也曾给其中不少的摄影师策划举办过他们的展览和学术交流活动，像森那•斐迪那多，赫尔穆特•纽顿，史蒂文•梅塞等等，这些伟大的摄影师都为人类留下了许多珍贵的瞬间和永恒的记忆。
　　几十年来，我组织策划过无数次各种当代艺术和摄影展览，因此我对摄影艺术的评论有一种职业的敏感。我认同那些以一种自主的方式表达思想或给人以空间的作品，而不是那些仅仅依靠技术和技巧的表现。就像卡乐迪艾•布莱森用一架经常挂在脖颈上的小相机就可以随时捕捉和表现出在司空见惯中别人看不到的或被忽视的瞬间，他的这种表现是人类的另一面和人类心底最深的敏感，所以摄影师手中的相机就是他们观察世界的第三只眼睛。
　　黄可华先生是一位中国十分杰出的摄影师，他的作品气势磅礴、优美典雅。几个月前，在济南我看过他的作品后至今仍深藏在我的脑海中。“艺术家的灵魂、诗一般的创意”这就是我从黄可华先生的作品里读到的来自于诗人眼中的创造。他用他的第三只眼睛，用他丰富的智慧和对艺术的挚著，用他勤奋的脚步和对大自然的感悟，在天地与时空之间去定格一个场景，捕捉一只动物，抓取一种瞬间。对于我来讲，我感兴趣的不是技术，不是镜头，也不是像素和菲林，我感兴趣的是一种意识，是一种发自内心的真诚，黄可华先生正是用他的意识与真诚创造了那些不朽的风情与万物，这就是为什么他的作品会如此充满神奇、充满魔力、充满激情和充满大自然的生命律动而使众人折服的原因。
　　艺术家要有天赋，要有灵感，但更要有一颗真诚的心，一份无尽的感动，如卡乐迪艾•布莱森、如黄可华都是一样，他们的天赋就是以一己之心感动天下，使所有的技术都不复存在。而黄可华先生的作品，他的不朽就在于他没有循规蹈矩地去“黄金分割”和“色彩平衡”，就在于在某种技术支持下超越了镜头的客观纪实，就像荷兰艺术家维米尔所赋予绘画的丰富色彩一样。由此我明白了黄可华先生是想引领我们穿越时光与色彩的隧道，去领悟大自然给予人类的启迪！
　　每当我们与大师的作品相遇，就不自觉地被他引领着遁入了诗一般的梦幻境地！
　　温琴佐•桑弗
　　　　于都灵
　　2009年12月
　　温琴佐•桑弗  意大利文化中心主席 著名国际策展人
　　I know a very famous French photographer, Cartie-Bresson.  He  held a three - person art exhibition, that caused a sensation in Europe with the renowned sculptor, Alberto Giacometti and the painter, Balthus in Venice. He was standing in the corridors of the museum, hanging his 135 camera from his neck all the time. He told me that he used it all along to create the great works in history. To be honest, during my long and lucky life, I have known many of the greatest photographers in the world, whom I have planned and held exhibitions and academic exchange activities for, such as Ferdinado Scianna, Helmuth Newton, Stewen Maisel and so on. These great photographers have left rare historical moments and everlasting memories for mankind.
　　During the past decades, I have organized and planned thousands of contemporary and photographic art exhibitions, which has enabled me to gain an insight into this form of art, leading to a professional sensation to criticism. I agree with the imaginative works with the kind of independent manner of expressing ones thoughts, rather than relying solely on the technology and technique to express their works. Cartier-Bresson uses this kind of small camera hanging from his neck all the time to capture and show the occurrences on spot which other people can not observe or which they ignore. His expression is the deepest sensation in the bottom of human hearts.  The camera held in one’s hands is the third eye that the photographer uses to observe the world.
　　Mr. Huang Kehua is one of the outstanding Chinese photographers.  His works are magnificent, beautiful, and elegant: “The artist’s soul, poetic creativity.” This is the conclusion that I learn from his works. He uses his third eye to capture the picturesque scenes, the moments between heaven- earth, and space-time with his wealth of wisdom and his faith to the art; with his hard-working feet and the sentiment to nature.  He not only uses his camera and lens to record the things objectively, but also uses his consciousness and sincerity to create the immortal style of all things.  That is why his work is so full of surprise, magic, passion and the life rhythm of nature, and everyone is filled with admiration .                          
　　An artist must not only be talented and inspired, but also needs to have a sincere heart to move God. Cartier-Bresson, and Huang Kehua, are such photographers. They moved the world through their own hearts.  During today’s digital period, film technology in their video memory almost no longer exist!
Mr. Huang Kehua’s success lies in his creative practices: following the “law of imitation of Nature: not imitation of nature, excess of nature”, but not following the “Golden Section” and “color balance”. Like the Netherlandish artist, Vermeer, he gives his paintings rich colors which amplify the paintings.  From this, I understand that he wanted to lead us through the time and color of the tunnel in comprehending nature for humans.
　　Whenever we meet the master’s works, we unconsciously follow his works to enter a poetic fantasy kingdom: the art-heaven of the painting!
　　Vincenzo Sanfo
　　Torino, Italia
　　December 2009
　　（Vincenzo Sanfo: the president of the Italian Cultural Center, the world famous art planner.）