Work in Spreading: Images of Circulation and Retranslation
2010-09-19 15:34:23 未知
Exhibition: Work in Spreading: Images of Circulation and Retranslation
Artists: Chen Wei, Chen Xiaoyun, Tsui Kuang-Yu, Fang Lu, Silas Fong, Gua Zi, He An, Hu Xiangqian, Jiao Xingtao, Kong Lingnan, Liu Qingyuan, Qin Qi, Qiu Xiaofei, Sun Xun, Weng Yunpeng, Xu Qu, Yan Bing, Yang Xinguang
Curators: Sun Jianchun, Xu Chongbao
Opening: 18th September 2010, 4pm
Dates: 18th September 2010 –12th October 2010
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, no.4 Jiuxianqiao Road, Chaoyang District, Beijing
Producers: Gao Ping, Qiu Chenfeng
Director: Xia Jifeng
Art Director: Zuo Jing
Chief Editor of Art & Investment and Contemporary Art & Investment: Dong Bingfeng
Presented by:
International Art & Culture Foundation of Spain
ART & INVESTMENT and CONTEMPORARY ART & INVESTMENT Magazine
Co-organized by:
Iberia Center for Contemporary Art
Chen Wei-1,Two Horns of Roe Deer,Watercolor on paper,43.5×36cm,2010
Exhibition Introduction:
“Project”, the central column of Contemporary Art & Investment ever since its first publication in January 2007, is dedicated to introducing to readers the emerging artists’ work through the presentation of their artistic intentions and creation. It aims at exploring, investigating and showcasing the most experimental and talented Chinese artists of the younger generation. Nearly three years on, “Project” has featured 37 artists /teams across mainland China, Taiwan and overseas.
The editing work for “Project” seeks to give a clean-cut presentation of the core dimensions of the artist’s work, namely, to unveil the factors making on-going experiments and concept-centered thinking possible, and furthermore to dissect the process of artistic creation. The concept of the column has been evolving from “the birth of a new work” in 2007 to “a holistic study of artist’s work”.
As the mission of the magazine, we tend to present to our readers contemporary art in an experimental and interdisciplinary way. It is our aspiration to create a magazine free from conventional definitions, so that the essence of the magazine can develop to an active and open independent voice. It is not only a cold, passive paper medium, but a framework based on which exhibitions, activities, publishing, and many other options could be opened up. We could call this exhibition a “Magazine –Exhibition practice”.
From December 2009 to January 2010, the exhibition “Work in Progress: How Do Artists Work?” initiated by CONTEMPORARY ART & INVESTMENT and Iberia Center for Contemporary Art was the first exhibition that successfully implemented the “Magazine – Curating practice” concept. The exhibition “Work in Spreading: Images of Circulation and Retranslation” which will be launched on September 18th 2010 is based on the studies done by the column “project” in 2010. It focuses on the relationship between the concept of the work and its physical form when the art work is being exhibited or published. That is: work and work in spreading.
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