她的出现，使我看到的完全是我理想中的形象，一个健康的，纯洁的，有能力支配自己的，全面参与到“世界和人类运转过程中”的现代人的形象。在审美趣味上，她追求那些具有现代精神的作品，那些巨大的、超越时空的、能够展示现代人思维空间和运作手法的作品。她对艺术的炽热，手法的现代，意境的美丽，庞大、畅通、大气等等，无一不与她的心态同构。她的感觉，她的艺术心灵，与她的整个精神相通。对美的崇尚与追求(当然是指在更深层次上的)是人生的最高要求。因此，最美的艺术，也是最合人性的艺术。

　　I believe what I see is an entirely holistic image – one that is healthy and pure, self-controlled and able to reach out to the whole universe and the world. An image that is idealistic yet modern – all because of Xue Li’s presence and her works. The endless and relentless pursuit of modernistic spirit is deeply reflected in her works. The bountiful and borderless appreciation – beyond time and space, while capturing the humanistic idealisms and processes, are subtly presented in her works. Xue Li’s obsession and fervent pursuit of such works and techniques are really a genuine representation of her mood and thinking. Her feelings and intense love for life correlate and connect seamlessly with her creative works. Much more than that, it is a celebration of life and human spirit indeed.

　　                                                 An extract from Jia Fangzhou’s