川渎藴玉的创作起源
2013-10-22 14:22:07 陈薇
几年前,化纹师友一行几人相约同去太行采风,行至邢台黄榆岭,此处虽不是游览名胜甚至此地鲜有人知,然而,她却给我留下了不可磨灭的印象,她雄浑气势的山脉、丰润的树木、潺潺的溪流、以及神姿曼妙的花草,无不洋溢着勃勃的生机,蕴藏着无限的生命,更加之化纹师友相磋于自然之中,谈经论典,说古畅今,那是我人生中一次最大的收获,随即创作了《俱寂有声》,在创作过程中自己的心、神、魂好像是在飘着一样,感觉有好多话要说,却又如鲠在喉,所以在作画过程中甚至该作完成之后很长时间里,自己的心神都在一种激动震荡的情绪之中!但是,由于曾经自己的表现能力不足,总觉得有欠佳之处,便又生再创此作之念,进而此作《川渎蕴玉》诞生,总想表现的尽善尽美,然,感觉还是憾憾!!!
About Jade Hidden in Rivers
Several years ago, I went for exploring Tai Hang Mountain together with my mentor and some colleagues of the Society of Cultural Digestion. When we arrived at Huang Yu Ling of Xingtai, where is not a place of interest with rare visitors left me a very deep impression though. Its majestic mountains and vigorous trees, clear streams and graceful flowers show a pleasant spirit. There us colleagues and mentor enjoyed the nature, talked about classics and the society, which is one of my biggest gain in my life. Subsequently I created the works of Silence with a Sound. While painting as if my heart was flying and my soul was floating, feeling plenty of words to be expressed meanwhile stuck in the throat. Therefore long after the completion of the painting I've constantly been in a exciting mood. However, due to the lack of expressing ability, I've been feeling a little pity about it then came another creation Jade Hidden in Rivers. I tried my best to portray it as perfect as possible, but there's still some pity for that!
(责任编辑:杨红柳)
注:本站上发表的所有内容,均为原作者的观点,不代表雅昌艺术网的立场,也不代表雅昌艺术网的价值判断。
雅昌指数 | 月度(2025年7月)策展人影响力榜单
阿拉里奥画廊上海转型:为何要成为策展式艺术商业综合体?
张瀚文:以物质媒介具象化精神世界
“纤维”提问2022:存在何“缓”?
全部评论 (0)