In recent years, I have rare opportunity to see Haiwang's original painting. But I still remember a number of his works 10 years ago in the Tianjin Academy of Art organized by Mr. Jicheng painting advanced training classes . The works are replete with a passionate style of performance, both wild brushstrokes, the picture with another form of tension. When Haiwang and the other classmates all are very young, It can be said to be ambitious. some were ready to intense feelings, and the passion automatically painted on the canvas. picture often disturbing drama which resonated with desired flavor.

　　In Haiwang's recent works, both human and still life or landscape, and attempt to change the subject and content. This may reflect his mood changes perspective, but the picture has not changed is its inherent passion obviously, The core of Haiwang's oil painting is a painting scraper and brush movement, in any of his works, fierce campaign after the knife left at the scene, as the master of painting, The result is a kind of aggressive and negative values, which led to some kind of freedom. no logic chance effect. As a result, Haiwang's paintings and the contents can not be subject to any object, the rules or the logic. form and content just served to keep the creative process and results of the overall property. The process of painting with the theme of anticipatory contingency, the collision resulted in a vibrant and vivid results. It is performanced in Haiwang's works the most of human body series. The beautiful and elegant body was coveraged and torn by repeated movement knife. Painting scenes value has disappeared, and subjective emotions and impulses accompanied the shape and color have an inherent resonance. Haiwang's inherent perception burst.

　　In recent years,  Haiwang works revealing some new signs that his convergence of passion, he tried to release In his series of performances of the works of Lotus Pond can see the obvious clues. Perhaps it is the age, in the search for some reason and natural harmony and balance, which tracks changes, That is a law of nature, the laws of art. The release of his painting is more lax and free, and less irritability and tension; more careful and regular, and less wilder and cluttered. This is good or bad is difficult to evaluate because it is true Haiwang.as an old classmate, I like that Haiwang when 10 years ago, often pop eyes shine ,I also enjoy today's  with a modest smile.

06.01.10 at the Academy of Art