The artist Chan Shing Kau has said of his paintings that they “do not exist in real life; they are in fact imaginations. . . . These paintings are often made by inscribing traces of unconscious effects on the paper, which lead me to the imaginary world of creation. . . . The decisive factor . . . is the mood at the moment of creating the painting.” In what mood was the artist when he painted Beginning of Dreams? A near-solid mass of black dominates the foreground, with stipples of ink appearing either to fold onto themselves or spray outward. Behind the mass a large, pale moon peeks through thick clouds. Was the artist forecasting hope or portending turmoil?

　　艺术家陈成球已表示，他的画，他们“不存在于现实生活中，他们实际上是想象力。。。。这些作品往往是由无意识的影响上写的痕迹在纸上，这使我的想象世界的创造。。。。决定性的因素。。。是的心情此刻创造的绘画。“在什么心情时，他画的画家梦开始的?一个近坚实的群众占主导地位的黑色前景，与stipples墨出现要么折到自己或向外喷射。背后的质量大，苍白的月亮偷窥通过厚厚的云层。是艺术家预测希望或预示着风暴?