Self-deconstruction is the theme I yearn to reflect in my paintings and such a desire has been fermenting over the past years ……

　　My Past :

　　During my study in Germany, I, together with many other young artists, were influenced by my supervisor and followed his thick color style. Through learning and painting, I shaped myself and at the same time was shaped, which is a process of self-expression and being expressed.   In my twenty years spent in Germany, I was most impressed by the food cutting machine, which I used in my daily life. It is awe-inspiring, as it cuts food into standard pieces and forces out any individuality. Such an eating habit can only be distinguished and judged by our digestive system. As individuals, are we really left with no choices?

　　My Present:

　　As a Chinese born in Lan Zhou, of Shandong ancestry, living in Hainan Island and with an overseas background in Germany, I have experienced diversified linguistic and digestive systems, enabling me to reflect on ways of freeing the past, integrating the present and projecting into the future. Self-deconstructing my own paintings means casting eyes back into my artistic life, cutting my thick-color oil paintings into pieces and attempting to expose the fault line in imagination covered deep under the colors. This allows me to re-deconstruct my completed paintings and bridge the gap in imagination between the painter and the audience. By blending the past with the present, self-deconstruction provides a special experience of entertainment for the audience.

　　My future:

　　To be constantly generated by my past + my present ……