杭 间

　　中国美术学院副院长、国美美术馆馆长。

　　HangJian

　　Vice President of the China Academy of Art (CAA), Director of the China Academy of Art Museums(CAAM).

　　毕业于中央工艺美术学院，曾任《装饰》杂志主编、清华大学美术学院艺术史论系主任、汕头大学长江艺术与设计学院副院长、清华大学美术学院副院长、清华大学艺术博物馆筹备组副组长、清华大学教授评议会成员等职。2006年教育部公派任美国康奈尔大学(Cornell University)绘画与城市规划学院高级访问学者。

　　现任教育部高等学校艺术学理论专业指导委员会委员，全国文物与博物馆研究生教育专业委员会委员，中国美术家协会理事、理论委员会副主任，中国工艺美术学会理事、理论委员会副主任、中国文艺评论家协会理事、中国民间文艺家协会理事、浙江省民间文艺家协会主席等职。

　　Hang Jian is a graduate of the Central Academy of Craft Art(Now known as Tsinghua University‘s Academy of Arts & Design). Notable positions which he has held in the past include: editor-in-chief of the journal “ZHUANGSHI”; director of the Department of Art History at Tsinghua University’s Academy of Arts & Design; vice president of Shantou University’s Cheung Kong School of Art & Design; vice president of Tsinghua University’s Academy of Arts & Design; deputy head of the preparatory committee at the Tsinghua University Art Museum; as well as member of the Tsinghua University Faculty Senate. In 2006, he was delegated by the Ministry of Education to serve as senior visiting scholar at Cornell University's College of Architecture, Art, and Planning.

　　Presently, Hang Jian is a member of the Ministry of Education’s Advisory Committee for Art Theory Studies in Colleges and Universities; member of the Advisory Committee for Postgraduate Studies in Cultural Heritage and Museology; director of the China Artists Association; associate director of the Fine Arts Theory Committee of the China Artists Association; director of the China Literary and Art Critics Association; director of the Chinese Folk Literature and Art Association; and chairman of the Zhejiang Folk Literature and Art Association.

　　杭间长期致力于工艺与文化研究，是中国工艺美学史系统性研究的开创者，并从20世纪80年代开始以理论批评的方式参与中国当代艺术的发展。90年代以来，他的研究转向设计历史和理论，提出重视“设计与民主”的关系和发起“中国设计史体系的研究与写作”，并着力通过策划国际国内重要设计展览推动文化创意产业和中国本土设计的发展。2010年后，从北京到杭州，转向从事包豪斯与中国关系研究，并投身中国国际设计博物馆和民艺博物馆建设。

　　Hang Jian has long been committed to craft and culture studies, and is a pioneer in the systematic research of the history of aesthetics in Chinese craft. During the 1980s his theoretically-based criticism contributed to the development of Chinese contemporary art. Since the 1990s, his research has turned toward design history and theory, in which he has suggested the importance of the relationship between "design and democracy". His studies have also propelled research and writing in the field of Chinese design history. Moreover, through his dedication to the curating of design exhibitions, both local and international, he has promoted the development of cultural and creative industries as well as the development of design in China. After 2010, Hang Jian moved from Beijing to Hangzhou and shifted the focus of his research to the relationship between the Bauhaus and China. He has also since then been highly involved in the construction of the China Design Museum and the Folk Art Museum.

　　相关主要著述有：《设计的善意》《手艺的思想》《设计道-中国设计的基本问题》《原乡·设计》《包豪斯道路：历史、遗泽、世界与中国》等;

　　Notable publications: The Kindness of Design; New Figurative Art; Thoughts and Ideas in Craft; Homeland·Design; Path of the Bauhaus: Its History, Legacy, World and China;

　　策划的相关展览有： “包豪斯：作为启蒙的设计”(北京，2014)，“从制造到设计：20世纪德国设计”(深圳，2013)，第一、二届中国设计大展(深圳，2015、2012)， “仁：设计的善意” 首届北京国际设计三年展(北京，2011)，“90年：包豪斯道路——历史/遗泽/世界和中国文献展”(北京、上海、汕头，2010-2011)，中国大陆设计新青年展(香港，2009)， “岁寒三友：两岸三地中国传统图形与现代设计作品展”(汕头，2006)

　　Notable exhibitions:

　　2015 China Design Exhibition 2015, Shenzhen

　　2014 Bauhaus: Design as Enlightenment, Beijing

　　2013 From Manufacture to Design: 20th Century German Design, Shenzhen

　　2013 Aesthetics City – DESIGN SHANGHAI 2013, Shanghai

　　2012 China Design Exhibition 2012, Shenzhen

　　2011 Ren: Good Design, the first Beijing International Design Triennial, Beijing

　　2010 – 2011 90 Years: Path of the Bauhaus: The Documentary Exhibition of Its History, Legacy, World, and China, Beijing, Shanghai, Shantou

　　2009 New Age: The Exhibition of the Students’ Work from Six Design Academies of Mainland China, Hong Kong

　　2006 Pine, Bamboo and Plum Blossom: China, Taiwan, Hong Kong and Macau, Chinese Traditional Imagery and Modern Design, Shantou