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贾廷峰:出走与回归

2020-03-10 20:06:35 贾廷峰 

  生命的无常,致使人们颠沛辗转、入世出世,一次又一次地淬炼和磨挫,使得一颗原本未经琢磨坚硬的心变得如同钻石般美丽而富有光芒。

  王秋人从最初的出发于传统,到八十年代背离常道纵身前卫艺术,直到现在的回归“传统”,途经多舛,一种苦行僧式的执着与孤独总与之随行。

  在这个轮回过程的不断自省中,秋人对其个体的内在精神进行了一次洗礼与升腾,重返起点,已完成了一次质的蜕变,在这日复一日的艺术修行中,由渐悟完成了顿悟。

  艺术是秋人的宗教,宗教是秋人的精神驱动。他以佛心澄游山水, 他以山水吟颂佛声。

  其作品颇具宋人山水的堂皇之气,磅礴练达、肃穆崇高,厚重、坚固而内敛,有一股穿越历史和时空的永恒,这种体量的真实,来自艺术家对现世深刻的忧虑,旨在喧嚣物欲的当下,建造一个“乌托邦”式的灵魂安放处,以“秋人图式”将我们带离世俗时空,去寻求内心体验的安宁,获得一处无上清凉境。

  他的回归正是因为他的出走。

  

  Traditional, Avant-garde, and Traditional

  ——Jia Tingfeng

  Life is full of changes, causing people to live in uncertainties and face all kinds of hurdles. After experiencing the ups and downs, the initial fragile mind and soul was turned into a visible icon which is flashing like a diamond.

  Rooted with the traditional art, Qiuren Wang has intentionally escaped from it in the 1980s, and instead practiced the avant-garde art. And until now he has resumed a new“traditional” one. These changes came with many twists and troubles on his way yet with a determined mind.

  During the constant self-reflection, Qiuren has experienced the fundamental spiritual advance toward art in his inner heart. After returning to the original point, his change in art ideology becomes significant and apparent. Qiuren has learned to completely understand the art after years’ self-cultivation.

  Art is Qiuren’s religion which is his spiritual support and driving force. He enjoyed the rivers and hills with a devoted heart to the Buddhism. Accordingly, he praised the Buddha’s heart through his drawings of the rivers and hills.

  His art works cherish the attributes of the grand landscape of Song dynasty, the sophistication, the solemn, the firmness but not the arrogance. His art works have the eternity that ran through the time and space. The impression and imagination reflected in his art come from the worries and concerns about the real life. The aim of his art works is to build a“utopia” style anchor for people’s inner world. Eventually Qiuren’s art works led people to escape from the time and space which is full of material desire, and to search for inner peace and self-satisfaction.

  His new view in the traditional art was just originated from his initial escape from the traditional art.

(责任编辑:张桂森[已离职])

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