视频由Yoo.studio提供

去年听朋友说艺术家尭在今年9月11日会首次对公众开放半天西安工作室，在本次仅有的30个名额中我预约到了今年K22工作室的参观。当面对作品时我想起了尭以往对作品的诠释:“当你面对前景物体时，视觉的表征会聚焦在控制场同源物体上。尤其是当我们要消解意识对这一形象的定义时，视觉文化的潜意识会使这个物体变得透明和失去他现实主义的语言型，同时这就是结跏趺式图像发生的开始。因而，图像的转换之所以会产生，不是因为我们对视觉文化理论的可视化表达，而是我们在观察中产生了视觉冲袭和延缓性纠缠。”

Q:你的作品是趋于哪种方式创作的?

A:我并不是先设定好图样，而是在创作的过程中时常会发现现实所带来的不断需求，这才是我创作的主要驱动力。

Q:你创作中的独特性来自哪里?

A:我时常把艺术的独特性加入不断的变化中，创作是我生活的反应，我总是在适应于世界的遭遇中重建自己，而不是在创作的行动中发现自己。

Q:你为什么在有限的名额中选取15名大学生?

A:因为我在未来看见了他们。

Last year, I heard artist Yoyo’s K22 studio in Xi’an is holding a public open day on September 11th this year. I got an appointment out of only 30 available places. I think of with Yoyo’s interpretation before when I faced to his artworks. He said: “When you see the foreground object, representation of your visual will focus on the homologous object in the field. The subconscious of visual culture will make the foreground object transparent and loses its realism especially when we want to break don the definition of the image in our conscious. And at the same time, the staggered visual image appears. Therefore, the reason why image transforms is not because of our visual expression which is based on the theory of visual culture, but because of the impact on our vision and delayed tangles in our observation.

Q:How do you approach your work?

A:I don’t set the pattern at the beginning, but in the process of creation, I often find the constant demand brought by the reality, which is the main driving force of my creation.

Q: Where does the uniqueness come from in your creation?

A:I always add the uniqueness of art to the constant change. Creation is a reaction to my life. I rebuild myself in the encounter of adapting to the world, rather than finding myself in the act of creation.

Q:Why did you give 50% of the places to current college students?This is a pretty big percentage.

A:Because the future is in sight.