MAHÁ · Beijing and VIS ART CENTER jointly held the “Image × Art” contemporary art exhibition on October 23. It took place at the C3 space， which combines a unique artistic conception of Zen and design life aesthetics in the autumn， The exhibition will last until October 31.

将当代抽象艺术，注入生活方式之中

Incorporate Contemporary Abstract Art into Top-class Residence

撰文 / 张婧雅

by Zhang Jingya

　　说起全球奢华酒店之父 Adrian Zecha 先生的作品，那些如散落星河般的不可思议的高奢酒店项目，足以让全世界为之向往。以设计呼应并追求自然的能量，始终忠于创造与自然融为一体的人类住所，是Adrian Zecha 先生设计生涯中不变的初心。

　　Those unbelievably luxury hotel projects produced by Mr. Adrian Zecha， who is known as the father of luxury hotels， are the objects of yearning for people all over the world. Pursuing the energy of nature with design， and creating residences that blend with nature is the unchanging aspiration of Mr. Adrian Zecha in his design career.

缦合 · 北京

　　如今，由他与合生创展集团董事局主席朱桔榕女士联合打造的亚太地区首个MAHÁ住品--缦合·北京，亦是凝聚自然能量的顶级高品质住宅。此外，艺术的注入也时刻融入于缦合以审美自居的生活方式当中。承启Adrian Zecha先生的设计理念，MAHÁ美学时刻传递着宁静而不凡的归心生活。

　　MAH？·Beijing， the first MAHÁ residential product in the Asia-Pacific region jointly created by Adrian Zecha and Ms. Zhu Jurong， Chairman of Hopson Group， is also a top-class residence that integrates the energy of nature. Moreover， art is integrated into MAHÁ‘s lifestyle with aesthetics. In keeping with the design philosophy of Mr. Adrian Zecha， MAH？ aesthetics presents a peaceful yet extraordinary residence.

“意象×艺术”当代艺术展论坛现场，缦合·北京项目副总经理高广民先生正在致辞

　　10月23日，首次以中国当代抽象绘画为主题，缦合·北京与微斯艺术中心（VIS ART CENTER）联合举办了“意象×艺术”当代艺术展，呈现出谭平、马可鲁、王易罡和戴莹4位活跃于中国当代艺术界，在绘画领域持续探索的杰出艺术家的20幅画作，全面开启“缦合艺术派”的首场精彩，展期持续至10月31日。

　　MAHÁ· Beijing and VIS ART CENTER jointly held the “Image × Art” contemporary art exhibition on October 23 under the theme of Chinese contemporary abstract paintings for the first time. The exhibition features 20 paintings by Tan Ping， Ma Kelu， Wang Yigang and Dai Ying， four outstanding artists who are active in the Chinese contemporary art circles and have been exploring the field of paintings. It is the first wonderful show of “MAHÁ School of Art”， The exhibition will last until October 31.

“意象×艺术”当代艺术展参展艺术家，左起：王易罡、马可鲁、谭平、戴莹

　　当日，谭平、马可鲁、王易罡3位艺术家共同带来别开生面的艺术论坛，以 “居家空间美学探讨”、“艺术家与艺术的关系”和“从抽象绘画到东方美学”为话题，从现代设计、当代绘画、自我探索等多个维度展开探讨，分享了对于MAH美学的生动感悟和抽象艺术欣赏背后的美学深思。

　　On the same day， Tan Ping， Ma Kelu， and Wang Yigang held a refreshingly different art forum. With the topics such as “discussion on the aesthetics of home”， “relationship between artists and art” and “from abstract painting to eastern aesthetics”， they held discussions on modern design， contemporary paintings， self-exploration， etc.， and shared insights into MAHÁ’s aesthetics and thoughts on aesthetics for the appreciation of abstract art.

谭平，纸上丙烯、色彩，2021年

　　在处处彰显现代设计经典的缦合·北京C3空间中，谭平先生带观者一同回望了过去几十年间中国家庭风格的审美演变。他提到，如今人们已全面进入到让设计讲故事的时代，书本中设计与艺术流派知识变得愈发不再重要，关键在于每个个体的艺术修养的体现。“家居艺术审美的核心，将全部来自于主人对艺术和生活的认识。Ta在某一阶段所能到达的层次，就是其生活方式最真实的展现。”

　　Mr. Tan Ping led the audience to review the evolution of aesthetics of Chinese family styles over the past few decades at the MAHÁ·Beijing C3 space， which demonstrates modern design classics. He mentioned that we now enter the era of telling stories through design， and design and art schools become increasingly less important. The key lies in the embodiment of each individual‘s artistic accomplishment. “The core of home art aesthetics comes from the owner’s cognition of art and life. The level he (she) can reach in a certain stage is the best expression of their lifestyle.”

谭平，纸上丙烯、色彩，75×55cm，2021年

　　此外，谭平先生还以多个平实的案例，解答了抽象绘画从欣赏、观看到悬挂、展陈等实际问题。“在抽象绘画的语境中，从画本身到画所处的空间，再从空间到场域、氛围的变化，一切都密切关联着。不仅仅是作品与空间、作品与作品之间时刻呼应，任意一位观众的走入，都将成为空间中不可或缺的一部分，成为抽象艺术的一份子。”

　　Moreover， Mr. Tan Ping used many cases to answer realistic questions of abstract painting such as appreciation， viewing， hanging and display. “In the context of abstract painting， there is close connection between painting， the space where the painting is located， space， field and changes in the atmosphere. It is not merely the interaction between the works and the space， and between the works themselves. Viewers who enter the space will become an indispensable part of the space and part of abstract art.”

谭平，纸上丙烯、色彩，75×55cm，2021年

　　马可鲁先生对缦园内外满满的自然禅意有着强烈的共鸣，在论坛开始时他便分享了来到缦园后的真切感受。“在缦合，我从室内就能看到园子里有日本松、枯山水等东方美学元素，缦园内还有郁郁葱葱的森林，在喧闹都市中能有如此原生态的自然，实属珍贵。”对于东方美学背后巨大的能量，他也一直在创作中自然而然地深入、探索和发现。

　　The natural artistic conception of Zen at MAHÁ Garden strikes a chord with Mr. Ma Kelu. At the beginning of the forum， he shared his feelings about visiting MAHÁ. “In MAHÁ Garden， I can see that there are oriental aesthetic elements such as Japanese pine and Japanese rock garden， and verdant trees. It is rare to have such primitive nature in the bustling city.” He has been naturally exploring the huge energy behind eastern aesthetics in his creation.

马可鲁，《啊打》，布面油画，67×67cm，2020年

　　他认为，目前中国仍是不断建立文化自信的时候，但对于个体艺术家来说，简单的嫁接、借用一类表面动作还远远不够。在精神层面，马可鲁先生一直在抽象绘画中试图接近中国古代大师的思想，希望由此建立起自己的知识构架，水到渠成地获得一种文化的全盘思考。

　　He believes that China is building self-confidence in culture， but for individual artists， simple use of superficial movements is far from enough. On the spiritual level， Mr. Ma Kelu has been approaching the ideas of ancient Chinese masters in abstract paintings， in the hope of building his own knowledge structure and contemplating culture in a comprehensive manner.

马可鲁，《啊打 红》，纸本油画，64×64cm，2020年

　　王易罡先生亦表达了对于缦园空间设计的欣赏，艺术与自然的结合，正是缦合的生态美学。谈及艺术家与艺术的关系，他认为那是一种生活与艺术的关系，是艺术家在生活中不断感悟，不断体验的过程。

　　Mr. Wang Yigang expressed his appreciation for the spatial design of MAHÁ Garden. The combination of art and nature is the aesthetics of MAHÁ ecologically. Speaking of the relationship between artists and art， he said that it is a relationship between life and art， a process of developing perception and experiencing in life for artists.

王易罡，《M98》，布面油画，150×200cm，2021年

王易罡，《M96》，布面油画，80×100cm，2021年

　　在王易罡先生多年的艺术实践中，他还真切感悟到艺术家与艺术是如情人般的恋情，又像彼此拉扯的婚姻，整个过程时刻都是对艺术家极大的考验。在与艺术朝夕相处的丰富体会中，总会有全新的感悟。

　　In many years of artistic practice， Wang Yigang felt that the relationship between artists and art is like that of lovers， and also like a marriage with ups and downs. The whole process is a great trial for the artist. New insights can be gained from association with art day and night.

王易罡，《M94》，布面油画，75×90cm，2021年

　　从绘画之初，到持续三十余年的艺术探索，为了追求艺术中更为自由的表达，他们义无反顾地付诸于抽象艺术的探索。在抽象绘画中，绘画变得没有了所谓的“对”“错”，画也不再仅仅是“画”本身。本次参展并在论坛担任主持的艺术家戴莹，深谙三位抽象艺术家话题背后的深意。在她看来，绘画是一种行为，而并非仅是绘画本身，每幅作品都是身体仪式与绘画实践的合二为一。

　　During more than 30 years of artistic exploration， they have committed themselves to the exploration of abstract art for more free expression of art. In abstract paintings， there is no so-called “right” or “wrong” ， and painting is no longer “painting” itself. Artist Dai Ying， who participated in this exhibition and served as the moderator at the forum， is fully aware of the profound meaning behind the topics by the three abstract artists. In her view， painting is a type of behavior， not merely a painting. Each work is the blend of body ritual and painting practice.

戴莹，《M9》，宣纸综合材料，90×92cm，2017年

　　作为艺术家，同时也是微斯艺术中心的代表之一，戴莹对于将当代艺术注入顶级高品质住宅背后的意义有着许多思考。她深刻地意识到，真正能够推动艺术的事情需要不断去到艺术圈之外的领域去做。

　　As an artist and one of the representatives of VIS ART CENTER， Dai Ying has been thinking about the significance of incorporating contemporary art into top-class residence. She is fully aware that what can really promote art needs to be completed in the areas outside the art community.

戴莹，《M43》，宣纸综合材料，200×200cm，2020年，展览记录：《为了忘却的纪念》 北京 今日美术馆 2020年

　　在本次“缦合艺术派”项目当中，无论是宁静伟大的MAHÁ美学，缦园40万平原生的自然符号，还是饱含艺术家最纯粹思考与情感的抽象画作和简单而品位不凡的空间极简主义……在顶级生活方式的每一帧画面上，都注入了不凡的艺术基因。这也将进一步投射到当下艺术的发展中，真正在圈内翻起涟漪。

　　In this “MAHÁ School of Art” project， extraordinary artistic genes are incorporated into the top lifestyle， whether it be the tranquil and great MAHÁ aesthetics， the natural symbols of 400，000 sq m. MAHÁ Garden， or abstract paintings full of the artist‘s purest thoughts and sentiments， and the simple yet high-quality minimalist space. This will be reflected in the current development of art， causing a sensation in the circles.

“意象×艺术”当代艺术展现场

　　把艺术带到每个角落，也是微斯艺术中心一直以来不曾改变的艺术理念。作为一家专注于当代先锋艺术的艺术中心，微斯艺术中心（VIS ART CENTER）在国际与本土的双重视野下，持续支持并发掘当下极具前卫、独特、杰出特质的艺术家及其思考与实践，不仅致力于艺术领域内的发展，更擅长将艺术渗透于广泛的社会层面并反哺艺术的发展，持续引起业内广泛认可和关注。

　　Bringing art to every corner is also the unchanging artistic concept for VIS ART CENTER. As an art center specializing in contemporary avant-garde art， VIS ART CENTER supports and scouts contemporary artists with avant-garde， distinctive and outstanding traits as well as their thoughts and practice from the perspective of international and local visions. It is committed to the development of the art field， and is proficient at incorporating art into the wide-ranging social areas and supporting the development of art. It attracts widespread recognition and attention in the industry.

“意象×艺术”当代艺术展现场 

“意象×艺术”当代艺术展现场

　　在本次与缦合·北京联合举办的首场“缦合艺术派”当代艺术展中，犹如艺术品一般存在的缦园，与当下最具时代思考的画作产生新的碰撞。世界顶尖水平的园林艺术，再次因艺术的注入被赋予精神上极致的丰盈。这将共同成为缦合全球顶级生活方式的关键部分，也将继续为当下中国当代艺术的发展带来最有效的无限能量。

　　In the first “MAHÁ School of Art” contemporary art exhibition jointly held with MAHÁ · Beijing， MAHÁ Garden， which exists like an artwork， interacts with the most contemporary paintings. The world-class garden art is endowed with the ultimate spiritual value thanks to the addition of art. These constitute a key part of MAH？’s world-class lifestyle， and will bring the boundless energy to the development of contemporary Chinese art.

转载自：Vis Art-公众号