《RGB - 视觉暂留那一刻》系列作品，针对的是全彩色屏幕系统。杨冕用红（R）、绿（G）、蓝（B） 三种色彩来模拟三原色光的复合效果，底色是白（W）。《CMYK》是抽象出圆点来模拟色料，《RGB - 视觉暂留那一刻》是抽象出细线来模拟色光。《RGB- 视觉暂留那一刻》中的“视觉个体性”，首先，也是各种颜色的细线在观者的视网膜中自动调和，生成各自的观看结果。但这一系列作品中主要是大面积的几个色块，没有《CMYK》中的复杂图像。“视觉geti性”主要活跃于“视觉暂留”中。

RGB: The Moment of Visual Persistence is concerned with full-color screen display systems. Yang Mian uses red (R), green (G), and blue (B) to imitate the combined effect of these three primary colors on a white (W) background. In CMYK, abstract dots imitate pigment, and in RGB: The Moment of Visual Persistence, abstract lines imitate colored light. The visual democracy of RGB: The Moment of Visual Persistence first requires the automatic admixture of thin colored lines within the viewer’s retina to generate the intended effect. However, the RGB series is dominated by several large blocks of color, not the complex images of CMYK. Thus, in RGB, visual uniqueness primarily exists in the form of visual persistence.

因为视神经的反应速度，光对视网膜所产生的视觉，在光停止作用后，仍然保留一段时间。而且，不同频率的光在视网膜中有不同的暂留时间。杨冕用红、绿、蓝色的细线创造出特定的绘画，然后以身示范：把他自己对这绘画的视觉暂留记忆，画在同样大小的第二张画面上。观看、暂留、记忆、默画，这四个阶段一路走下来，非常复杂，个体的肉身经验、理性和对可遇不可求的契机之把握，都需要尽力介入。和第一张画相比对的第二张画中，出现了视觉暂留的多种效果：平行变化、视觉错愕、片段交错、衰减消失……

Because of the optic nerve’s reaction speed, the vision that light produces in the retina persists for a time after the light disappears, and different frequencies of light persist for different lengths of time on the retina. Yang Mian uses thin red, green, and blue lines to create a painting, then he demonstrates the persistence of vision. He paints his own memory of the visual persistence of the first painting in a second picture of the same size. He moves through a complex four-stage process: looking, persistence, memory, and painting. As much as possible, he wants to involve his own physical experience, reason, and capture accidental moments. Comparing the first picture to the second reveals the multiple effects of visual persistence: simultaneous changes, visual surprises, staggered parts, and elements that have faded or vanished completely.

为了让观者更真切的体验“视觉暂离”，杨冕使用了定时明、灭的灯光。起初，一束灯光照  亮左侧的第一张画，右侧的第二张画表达杨冕的视觉暂离记忆，处于暗中。然后，另一束灯光照亮第二张画，第一张画处于暗中。这时，观者可以调动自己观看第一张画后的视觉暂留印象，和杨冕的视觉暂留记忆相比对，揣摩两人的不同。最后，两束灯光一齐亮起，两张画都被照亮，在视网膜中形成新的视觉暂留……

So that his viewers more clearly experience the persistence of vision, Yang Mian installs lights that turn on and off at fixed intervals in the viewing space. First, a light illuminates the first painting on the left side and the second painting, which depicts Yang Mian’s memory of visual persistence, remains in darkness on the right side. Next, another light illuminates the second painting, leaving the first one in darkness. In that moment, viewers can make use of the persistence of vision from viewing the first painting, and compare them to Yang’s memories of visual persistence, which shows how the viewer and the artist differ. Finally, both lights turn on at the same time, illuminating the paintings and creating new visual persistence on the retina.