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【兔年艺术推荐】黄智清手中的好奇与生命力

2022-11-23 13:51:21 未知

　　归于真艺术馆

　　When the rabbit appears

　　It means the cold winter is coming to an end

　　Spring is coming.

　　2022.11

　　NEW ART

　　RABBIT

ARTWOR COLLECTION

兔子一出现

意味着

寒冬即将过去

春天即将到来

它是好奇心的象征

是生命力的代名词

　　艺术故事

　　DESIGN STORY

　　1940年，法国多尔多涅乡村，4个孩子带着狗追逐野兔。突然，野兔不见了，狗也没有踪影。察觉到兔和狗跑进一个山洞，孩子们也带着手电筒和绳索进入洞里，结果发现了一个原始人的庞大画廊，这就是拉斯科洞窟壁画，被称为“史前的卢浮宫”。

　　与野兔之间的这场追逐，成为发现人类艺术起源的故事。

　　艺术与兔子之间，搭拉着一条不可言喻的线。

　　如果选一只动物来描述艺术，那我会选兔子。抛开它与艺术奇遇不说，兔子是冒险的代名词，艺术本身就是一场冒险。兔子的文化与神话密切联系着，就像最初的艺术那样，充满神性。现实中的兔子又诸多诡计，亦正亦邪，聪明机智。此时的兔子，像极了参与艺术故事里的人类，充满人性，有欲望、有爱、有希望。

　　艺术家黄智清的这只《卯兔》，在口罩时代诞生。《卯兔》的出生，有着东方式哲学之美。圆润而灵动，极简而丰满。它没有任何表情，没有任何细节，但你又可以在其中看到各种延伸。当它平放时，敦厚而忠实。当它以尾巴为支撑点时，有种腾跃的萌动。时而沉敛，时而俏脱。黄智清用个体的多变形态，来传达生命的无限可能。

　　In 1940， four children were chasing hares in the village of Dordogne. Suddenly， the hare disappeared and the dog disappeared. Only then did the children find that rabbits and dogs ran into a cave， and they also entered the cave with flashlights and ropes. As a result， they found a huge gallery of primitive people， which is the mural of Lascaux Cave， known as the “prehistoric Louvre”.

　　The chase with the hare became the story of the discovery of the origin of human art.

　　There is an inexplicable line between art and rabbit.

　　If you choose an animal to describe art. Then I will choose rabbits. Despite its adventure with art， rabbit is synonymous with adventure， and art itself is an adventure. Rabbit culture is closely related to mythology， just like the original art， full of divinity. The rabbit in reality has many tricks， both good and evil， smart and resourceful. At this time， the rabbit looks like a human participating in the art story， full of humanity， desire， love and hope.

　　The Mao Rabbit by artist Huang Zhiqing was born in the era of masks. The birth of Mao Rabbit has the beauty of oriental philosophy. Round and flexible， simple and full. It has no expression， no details， but you can see the expression you want in it. When it is laid flat， it is honest and faithful. When it takes its tail as the supporting point， it has a kind of jumping. Sometimes they are restrained and sometimes they are cute. Huang Zhiqing uses a different form of an individual to convey the infinite possibilities of life.

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卯兔/脱胎雕塑