艺术，是时代的印记，是历经时间洗刷后的璀璨遗珠，我们群览世界各大博物与美术馆，共同踏入一条跨越时间与文明的无垠长河，在其中领略东西方大师笔下的无限可能。

艺术，是时光的桥梁，跨越历史与现实，连接经典与创新。本次《礼遇大师：当代艺术生活美学展》便是物兮物作为先锋艺术时尚生活品牌，将世界的“博物”文化与现代流行“事物”融合，通过创意设计使艺术之美回归现代生活。

展览现场

展览共邀请四位集东西方艺术之长的当代艺术家：陈清勇、丛云峰、王劲之、解永生，以全新视角理解并致敬大师。携手物兮物共同以三大主题呈现出丰富的艺术内涵与多元的创作。通过对大师经典的复刻与当代艺术作品展示，我们在Mu Art Space物兮物这一空间内展开了一场视觉与思想对话。

第一部分“美遇东西”围绕文明互鉴这一主题，展出王劲之的岩彩、丛云峰的木板坦培拉、陈清勇的古砖彩绘等作品，体现艺术交融中的独特美感，同时引出一场关于18世纪中国风潮「Chinoiserie」的历史回溯。

展览现场

第二部分“墨彩华章”聚焦中国艺术大家与非遗文化：代表篆刻文化的「天下第一名社」西泠印社呈现印章体验，以吴冠中的经典泼墨点彩的元素展现沉浸式场景，另设有一场颇具东方气韵的「流光绘影」沉浸式光影体验，以及非遗精品展示和体验活动，让观众得以通过不同形式和介质，多维度的了解华夏艺术之美。

第三部分“大师印象”是对印象派的致敬，展示了当代艺术家解永生如何在新的语境中延续和重塑经典，同时也以柔软的毛绒艺术的形式重新演绎了印象派大师笔下的作品。

展览现场

礼遇大师展览尾声，以可被收集的大师作品衍生品——系列冰箱贴展示，为对艺术和美有追求的访客提供收集途径。而威廉莫里斯的主题咖啡，更是诠释了作为承载着世界文化艺术内容的生活品牌，物兮物将“艺术之美”和“时尚生活”带到人们身边，传递“以物载物”的核心。

An lmmersive Contemporary Art and Lifestyle Aesthetics Exhibition

Art serves as the imprint of an era, a dazzling gem after the wash of time. As we traverse the world's major museums and art galleries, we embark on an infinite journey across time and civilizations, where we witness the boundless possibilities captured by Eastern and Western masters.

Art is a bridge of time, spanning history and reality, connecting classics and innovations. The current exhibition, "Tribute to the Masters: An lmmersive Contemporary Art and Lifestyle Aesthetics Exhibition," organized by MUSEUMS & GALLERIES, a pioneering artistic and fashionable lifestyle brand, integrates world-class museum culture with modern popular objects, bringing the beauty of art back into modern life through creative design.

During the exhibition, five contemporary artists who excel in both Eastern and Western arts—Chen Qingyong, Cong Yunfeng, Li Qiubai, Wang Jinzhi, and Xie Yongsheng—were invited to interpret and tribute to the masters from a fresh perspective. Together with MUSEUMS & GALLERIES, they presented rich artistic connotations and diverse creations through three themes. Through replications of masterpieces and displays of contemporary artworks, we engaged in a visual and intellectual dialogue within the space of Mu Art Space.

The first part, "East Encounter West," revolves around the theme of mutual appreciation among cultures, exhibiting Wang Jinzhi's rock-color paintings, Cong Yunfeng's wooden panel temperas, and Chen Qingyong's ancient brick paintings, among others, embodying the unique aesthetic of artistic fusion. It also triggers a historical review of the 18th-century trend known as "Chinoiserie."

The second part, "Splendid Ink and Color," focuses on Chinese art masters and intangible cultural heritage. The Xiling Seal Engravers’ Society, representing seal cutting culture, offers a seal experience, while immersive scenes featuring Wu Guanzhong's classic splash-ink and dot-color elements are displayed. Additionally, there is an immersive light and shadow experience, as well as workshops of intangible cultural heritage treasures, allowing visitors to understand the beauty of Chinese traditional art through various forms and mediums.

The third part, "Master Impressions," pays homage to Western Impressionists while showcasing how contemporary artists Li Qiubai and Xie Yongsheng continue and reshape classics in new contexts.

At the end of the last part, a series of collectible fridge magnets featuring derivative works by the masters were displayed, providing a means for visitors who pursue art and beauty to collect them. Furthermore, the William Morris-themed café embodies MUSEUMS & GALLERIES's core mission as a lifestyle brand carrying world-class cultural and artistic content, bringing the "beauty of art" and "fashionable living" to people's lives and conveying the essence of "carrying culture through objects, hoping for innovation."

展览现场

美遇东西

和合共生

第一部分聚焦东西方绘画传统的相互影响与融合，在此特邀三位当代艺术家：王劲之运用岩彩这一古老技法呈现出东方独特韵味，丛云峰以西方木板坦培拉为媒介创造当代山水画面，以及陈清勇在古砖上以水墨精心“制造山水”，展现艺术文明交融所带来的独特美感。

同时，这一部分还串联起了一场关于18世纪在欧洲的中国风潮「Chinoiserie」的历史回溯，引领我们穿越时空，去感受那个时代欧洲对中国艺术风格的热衷与模仿，以及这种风潮如何在现代设计中巧妙运用。

East Encounter West

Harmony and Coexistence

The first section focuses on the mutual influence and integration of Eastern and Western painting traditions. Here, we have invited three contemporary artists: Wang Jinzhi, who employs the ancient technique of rock-color painting to present the unique charm of the East; Cong Yunfeng, who creates contemporary landscape scenes using the Western medium of wood panel tempera; and Chen Qingyong, who meticulously "crafts landscapes" with ink on ancient bricks, all showcasing the unique aesthetic beauty brought about by the fusion of artistic civilizations.

Additionally, this section also weaves together a historical retrospective on the 18th-century European aesthetics, known as "Chinoiserie," taking us through time to experience the enthusiasm and imitation of Chinese artistic styles by Europe during that era, as well as how this trend has been cleverly utilized in modern design.

展览现场

艺术家介绍

王劲之

王劲之的作品以日本美学的侘寂、幽玄、物哀为主，在传统的岩彩媒材基础之上创造出符合新一代人群的崭新作品，结合当代中国之美的画风，让世人见到更多新式的岩彩绘画，以此展现中华文化之美。

王劲之在岩彩画中融入了中国画的笔墨元素和意境表达，使得岩彩画在保持自身独特风格的同时，也呈现出中国传统文化的韵味。通过丰富的色彩选择和独特的材质表现，他的画作同印象派油画一样，追求光影变化和色彩对比的效果。

Wang Jinzhi's works draw heavily from Japanese aesthetics, particularly wabi-sabi, yuugen, and mono no aware, creating innovative pieces for a new generation based on traditional rock-color media. By integrating the painting style of contemporary China's beauty, he introduces the world to more novel rock-color paintings, thereby showcasing the beauty of Chinese culture.

Wang Jinzhi incorporates the brushwork and expressive imagery of Chinese painting into his rock-color paintings, allowing them to retain their unique style while also presenting the charm of traditional Chinese culture. Through his rich color choices and unique material expressions, his paintings, like Impressionist oil paintings, pursue the effects of light and shadow changes and color contrast.

展览现场

陈清勇

在对中国水墨画细致观察之后，陈清勇选择在明清时期的古砖上以他个人的艺术语言“制造”山水画，顺着砖上的起伏沟壑，用细密的线条来绘制山川树木。明清古砖《制造山水》系列的表达，不仅昭显着它在历经时间风化后，表皮呈现出的包浆痕印与自然肌层，还是其中内含残缺沟壑的温度释放。那些痕迹若隐若现地覆盖它们原有的相貌，最终被定格的图像，勾连起过往和现时的记忆，在解构、重组图景之间，呈现一段地理空间与时间历史并置的文化现象。

After meticulously observing traditional Chinese ink paintings, Chen Qingyong chose to "fabricate" landscape paintings on ancient bricks from the Ming and Qing dynasties using his unique artistic language. Following the undulations and gullies on the bricks, he employed intricate lines to depict mountains, rivers, and trees. The "Fabricating Landscapes" series on Ming and Qing bricks not only highlights the patina and natural textures that have emerged after years of weathering but also releases the warmth contained within the bricks' imperfections and gullies. These traces subtly overlay their original appearance, and the final fixed images evoke memories of the past and the present. Between deconstructing and reconstructing the scenes, they present a cultural phenomenon where geographical space and historical time are juxtaposed.

展览现场

丛云峰

《太一的流溢》系列作品融合波斯细密画、印度细密画和中国画中的传统图式，以欧洲绘画中传统的坦培拉材料作为材质，把各种文化中的形式和质料进行拆分并重构，以探讨不同文化背后的普适法则。

丛云峰的该系列受中国水墨画中的黑白单色影响，画面中心是一个八角形被两层相同的八角形环绕，这样的结构不断重复，形成了一个似乎无限延伸的图案，象征着某种不断扩展或流动的过程。他希望将中国水墨和西方坦培拉材料所结合，呈现一种文化的融合。

The "Overflow of Taiyi" series integrates traditional motifs from Persian miniatures, Indian miniatures, and Chinese paintings, using the traditional tempera material from European painting as the medium. It dissects and reconstructs forms and textures from various cultures to explore the universal principles behind different cultures.

Influenced by the monochrome black and white of Chinese ink painting, Cong Yunfeng's series features a central octagonal shape surrounded by two layers of identical octagons, with this structure repeating to form a seemingly infinite pattern, symbolizing a process of constant expansion or flow. He aims to combine Chinese ink painting with Western tempera material to present a fusion of cultures.

展览现场

美遇东西

东方绮梦

East Encounter West

Eastern Dreams

这是一场关于18世纪「欧式中国风 Chinoiserie」的历史回溯。呈现物兮物以经典博物馆馆藏插画与纹样为灵感，将其转化物日用之物的创新设计。

欧式中国风（Chinoiserie）是18世纪欧洲盛行的一种艺术与文化风潮，它体现了欧洲对中国艺术与文化的浓厚兴趣。这种风格并非是对中国艺术的直接复制，而是欧洲人对中国元素的独特诠释，常常将中国元素与欧洲审美和技艺相融合。设计中常出现龙纹、山水风景和花鸟图案等元素，充满了奇思妙想与浪漫情怀。时至今日，欧式中国风的影响依然可见于现代设计中，继续激励着创作者们以独特而富有想象力的方式融合东西方文化。

This is a historical retrospect on the 18th-century "Chinoiserie," a European trend inspired by Chinese aesthetics. The presented items are innovative designs that draw inspiration from classic museum illustrations and patterns, transforming them into everyday objects.

Chinoiserie was an artistic and cultural movement prevalent in Europe during the 18th century, showcasing a profound interest in Chinese art and culture. This style was not a mere replication of Chinese art but a unique European interpretation of Chinese elements, often blending Chinese motifs with European aesthetics and craftsmanship. Designs frequently featured elements such as dragon patterns, landscapes, and floral-bird motifs, imbued with whimsical ideas and romantic sentiments. To this day, the influence of Chinoiserie can still be seen in modern design, continuing to inspire creators to blend Eastern and Western cultures in unique and imaginative ways.

墨彩华章

金石书画

Splendid Ink and Color

Calligraphy and Inscription

第二篇章着重展现中国传统艺术名社与名家。⻄泠印社有“天下第一名社”的美誉，于清光绪30年（1904年）建社，印社以“保存金石、研究印学、兼及书画”为宗旨，自创立以来，百余年间收集大量金石书画藏品，为中国篆刻，乃至近代艺术史保存了大量实物史料。“墨彩华章”的“章”即指代印章，展览场景也源于此。展出互动集章体验中也将呈现以西泠印社第一任社长吴昌硕的画作为灵感的“柿柿如意”印章。

The second chapter focuses on showcasing renowned Chinese traditional art societies and their master artists. The Xiling Seal Society, known as the "Most Famous Society in the World," was founded in the 30th year of Emperor Guangxu's reign in the Qing Dynasty (1904). With the mission of "preserving inscriptions on metal and stone, researching seal studies, and encompassing calligraphy and painting," the society has collected a vast amount of artworks related to inscriptions on metal and stone, calligraphy, and painting over the past hundred years, preserving a wealth of physical historical materials for Chinese seal cutting and even modern art history. The interactive seal-collecting experience during the exhibition will also present a seal inspired by the paintings of Wu Changshuo, the first president of the Xiling Seal Society, depicting pomegranates symbolizing "may all things be as you wish."

墨彩华章

古韵新章

Splendid Ink and Color

Ancient but Contemporary Chapter

吴冠中兼取中西绘画，长期从事油画民族化实践，其油画清新、明快，富于民族特色和抒情意味。后又从事水墨画创新，其画介于具象与抽象之间，注重点、线与墨块交融的韵律感。

在此，吴冠中画作中的泼墨与点彩元素在空间中与户外景观进行对话，呈现出一幅蕴含古典韵味的当代中式画卷。

Wu Guanzhong integrated both Chinese and Western painting techniques and devoted himself to the practice of nationalizing oil painting. His oil paintings are refreshing, bright, and rich in national characteristics and lyrical expressions. Later, he engaged in the innovation of ink painting, creating works that lie between the concrete and the abstract, emphasizing the rhythmic interplay of dots, lines, and ink blocks. Here, the splash-ink and dot-color elements from Wu Guanzhong's paintings engage in a dialogue with the outdoor landscape in the space, presenting a contemporary Chinese painting scroll that embodies classical charm.

博物映像（光影厅）

在这片光影流转的空间里，我们邀请您一览全球知名博物馆的艺术之美。每一幅画作与艺术品都凝聚着历史的智慧与创意的火花，随着影像的流动，您将欣赏到大英博物馆、英国国家美术馆、维多利亚与艾尔伯特博物馆、波士顿美术博物馆的经典馆藏。此外，本次展览还特别呈现了与部分经典馆藏衍生而来的文创产品，带您走进艺术与日常生活的碰撞与融合，让经典不再遥远，艺术触手可及。

Museum Imagery

In this space where light and shadows flow, we invite you to explore the artistic beauty of renowned museums around the world. Every painting and artifact embodies the wisdom of history and the spark of creativity. As the imagery flows, you will appreciate the classic collections from the British Museum, the National Gallery in London, the Victoria and Albert Museum, and the Museum of Fine Arts, Boston. Furthermore, this exhibition also features a special presentation of cultural and creative products derived from some of these classic collections, bringing you into the collision and fusion of art and daily life. Let the classics no longer be distant and make art within reach.

墨彩华章

非遗传承

Splendid Ink and Color

Inheritance of Intangible Cultural Heritage

在展览期间，非物质文化遗产的传承人们将基于展览作品汲取灵感，并选取其中的图案素材，为观众提供一系列富有创意与文化内涵的课程体验。这些课程包括石板拓印画、烧箔画以及冷珐琅饰品制作等，旨在通过实践操作让参与者亲身体验非物质文化遗产的独特魅力，感受传统技艺与现代审美的完美融合。

During the exhibition, inheritors of intangible cultural heritage will draw inspiration from the exhibited works and select their patterns and motifs to offer a series of creative and culturally enriched course experiences for visitors. These courses include stone rubbing, foil burning painting, and cold enamel jewelry making, aiming to allow participants to personally experience the unique charm of intangible cultural heritage and feel the perfect fusion of traditional craftsmanship and modern aesthetics through hands-on practice.

大师印象

对话经典

Master Impressions

Dialogue to the Classic

在本章节中，我们特别呈现了参展艺术家谢永生的作品以及两组毛绒艺术装置。谢永生以油画为载体，向印象派大师表达了敬意，他的肖像画创作巧妙地融入了现代审美元素，展现了当代艺术家如何在现代语境中延续并重塑这些经典之作，使其焕发出新的光彩。

巨幅的梵高名作《向日葵》、莫奈的《睡莲》与错落的毛绒花形成戏剧性碰撞，既还原了大师笔下植物的生命力，又以柔软触感解构了经典油画，实现从视觉到触觉的维度跨越。观众可置身于画作之中，留下属于自己的印象派瞬间，让光影的永恒在虚实交织中完成当代转译。

In this section, we proudly present the works of participating artist Xie Yongsheng alongside two plush art installations. Through oil painting, Xie Yongsheng pays homage to Impressionist masters, skillfully integrating modern aesthetic elements into his portraiture. His creations demonstrate how contemporary artists extend and reshape these classical traditions within a modern context, reinvigorating them with new brilliance.

Van Gogh's monumental *Sunflowers* and Monet's *Water Lilies* engage in a dramatic interplay with staggered plush floral arrangements. While faithfully evoking the vibrant botanical vitality captured by the masters, the installations simultaneously deconstruct these iconic paintings through tactile softness, bridging the dimensions from visual appreciation to sensory interaction. Visitors are invited to immerse themselves within the paintings, capturing their own impressionist moments as the eternal dance of light and shadow undergoes contemporary reinterpretation through the fusion of reality and illusion.

《向大师致敬》名画系列是解永生近几年创作的系列之一，因为自从接触绘画，大师的作品已经在他心中扎根，敬畏和崇拜的同时也在思考着如何用自己绘画风格去再现艺术大师之作。解永生通过深入观察与解读大师级的肖像画作品，如梵高那充满情感与生命力的笔触下所描绘的人物形象，以此为灵感，巧妙地将这些经典元素与当代审美趋势相融合，创造出既致敬原作又独具一格的新作。在画作中，他采用了卡通化的表情形式、可爱亲近的形象设计，以及融入新颖的创作理念。

"Homage to Masters," a series of famous paintings created by Xie Yongsheng in recent years, is one of his signature works. Since his first encounter with painting, the works of masters have taken root in his heart. While feeling awe and admiration, he has also been contemplating how to reproduce the masterpieces of artistic giants in his own painting style.

By deeply observing and interpreting master-level portrait paintings, such as those by Vincent van Gogh that depict figures with emotional and vital brushstrokes, Xie Yongsheng draws inspiration and cleverly integrates these classic elements with contemporary aesthetic trends to create new works that pay homage to the originals while possessing a unique style. In his paintings, he adopts cartoonish expressions, cute and accessible image designs, and incorporates innovative creative concepts.

致敬大师

以物载物

Tribute to the Masters

Carrying Culture Through Objects

物兮物是一个艺术时尚生活品牌，意为将世界的“博物”文化与现代流行“事物”融合，通过创意设计使艺术之美回归现代生活。作为承载着世界文化艺术内容的生活品牌，我们将“艺术之美”和“时尚生活”带到人们身边，“以物载物，希冀创新”即是物兮物的核心。

礼遇大师展览尾声，以可被收集的大师作品——冰箱贴展示，为对艺术和美有追求的访客提供收集途径。

MUSEUMS & GALLERIES is an art, fashion, and lifestyle brand that aims to integrate world-class "museum" culture with modern popular "objects," bringing the beauty of art back into modern life through creative design. As a lifestyle brand carrying world-class cultural and artistic content, we bring the "beauty of art" and "fashionable lifestyle" to people's lives. "Carrying objects to convey meaning, aspiring for innovation" is the core of MUSEUMS & GALLERIES.

At the conclusion of the exhibition, collectible masterpieces in the form of fridge magnets are displayed, providing a means for visitors who pursue art and beauty to collect them.