“生活手稿，偶然想象”，基于一种对于中间值的思辨与强调，一个介于生活与艺术之间的过渡地带（这也正是设计的特性），即如何通过绘画不同的风格和经验介入到对生活类型与过程感的思考。这也达成了 SunS Living Gallery善喜设计画廊 一直努力所设想的：如何将展览从空间的艺术性中牵引出来，进入到更广泛的生活性讨论之中。

“the unlived life" is based on the speculation and emphasis of an intermediate value, a transition zone between alternative life and art (which is also the characteristic of design), that is, how to intervene in the thinking of life types and process through different painting styles and experiences. This also forms what SunS Living Gallery has been striving to envision: how to lead the exhibition from the artistry of the space to a wider market of life discussions.

蔡锦

1965年 出生于安徽屯溪，现工作生活于北京。个展2024 蔡锦：锦室意象  DG ART SPACE 上海2023 花非花 蔡锦艺术展 安徽省美术馆 合肥 中国2023 女人花 颂艺术中心 北京 中国2022 蔡锦花园 博乐德艺术中心 北京 中国2022 更多的花与更多的物 作者画廊 北京 中国2020 植物公园里的蔡锦 汉雅轩 香港 中国

群展2024 1994:日常·奇观 中欧国际工商学院 北京2023 Embark·Hang 中心美术馆 杭州 2021 瞬间，在场—予她同行 多伦现代美术馆 上海2020 驿动 元典美术馆 武清 2020  A Botanical Garden at Hanart 汉雅轩 香港 2019 她说  成都当代影像馆 四川

Caijin

Born in Tunxi, Anhui in 1965, currently works and lives in Beijing.Solo Exhibition2024 Cai Jin: Image of Brocade Room DG ART SPACE Shanghai2023 Flowers Are Not Flowers Cai Jin Art Exhibition Anhui Art Museum Hefei China2023 Woman Flower Song Art Center Beijing China2022 Cai Jin Garden Bolede Art Center Beijing China2022 More Flowers and More Objects Author Gallery Beijing China2020 Cai Jin in Botanical Garden Hanart TZ Gallery Hong Kong ChinaGroup Exhibition2024 1994: Daily·Spectacle CEIBS Beijing2023 Embark·Hang Center Art Museum Hangzhou2021 Moment, Presence—For Her Duolun Museum of Modern Art Shanghai2020 Movement Yuandian Art Museum Wuqing2020 A Botanical Garden at Hanart Hanart TZ Gallery Hong Kong2019 She Said Chengdu Contemporary Image Museum Sichuan

蔡锦近些年进行的新作带有着更具纯度的突破：那些笔触开始逐渐脱离形的束缚，依循绘画自身的动能与画布进行角力，在留白的衬比关系中，这些爆发性的笔触和手感将其自身的能量表现到了极致。

Cai Jin's new works in recent years have a purer breakthrough: the brushstrokes begin to gradually break away from the constraints of form, and wrestle with the canvas according to the kinetic energy of the painting itself. In the contrasting relationship of blank space, these explosive brushstrokes and touches express their own energy to the extreme.

李汉威

艺术家与策划人，1994年生于江苏徐州，2018年毕业于上海视觉艺术学院，现工作生活于北京与上海。他的创作以技术为核心媒介，致力于探索技术如何介入甚至主导人类的感知、交流与身份建构，以此引发对技术实用主义社会中个体自主性及文化多样性的深度反思。奖项2020年，获迪奥新秀摄影与视觉艺术奖提名奖2023年，荣获保时捷“中国青年艺术家”奖近期个展2024年，“只管去练”（昊美术馆，上海，）2022年，“新绘画”（没顶画廊，上海）2022年，“新传播”（chi K11美术馆，上海）2019年，“液态健康”（歌德开放空间，上海）

Li Hanwei

Artist and curator, born in Xuzhou, Jiangsu in 1994, graduated from Shanghai Institute of Visual Arts in 2018, currently works and lives in Beijing and Shanghai.His creation uses technology as the core medium, and is committed to exploring how technology intervenes in or even dominates human perception, communication and identity construction, thereby triggering a deep reflection on individual autonomy and cultural diversity in a technological pragmatic society.AwardsIn 2020, he was nominated for the Dior Newcomer Photography and Visual Arts AwardIn 2023, he won the Porsche "China Young Artist" AwardRecent solo exhibitions2024, "Just Practice" (Hao Art Museum, Shanghai,)2022, "New Painting" (MadeIn Gallery, Shanghai)2022, "New Communication" (chi K11 Art Museum, Shanghai)2019, "Liquid Health" (Goethe Open Space, Shanghai)

李汉威的所有实践都建立在对既定信息文本的加工、传播与物质性结果的再生产之上。在这种几乎必要的网络与信息缠绕中，李汉威试图把自己转化为信息以及信息命运的共存者，在与现实相平行的另一个现实发生系统之中，他对于既定素材进行着莱布尼茨式的界定、交杂与再生。

All of Li Hanwei’s practices are based on the processing, dissemination and reproduction of material results of given information texts. In this almost necessary entanglement of networks and information, Li Hanwei attempts to transform himself into a co-existent of information and its fate. In another reality-generating system parallel to reality, he carries out Leibniz-style definition, intermingling and regeneration of given materials.

靠近危机边缘

星期二

顾文璟

1999年生，现居北京，清华大学美术学院硕士。

参展经历：

广州当代艺术博览会，广州（2024）

“我就是戈多”，素画廊，上海，（2024）

“人智时代——第三届济南国际双年展”，济南（2024）

“命名，如沐浴之际”，荔院空间，北京（2024）

“甜蜜的东方“作者画廊十周年展览，北京（2024）

“多元“青年艺术家群展，素画廊，北京（2024）

“影视诗“三个单元计划 ，红顶当代艺术中心，厦门（2024）

“唯物思维“第二届国际当代材料艺术双年展，克拉玛依（2024）

巴蜀青年摄影季“年轻的朋友来相会”，成都当代影像馆，成都（2023）

获奖： “万向启物清华大学美术学院作品展”一等奖、

第八届济南国际摄影双年展优秀作品奖

丽水摄影节艺术扶持基金荣誉“新学院新影像”优秀展览作品。

Gu Wenjing

Born in 1999, currently living in Beijing, Master of Fine Arts, Tsinghua University.

Exhibition experience:

Guangzhou Contemporary Art Fair, Guangzhou (2024)

"I am Godot", Su Gallery, Shanghai, (2024)

"The Age of Human Intelligence-The 3rd Jinan International Biennale", Jinan (2024)

"Naming, like bathing", Liyuan Space, Beijing (2024)

"Sweet East" Author Gallery 10th Anniversary Exhibition, Beijing (2024)

"Diversity" Young Artists Group Exhibition, Su Gallery, Beijing (2024)

"Film and Television Poetry" Three Unit Plan, Red Roof Contemporary Art Center, Xiamen (2024)

"Materialistic Thinking" The 2nd International Contemporary Material Art Biennale, Karamay (2024)

Bashu Youth Photography Festival "Young Friends Come to Meet", Chengdu Contemporary Image Museum, Chengdu (2023)

Awards: "Wanxiang Qiwu Tsinghua University Academy of Fine Arts Exhibition" First Prize,

The 8th Jinan International Photography Biennale Outstanding Works Award

Lishui Photography Festival Art Support Fund Honor "New Academy New Image" Outstanding Exhibition Works.

顾文璟的新作更为深入地强化了直接经验与间接经验的暧昧融合，而这种融合关系也是当下生活模型的重要特点之一。

Gu Wenjing's new work further strengthens the ambiguous fusion of direct experience and indirect experience, and this fusion relationship is also one of the important characteristics of the current life model.

菲林花 Filmcut50×40cm 2025 布⾯丙烯

是什么让今天的家庭如此不同？

Just what is it that makes today's homes so different？

50×40cm 2024 布⾯丙烯

王永学

1981年出生于辽宁铁岭，毕业于鲁迅美术学院，获得硕士学位，现工作和生活于北京。个展2024  “寂然有象” 东京画廊 北京2022 “冷翠石”王永学绘画作品展，隐世▪叠院儿，北京2019  偏离的奇遇，悦美术馆，北京2018 “間”王永学个人作品展，大新美术馆，台湾联展2025  微型沙龙  东京画廊 北京2025  新朦胧主义（中日韩艺术家邀请展） 新疆美术馆 乌鲁木齐 获奖及收藏作品《颠倒树系列》获得2016年“大新两岸三地青年艺术家创作大奖”唯一获奖者。《荆棘之二》获得 2012今日美术馆“富隆杯当代艺术院校大学生年度提名展”银奖。作品被今日美术馆，悦美术馆，台湾大新美术馆等机构及个人收藏。丽水摄影节艺术扶持基金荣誉“新学院新影像”优秀展览作品。

Wang Yongxue

Born in Tieling, Liaoning in 1981, graduated from Luxun Academy of Fine Arts with a master's degree, and currently works and lives in Beijing.Solo Exhibition2024 "Silence and Image" Tokyo Gallery, Beijing2022 "Cold Green Stone" Wang Yongxue Painting Exhibition, Hidden World•Layered Courtyard, Beijing2019 "Deviation Adventure", Yue Art Museum, Beijing2018 "Between" Wang Yongxue Solo Exhibition, Daxin Art Museum, TaiwanJoint Exhibition2025 "Micro Salon" Tokyo Gallery, Beijing2025 "New Hazyism" (Invitational Exhibition of Chinese, Japanese and Korean Artists) Xinjiang Art Museum, UrumqiAwards and CollectionsThe work "Inverted Tree Series" won the only winner of the "Daxin Cross-Strait Young Artist Creation Award" in 2016. "Thorns II" won the silver award of the "Fulong Cup Contemporary Art College Student Annual Nomination Exhibition" of Today Art Museum in 2012.The works are collected by institutions and individuals such as Today Art Museum, Yue Art Museum, and Daxin Art Museum in Taiwan.

王永学对纸本材料经年累月的研究、生活修养的确认以当下视觉逻辑的思考是一同并行的，他的生活与绘画都围绕一个个体的“内部”而展开。

Wang Yongxue's years of research on paper materials, his confirmation of life cultivation and his thinking on current visual logic are paralleled. His life and painting revolve around the "inside" of an individual.

许晨茜

一位多领域发展的艺术家，2018 年毕业于皇家艺术学院，在那里她创作了自己的珐琅艺术作品， 并以此参加了中国和欧洲的重要展览。从那时起， 她开始发展自己的绘画作品， 刚刚在伦敦完成了两场布面绘画和数字绘画展。在过去的几年里， 她还持续展出珐琅艺术作品，所以创作的不同层面正在朝着协调性和创造性并存的方向发展。所有的创作领域都相互滋养，在如今这种对创造力的流动性持开放态度并且文化得以自由发挥的美学中， 她正试图展现这种流动性。这样做涉及到中国文化的各种记忆系统，比如单色的传统风格、自然诗学、精神和物质的连续性以及对于虚空的表现方法。这反过来又开启了全新的提炼方式的可能性，将当代语境与深远的难以领略的传统奥秘联系起来。

Chenxi Xu

A multidisciplinary artist, she graduated from the Royal College of Art in 2018, where she created her own enamel artworks, which she participated in important exhibitions in China and Europe.A multidisciplinary artist, she graduated from the Royal College of Art in 2018, where she created her own enamel artworks, which she participated in important exhibitions in China and Europe.Since then, she has begun to develop her own paintings and has just completed two exhibitions of canvas and digital paintings in London. In the past few years, she has also continued to exhibit enamel artworks, so the different levels of her practice are developing in the direction of coordination and creative coexistence. All creative fields nourish each other, and in today's aesthetics that are open to the fluidity of creativity and culture is free to play, she is trying to show this fluidity. Doing so involves various memory systems of Chinese culture, such as the traditional style of monochrome, the poetics of nature, the continuity of spirit and matter, and the representation of the void. This in turn opens up the possibility of a new way of refining, connecting the contemporary context with the profound and difficult to appreciate traditional mysteries.

许晨茜的绘画具有一种“罕有”的触感。这种“罕有”既在于她对于小画幅的持续性执迷，也在于她对绘画笔意所携带的丰富信息的极致演绎。

Chenxi Xu's paintings have a "rare" touch. This "rarity" lies not only in her persistent obsession with small-scale paintings, but also in her ultimate interpretation of the rich information carried by the painting brushwork.

Poetics of the Deep 15x21cm Acrylic on canvas

在这个空间之中，生活如同创作的手稿，亟待一切想象经验的过程性填充。

In this space, life is like a creative manuscript, which urgently needs to be filled with all imaginative experiences.

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