徐冬青|万物都有呼吸,哪怕是一块石头
2025-04-01 16:14:37 未知
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编者按:
本篇文字取自“草叶菩提.徐冬青作品展”展厅内的板块内容。
整个展厅的划分采用了诗性的方式,分为三个部分。第一部分为“植物的智慧/生长性文字”;第二部分为“流动的生命/流动性文字”;第三部分为“莲花物语/心性文字”。整个展陈设计巧妙地结合了中国卷轴形式与现代设计元素,呈现出传统与现代的融合。展厅中的文字以中英文双语方式呈现。
值得一提的是,展览的三个段落并非按照艺术风格或题材进行划分,而是以诗性的视角进行铺展叙事。这三段文字不仅是展览的重要组成部分,更是整个展览意识核心的出发点。
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植物的智慧
植物的属性是垂直状态。具有更大的精神性象征意义。
生长,但不发出声音。
显现,却不四处行走。
在不动中开花结果。
以前我看它们是为表现我自己的感受,现在我看是被深深吸引。在凝视的过程中它们就能直接的给你。
2023.6.6
Wisdom of Plants
The attitude of plants is vertical, which symbolises a much stronger spirituality.
They grow noiselessly,
Present yet unmoving,
Blooming and bearing fruit in an enduring stillness.
Before, I looked to them as a form of self expression; but now I am drawn to them. Just by gazing at them, they give me more than I ever could have imagined.
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流动的生命
万物都有呼吸,哪怕是一块石头。更深的道理就在无时无刻中。
阿维尼翁两天一夜的大风,每天都像在告诉事情。感觉二十世纪也成为古典艺术的一部分了。世界在流动。生命体验在时间和空间的交集中转化为作品。
作为人在这个新的世纪里具有了特殊的存在意义。呼吸,泪流,疼痛,最简单的眼神,在某一天都变得无比珍贵。
在本源处一切都很圆满。
2024.3.20
Flowing Life
All creation breathes, even stones.
Every moment leading to a more profound understanding.
Overnight's gusty wind in Aveyron as if it were trying to tell me something. I feel like art in the 20th century has become a component of classical art. The world is like a flowing river. Lived experience is intertwined and woven with time and space to create art.
Being human, we possess a more significant meaning of existence in this new century.
Some day, every breath, every tear, every hurt will become precious, even the simplest of looks.
Everything becomes a whole in Origin of Self.
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莲花告诉我
花瓣的展开总要有个依凭之处,每朵花都有一个花心。
万物显现也都有一个出发点,那就是每个人的那颗心。
而心无形无相,无从描述。念头来来往往,不知从所何来。
是什么导致莲花开放。
你,就是本源。
2024.3.23
Lotus Told Me
Flowers need an origin point to open up their petals, each has their own heart centre.
Every creation appears for a reason, it comes from everyone's heart.
The mind is intangible, indescribable. It comes and goes without trace.
What makes a lotus bloom?
It's you, the Origin of Self.
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