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《一秒钟 / 漫游的史诗》——傅榆翔 2025 虚拟装置雕塑系列

2025-10-14 19:34:03 未知

“One Second / The Epic of Wandering”

Virtual Installation Series by Fu Yuxiang, 2025

展览说明 Exhibition Statement

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《一秒钟 / 漫游的史诗》是一场跨越地理疆域与精神维度的虚拟艺术实验。作品以一具半透明的外星人形象悬浮于人类文明的象征之上——从巴黎凯旋门到中国长城——在“时间的一秒”与“文明的千年”之间,搭建起一座哲学的桥梁。

傅榆翔以数字雕塑语言延续其“秩序场铸造者”的艺术观:外星人代表“意识的初生”,云团象征“文明的漂浮与不确定”,而透明的材质则暗示人类存在的脆弱与通透。作品以虚拟形式将地球的文化地景纳入一个共时的时空场中,使“漫游”成为对人类自身存在的集体反观。

这场“漫游”,既是跨时空的叙事,也是一次对“人类处境”的温柔凝视——在数字云端,人类被重新凝视为宇宙的旅者。

https://img10.artimg.net/public/beian/jpg/202510/1d9485f041cc11296ad55bae62db9739.jpg

艺术家阐释 Artist’s Interpretation

“我希望用‘一秒钟’去丈量文明的史诗。那一秒,既是外星人的第一次呼吸,也是人类凝视未来的瞬间。当雕塑脱离地面,它不再属于任何国度,而成为一场关于‘共同体’的天问。”

——傅榆翔 Fu Yuxiang

https://img10.artimg.net/public/beian/png/202510/df35931fe4c0ec2e1aaf6cd87f765f8d.png

作品形式与媒介 Medium & Form

类型 Type: 虚拟装置(AR / 数字雕塑)

材质 Material: 数字建模、透明胶膜体、内置漫射灯光与云雾粒子系统

呈现方式 Presentation: 全球地标虚拟共创计划(Cloud Installation Series)

https://img10.artimg.net/public/beian/png/202510/4c77f80c9906e3308156a4fb4c467230.png

作品采用增强现实与三维建模技术,通过“云端装置”的方式在不同地标上生成动态场域。观众通过虚拟平台或移动终端进入“全球共感”的共享空间,在沉浸体验中重构对“时间—意识—文明”的感知。

https://img10.artimg.net/public/beian/png/202510/4dcf89418e3d8925ebf7b5f33b22c368.png

概念阐述 Conceptual Framework

《一秒钟 / 漫游的史诗》探讨“个体意识”与“文明记忆”的双重生成机制。外星人象征“原初意识”的觉醒,而云的漂浮状态象征文明在时间中的迁徙、消散与重组。

https://img10.artimg.net/public/beian/png/202510/4dcf89418e3d8925ebf7b5f33b22c368.png

在傅榆翔的语境中,“悬浮”并非逃离,而是一种“存在的轻盈”——一种脱离重力的精神姿态。外星人漂浮于全球文明象征之上,不带归属,却映照出人类对于意义、秩序与归宿的永恒追问。

https://img10.artimg.net/public/beian/jpg/202510/afa7bd222a772f372952ea5ac05c2cd0.jpg

这件作品以数字雕塑为媒介,构筑出一场跨越现实与虚拟的“全球共感诗学现场”:在那里,云成为文明的呼吸,光成为意识的延伸,而那“一秒钟”——成为整个存在史的缩影。

https://img10.artimg.net/public/beian/jpg/202510/452dcb62dc80e2891279302f3081e9e5.jpg

English Version

“One Second / The Epic of Wandering”

Virtual Installation Series by Fu Yuxiang, 2025

This virtual installation unfolds as a trans-geographical and metaphysical experiment.

A translucent extraterrestrial figure floats above the monuments of civilization —

from the Arc de Triomphe in Paris to the Great Wall of China —

bridging the “one second of time” and the “millennia of human history.”

https://img10.artimg.net/public/beian/jpg/202510/235fe207e73135b799a358c3d588273b.jpg

Through the digital language of sculpture, Fu Yuxiang extends his philosophy as the Architect of Order Fields.

The alien signifies the birth of consciousness;

the drifting cloud embodies the uncertainty of civilization;

and the transparent body reflects the fragility and lucidity of human existence.

The act of “wandering” here is both narrative and contemplative —

a gentle gaze upon the human condition,

a poetic resonance of collective existence across time and space.

“In one second, I measure the length of civilization.

That second is both the first breath of an alien

and the human gaze toward the future.

Once sculpture leaves the ground,

it no longer belongs to any nation,

but to the shared question of being.”

— Fu Yuxiang

https://img10.artimg.net/public/beian/png/202510/183bdb2b7a59766798b9778b330e61b5.png

Type: Virtual Installation (AR / Digital Sculpture)

Material: 3D Modeling, Translucent Polymer Membrane, Diffused Lighting, Cloud Particle System

Presentation: Global Landmark Co-Creation Program / Cloud Installation Series

https://img10.artimg.net/public/beian/jpg/202510/0b26f07ac6c5e4ea83f16b81f7936279.jpg

Conceptual Framework:

The work investigates the dual genesis of individual consciousness and collective memory.

The suspended figure does not flee gravity — it transcends it,

transforming levitation into a metaphor for the lightness of existence.

Across the world’s cultural landscapes, the translucent being becomes a mirror,

reflecting humanity’s timeless pursuit of order, meaning, and belonging.

In this digital sky, the cloud breathes civilization,

light becomes consciousness,

and one second unfolds as the entire epic of being.

https://img10.artimg.net/public/beian/jpg/202510/71e7983916d36615a8fead341faa340d.jpg

https://img10.artimg.net/public/beian/jpg/202510/b35be41c828c87246244c0271cdd2f26.jpg

​艺术家傅榆翔2025年10月拍摄于成都

(责任编辑:胡文娇)

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