上周四（2026年1月15日），朱雀艺术在胡润荟艺术总监，艺术家杨建勇个展《空山》开幕式之际，在画廊的VIP展厅同时进行了现居悉尼的传奇画家张鸿俊（Adam Chang）最新作品《山水与熊猫-对话西方4号》拍卖预热。张鸿俊是很典型做精品化路线的，创作速度缓慢，作品数量有限，且很多作品被澳大利亚之外资深收藏家收藏，曝光于澳大利亚画廊的精品极少，流通的大部分为版画类作品。

朱雀艺术 Vermilion Art 澳大利亚首个中国当代艺术平台，是代理和合作方力钧、李津、尹朝阳、陈文令等的悉尼知名画廊。

展览现场，胡润荟艺术总监和艺术家杨建勇（右二），张鸿俊国际事物代理人David（右一）

展览现场，两位重构山水的艺术家张鸿俊与杨建勇作品吸引了澳大利亚、华人各界人士，朱雀艺术主理人艾琳（左四）

山水与熊猫-对话西方4号

200x120cm

布面油画

2025年

2026即将送拍作品《山水与熊猫-对话西方4号》专文

艺术创作从来都兴眼界和内驱动力有关，而张鸿俊（Adam Chang）眼界和内驱动力来自西方艺术世界的现实中去和他们碰撞，通过跨文化的比较过程中，让他清晰自己的身份，从而更加强调“中国化”特征，中国传统的一脉相承。

上世纪80年代中期，张鸿俊将北宋山水空灵意境与抽象表现主义的相融，他以意象化的风景山水描绘新安江、富春江，安徽黄山一带的壮美河山，表达其对自然的敬畏，

以及有意识地与宋画源流形成穿越时空的呼应。

1997年移居澳大利亚后，张鸿俊要连系的是整个世界绘画发展的宏大纵轴。他远离喧嚣的艺术潮流，执著的对西方具象、抽象和波普艺术本体上去做研究，更多地向绘画领域的纵深开掘。2016年，他找到了绘画语言自己的一个转化，并在重构一个山水的概念中开辟出一条当代艺术的“后经典”路径。

张鸿俊的个人项目 “山水与熊猫从澳大利亚出世”，此项目至今已进行了十年。从不断地绘画中探索使起先的《山水与熊猫》系列递进到《山水与熊猫-致敬大宋》、《山水与熊猫-对话西方》系列。这些原创的色系绘画不仅突破了传统与当代、经典与流行、风潮与永恒、强悍与儒雅、高雅与通俗、中国与西方之间的界限，更形成一个充满普世价值的“山水与熊猫”艺术IP。经历二创能够产生多类艺术衍生品和周边产品，以及通过联合、联名、联创破次元，再延伸至游戏、动漫、影视等多元内容生态，实现潮时代摧生艺术的一种新方法论。

2026 年即将送拍的《山水与熊猫-对话西方4号》无疑是张鸿俊的典范之作，竖幅高二米，平面化当代视觉，理性精致，充分体现张鸿俊独特的经典流行美学的精华。他打破了山水画传统的形式，在西方艺术大师蒙得里安、罗斯科几何抽象的架构中勾勒出与意象、具象 “三象共生”，心境山水和熊猫形象符号与东西方艺术史回声交织成为其双重的气场和能量，并内含着在混乱的宇宙中重新构造秩序的的隐性观念。

张鸿俊坚持“绘画即修行”的理念。他的绘画技术风格与西方绘画大师完全迥异，他将油画厚重技法融入了书法性的笔触、流淌和中国画皴法，进一步强化了非常具体的绘画语言表达，最重要是魔幻般的光影处理营造出一种难以言喻的“穿透感”，画作的观看者心灵能得到一个治愈体验。

此画，张鸿俊把波普艺术、极简主义等流行元素挂钩了起来。他采用最醒目的蓝色完成，观众会很自然的被吸引进去，参与色系的想象，找到自己的情感出口。作为当今艺术市场灸手可热的华裔艺术家，他证明了经典通过当代的转化在观念主义和图像绘画主导的时代依然拥有慑人的魔力。

Artistic creation has always been related to vision and inner drive. The vision and inner drive of Adam Chang (Hongjun Zhang), come from entering into the reality of the Western art world and colliding with it, clarifying his own identity through cross-cultural comparison, and further emphasising the characteristics of “Chinisation/sinicisation”, and the continuity of Chinese tradition.

In the mid-1980s, Adam Chang integrated the ethereal artistic conception of Northern Song landscape painting with Abstract Expressionism. He depicted the Xin’an River, the Fuchun River, and the magnificent landscapes of the Huangshan area in Anhui through imagery-based landscape painting, expressing his reverence for nature and consciously forming a resonance across time and space, with the source of Song-dynasty painting.

After moving to Australia in 1997, Adam Chang sought to connect with the grand vertical axis of the entire development of world painting. He distanced himself from the blatant art trends and persistently conducted research into the essence of Western figurative, abstract, and Pop art, delving more deeply into the field of painting. In 2016, he found a transformation of his own pictorial language, and through reconstructing the concept of landscape (Shan Shui), opened up a “post-classical” path for contemporary art.

Adam Chang’s personal project, “Shan Shui with Panda Born in Australia”, has been ongoing for ten years. Through continuous painting and exploration, the initial “Shan Shui with Panda” series has progressed into “Shan Shui with Panda – Tribute to the Great Song” and “Shan Shui with Panda – Dialogue with the West” series. These original colour-based paintings not only break through the boundaries between tradition and contemporaneity, classicism and popular culture, trends and eternity, strength and elegance, refinement and accessibility, and between China and the West, but also form a “Shan Shui with Panda” art IP imbued with universal values. Through secondary creation, it can generate various categories of art derivatives and peripheral products, and through collaboration, co-branding, and co-creation that break dimensional boundaries, further extend into diverse content ecosystems such as games, animation, and film, realising a new methodology for art production in the trend-driven era.

Shan Shui with Panda – Dialogue with the West No. 4, scheduled to be auctioned in 2026, is undoubtedly an iconic work by Adam Chang. The vertical-format painting stands 2 meters high, featuring a flattened contemporary visual language that is rational and refined, fully embodying the essence of Adam’s distinctive classical-pop aesthetics. He breaks away from the traditional forms of  landscape painting, delineating an expanded mode of creation in which abstraction, imagery, and figuration “coexist as three”, within a geometrically abstract framework of  Western masters Mondrian and Rothko.By interweaving landscapes of the mind and panda iconography with echoes from both Eastern and Western art history, the work forms a dual field of aura and energy, while implicitly containing the invisible concept of reconstructing order within a chaotic universe.

Adam Chang adheres to the philosophy that “painting is a form of cultivation”. His painting techniques and style are completely di erent from those of Western master painters. He integrates the heavy techniques of oil painting with calligraphic brushwork, flowing strokes, and the texture methods of Chinese painting, further enhancing a highly concrete pictorial language. Most importantly, his magical treatment of light and shadow creates an indescribable sense of “penetration”, providing viewers with a healing experience for the soul.

In this painting, Adam Chang links popular elements such as Pop Art and Minimalism. He completes it using a striking blue, naturally drawing the viewers in to engage with the imagination of the colour palette and find their own emotional outlet. As a highly popular Chinese contemporary artist in today’s art market, he demonstrates that the classics, through contemporary transformation, still have a compelling power in the time dominated by Idealism and image-based painting.

艺术家介绍

2021年，张鸿俊和《山水与熊猫》艺术IP在他悉尼的空间

张鸿俊（Adam Chang）1960年上海出生，1989-1992年就读于上海美术学院油画系。25岁上海第一个个展。26岁入选首届上海青年美术大展。27岁入选上海国际艺术节。29岁入选七届全国美展，上海美术家协会最年轻会员。32岁上海艺术创作奖。37岁隐居海外。38岁澳大利亚国家肖像奖获奖提名。40岁西方公共艺术机构收藏。45岁Sherman 当代艺术基金会收藏。48岁开始创作中国标志。51岁获得澳大利亚国家绘画大奖，记载艺术史。51岁澳大利亚ArtEquity发行中国标志《兵马俑》《毛》铜版画。52岁澳大利亚国家肖像馆永久馆藏。54岁悉尼Nanda Hobbs Contemporary 画廊签约，蓝筹艺术家。55岁登陆欧美，意大利佛罗伦萨双年展 & 马耳他蒙迪纳大教堂当代艺术双年展。56岁开始创作《山水与熊猫》艺术IP。57岁伦敦Tanya Baxter Contemporary画廊合作，英国、美国、香港当代艺术博览会。59岁西悉尼大学首个学术展，上海中心大厦经典回归首展，伦敦萨奇美术馆展，国内拍卖过百万人民币。61岁澳大利亚Marning Press发行《山水与熊猫》系列丝网版画，首登国际线上艺术销售畅销榜单。62岁中澳名家双人展，作为中方代表艺术家出场。65岁日本新艺伊斯特香港秋拍现当代板块全场成交桂冠，意大利普麟元上海M50签约，与国际设计师范嘉雷（Gabriele Fezia）联合打造当代熊猫IP，发售联名款 “潮朋熊猫”公仔玩偶。

《山水与熊猫》艺术IP同类作品以往前三拍卖记录

山水与熊猫1702

150x120cm布面油画

2017年

售出：北京瀚海，2019年6月15日

Lot 1382，成交价RMB1,150,000

张鸿俊（Adam Chang）b.1960

山水与熊猫-致敬大宋1 号

160x140cm布面油画

2024年

售出：北京保利，2024年12月8日

Lot 1600，成交价RMB 598,000

张鸿俊（Adam Chang）b.1960

山水与熊猫-对话西方3号

200x120cm 布面油画

2025年

售出：新艺伊斯特香港，2025年10月5日

Lot 029，成交价HKD  612,000