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展览推荐 |坚与韧 —— 2026 魏克健精品个展

2026-04-27 11:51:07 未知

https://img10.artimg.net/public/write/jpg/202604/6e4898ad55572a48cb0c2af16c488c91.jpg

坚与韧

2026 魏克健精品个展

"Firmness and Resilience"

2026 Wei Kejian Solo Exhibition

展    期

2026年4月26日-5月25日

地    点

佛山市顺德罗浮宫国际家居总部大厦9F-10F展藏馆

主办单位

艺时代文化集团

广东罗浮宫展藏馆

承办单位

广州艺博会国际文化产业有限公司

广州艺时代展览策划有限公司

协办单位

百艺绅连锁艺术空间

《收藏鉴赏》杂志

Date

April 26 - May 25, 2026

Venue

Collection Gallery, 9F-10F, Louvre International Home Furnishing Headquarters Building, Shunde District, Foshan

Sponsor

Art Times Cultural Group

Luofu Palace Exhibition Hall 

Organizer

Guangzhou International Art Fair Cultural Industry Co.Ltd. 

Guangzhou Arts Times Exhibition Planning Co.Ltd.

Co-organizer

Baiyishen Chain Art Space

Collection & Appreciation Magazine

展览前言

Foreword

在必然的边界上,开出偶然的花。

惯常认知里彼此排斥的理性与感性、控制与失控、坚硬与氤氲,在魏克健的画布上并非相互调和,而是在同一平面上拥有同等的真实。这不是风格的折中,而是一种全新的认知:矛盾不必刻意解决,它们完全可以在同一个空间里充分燃烧。

魏克健从不避讳两极的直接冲突。他的画中,锐利的边线与氤氲的墨渍始终共存,坚硬的几何块面与柔和的渐变相互交织。这些对立的元素从不是先后出现,而是同时在场,相互碰撞、彼此咬合。

它们是在相互定义,也是在彼此成就 —— 没有理性作为参照,感性不过是一片混沌;没有感性作为突破,理性只是一具空壳。

远观他的作品,构图透着极致的冷静。就像建筑师绘制蓝图那样精准,透视、重叠、对称、黄金分割,每一个结构元素都牢牢受控于理性。可当你走近细看,色彩与笔触却全然是另一番模样:神秘的黑色、大胆的撞色、张扬的表现手法,满是感性的温度。

这种 “身心分离” 的并置,生出了强烈的张力。观众能真切感受到,那个冷静的观看者背后,藏着一个极度敏感的灵魂。画面的冷静从来不是冷漠,而是一种克制 —— 恰恰是这份克制,让情感的释放变得愈发有力量。

这正是魏克健作品中最具哲学意味的地方。他画的不是任何具体的景观,而是 “重叠” 本身 —— 是规则的叠加、边界的交错、秩序的复写。他要表现的也不是某种明确的情感,而是情感在理性框架中自由游走的状态。

画面因此有了一种自我指涉的趣味:它精确到每一条线都落在逻辑之中,却又像一场充满激情的个人演绎,每一处笔触都在诉说着某种无法言说的情绪。

魏克健的创作有一个不可妥协的前提:理性必须足够坚定,否则就会被感性彻底淹没;感性必须足够敏锐,否则就会被理性冻结成冰。

只有当两者都处于巅峰状态时,它们之间的张力才会激发出全新的审美体验。这不是对矛盾的调和,而是让矛盾充分燃烧 —— 用这份燃烧,照亮那些非此即彼的思维永远无法抵达的领域。

在魏克健的画布上,坚固与敏感始终同在。秩序没有杀死自由,自由也没有摧毁秩序。它们站在彼此的对面,凝视、碰撞、共生,最终共同创造出一个既不容置疑,又令人动容的世界。

On the boundaries of necessity, blossoms the flower of chance.

Reason and emotion, control and losing control, hardness and haziness – these are not reconciled on Wei Kejian's canvas, but coexist with equal reality on the same plane. This is not stylistic compromise, but a new mode of cognition: contradictions need not be resolved; they can burn fully in the same space.

Wei Kejian never shies away from direct conflict between extremes. In his paintings, sharp edges and ink stains persist together; hard geometric planes and soft gradations intertwine. These opposites do not appear in sequence but simultaneously – colliding, interlocking.

They define and complete each other: without reason as reference, emotion is mere chaos; without emotion as rupture, reason is an empty shell.

From a distance, his compositions radiate extreme calm. Precise as architectural blueprints – perspective, layering, symmetry, the golden ratio – every structural element is firmly under rational control. Yet up close, color and brushwork tell another story: mysterious blacks, bold color clashes, expressive gestures full of sensual warmth.

This "body-mind disjunction" produces powerful tension. The viewer senses, behind the detached observer, an acutely sensitive soul. The calmness is never coldness, but restraint – and precisely this restraint lends force to the release of emotion.

Here lies the philosophical core of Wei Kejian's work. He paints no specific landscape, but "overlap" itself – the superposition of rules, the crossing of boundaries, the palimpsest of orders. He expresses no fixed emotion, but the state of emotion moving freely within a rational framework.

Thus the painting becomes self-referential: precise to the last line, each stroke logically placed, yet like a passionate personal performance – every brushstroke tells something unspeakable.

Wei Kejian's creative process has one non-negotiable condition: reason must be strong enough, or emotion will drown it; emotion must be acute enough, or reason will freeze it.

Only when both are at their peak does their tension ignite a fresh aesthetic experience. This is not reconciliation, but letting contradiction burn – using that fire to illuminate what binary thinking can never reach.

On Wei Kejian's canvas, firmness and sensitivity always coexist. Order does not kill freedom, nor freedom destroy order. They stand face to face, gaze, collide, and coexist – together creating a world that is both undeniable and deeply moving.

部分展出作品

Selected Works

https://img10.artimg.net/public/write/jpg/202604/2550b595d513b440111fb2631ee1c7bf.jpg

《无题》120x180cm 丙烯 2024

https://img10.artimg.net/public/write/jpg/202604/6a17a18f040be34165ee05646978654c.jpg

《无题》100x200cm 丙烯 2024 (3)

https://img10.artimg.net/public/write/jpg/202604/d83d05f3a74912c96d9f475b627e3161.jpg

《无题》100x200cm 丙烯 2024 (17)

https://img10.artimg.net/public/write/jpg/202604/d7206659a7fbd32450f538c508ee4ca0.jpg

《无题》120x150cm 丙烯 2023 (19)

https://img10.artimg.net/public/write/jpg/202604/2da1e3beb0e1dd081eda326843837efe.jpg

《痕迹一F》200x150cm丙烯2020

https://img10.artimg.net/public/write/jpg/202604/1adbb85612c983f6db1daccb278f02e5.jpg

《替代的状态》200x150cm 丙烯2020

https://img10.artimg.net/public/write/jpg/202604/ac1b53460201e03870fd3bf47aa2f8bc.jpg

《遥远—A》200x150cm 丙烯2020

https://img10.artimg.net/public/write/jpg/202604/0a16d0ae1d14e1a9d2e9d64cbfc998fb.jpg

《观点—H》200x150cm丙烯2020

https://img10.artimg.net/public/write/jpg/202604/960fa616df9db728b1ea2db0f5a7045e.jpg

《三角—E》200x150cm 丙烯2020

https://img10.artimg.net/public/write/jpg/202604/366a81198c8745a0500be6c27256ad23.jpg

《摆动的直觉》200x150cm 丙烯2020

关于艺术家

About Artist

https://img10.artimg.net/public/write/jpg/202604/9f6f0231acabc0fea5e019b6b60056e4.jpg

魏克健

1957年生于北京,职业艺术家,曾多次举办个人展览,作品被中国美术馆及私人藏家收藏。

Born in Beijing in 1957, Wei Kejian is a professional artist who has held numerous solo exhibitions. His works are housed in the collections of the National Art Museum of China as well as private collectors.

策展人 | Curator

周佳荣,伍尉廷

Zhou Jiarong,Wu Weiting

展览统筹 | Exhibition Coordinator

唐若淳

Tang Jochun

展览执行 | Exhibition Executive

陈燕柳,苏智峰,朱晓霖,梁富,邓昭良,袁诗,廖文静,黄宇阳,詹今朝,朱子橙

Chen Yanliu ,Su Zhifeng,Zhu Xiaolin,Liang Fu,Deng Zhaoliang,Yuan Shi,Liao Wenjing,Huang Yuyang,Zhan Jinzhao,Zhu Zicheng

https://img10.artimg.net/public/write/jpg/202604/391522534fc4c8f6cc34cfceeb5091f1.jpg

了解更多内容,请关注艺时代画廊

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图文均来源于:艺时代画廊

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