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打开事物,让它们发生³






One of the pivotal figures in recent American art, Robert Irwin's career has spanned a period of more than 50 years. His site-responsive works aim to refocus the habituated eye, posing questions rather than providing answers and encouraging the viewer to be made aware, afresh, of the visual field around them. Irwin has said about his art that he tries to ‘open up things’ and ‘just allow them to happen’, but also that ‘the pure subject of art is human perception’: a conditional activity determined by context. 


罗伯特·欧文是当代美国艺术的关键人物之一,他的职业生涯跨越了50多年。他的现场反应式作品旨在重新聚焦人们习以为常的目光,提出问题,而不是提供答案,并鼓励观众重新意识到他们周围的视野。欧文在谈到他的艺术时说,他试图“打开事物”,“让它们发生”,但他也说,“艺术的纯粹主题是人类的感知”:一种由环境决定的有条件的活动。



 打开事物,让它们发生 


1º 2 º 3 º 4º,1997,Apertures cut into existing windows,Apertures: left, 24 x 30 in. (61 x 76.2 cm); center, 24 x 26 in. (61 x 66 cm); right, 24 x 30 in. (61 x 76.2 cm),© Robert Irwin.




2020

Robert Irwin 作品


Residing on the West Coast, Irwin began his career in the late 1950s making Abstract Expressionist paintings which were at first gestural and intense and then developed into minimal studies in form and colour, sometimes on shaped canvases. His interest in perceptual phenomena soon took him beyond notions of object making and the studio, and he began to make art in response to a particular site, or to a set of conditions, switching his focus to energy and process rather than material and object.






HESITATION,2017,Shadow, reflection and colour,72 1/16 x 95 1/4 x 4 1/4 in. (183 x 242 x 10.8 cm),© Robert Irwin.





Dijon,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Dijon,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Gothic,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Gothic,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Niagara,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Niagara,2015,Light + Shadow + Reflection + Color,96 × 45 × 4 5/8 in. (243.8 × 114.3 × 11.8 cm),© Robert Irwin.





Black Painting,2015,Honeycomb aluminium panel with lacquer and polyurethane paint,Diptych, each: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Black Painting,2015,Honeycomb aluminium panel with lacquer and polyurethane paint,Diptych, each: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Black Painting,2015,Honeycomb aluminium panel with lacquer and polyurethane paint,Diptych, each: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Black³,2008,Tergal voile, light construction, framing materials and paintings (urethane paint and lacquer on aircraft honeycomb aluminium),Dimensions variable. Each painting: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Black³,2008,Tergal voile, light construction, framing materials and paintings (urethane paint and lacquer on aircraft honeycomb aluminium),Dimensions variable. Each painting: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Black³,2008,Tergal voile, light construction, framing materials and paintings (urethane paint and lacquer on aircraft honeycomb aluminium),Dimensions variable. Each painting: 60 × 60 in. (152.4 × 152.4 cm),© Robert Irwin.





Light and Space II (1),2008,Fluorescent lights,Dimensions variable,© Robert Irwin.





Who's Afraid of Red, Yellow & Blue³,2006 – 07,Aircraft honeycomb aluminium six panel,241 1/4 x 265 1/2 x 1 5/8 in. each; overall installation dimensions variable,Collection Museum of Contemporary Art San Diego Museum Purchase, Contemporary Collectors Fund,© Robert Irwin.





Two Running Violet V Forms,1983,Stuart Collection, UCSD,© Robert Irwin.





Untitled,1969 – 1970,Cast acrylic column,144 x 8 1/2 x 3 1/2 in. (365.8 x 21.6 x 8.9 cm)Collection Museum of Contemporary Art San Diego Museum purchase in honor of Jackie and Rea Axline,© Robert Irwin.




Untitled,1969 – 1970,Cast acrylic column,144 x 8 1/2 x 3 1/2 in. (365.8 x 21.6 x 8.9 cm)Collection Museum of Contemporary Art San Diego Museum purchase in honor of Jackie and Rea Axline,© Robert Irwin.




 往期精彩回顾 


2020年   ▎“癙” 艺风暴
【 2020 】征集|一块布的温度
【首发】窦唯新作|2020:后疫
陈清勇|制造“真相”的文人姿态
弗朗西斯·培根 FRANCIS BACON|Works全集
【首发】杨加勇|20年代:艺术,是一种特质的复合光体
TIMES FIGURE|方凯:时代人物中的肖像气质
ACEI文献|惠书文:艺术,改变世界的另一种力量
【惠书文|艺评】林惠兴:我们终究不安的世界
【惠书文|艺评】李卓·涂涂:绘画秩序中的图像隐喻
【惠书文|艺评】鲍贤杰 20年代:凝固的“漆”象
【惠书文|专栏】王小双 · 20年代:透质的微光与凝望
【 惠书文|艺评】李勇·20年代:从记忆碎片到一粒尘埃

【 惠书文|艺评 】朱峰 · 20年代:雕于气,塑之以息的“数字装置”

【惠书文|艺评】陈蜀:在这个时代中,我们的记忆都是“被选择”后的意识残留


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作者:中国当代艺术

特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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