巨浪
Great Wave
艺术家：吴达新｜ Artist: Wu Daxin
展览时间：2020.5.22—8.20
Duration: 22 May—20 Aug, 2020
地点：北京798艺术区创意广场
Venue: Creative Square, 798 Art District, Beijing
吴达新《巨浪》于北京798艺术区创意广场. Wu Daxin, Great Wave at Creative Square, 798 Art District, Beijing
吴达新最新雕塑作品《巨浪》于5月22日惊艳亮相北京798艺术区创意广场。此件作品为2020画廊周北京公共单元参展作品之一，以其六米高的庞大体量，通体晶莹闪耀的不锈钢材质，将巨浪腾空翻涌的惊心瞬间定格于此，给观众带来极大的视觉冲击和震撼效果。
Wu Daxin's latest sculpture Great Wave, was stunningly unveiled on May 22 at Creative Square, 798 Art District, Beijing. Great Wave is one of the works exhibited in the Gallery Weekend Beijing 2020 Public Sector. With its huge dimension of 6 meters, and the crystal sparkling stainless steel material, the excitement of the huge surging waves is instantly frozen here, bringing the audience spectacular visual effect.吴达新,《巨浪》, 2020年, 不锈钢, 雕塑: 600 (高) x550x550厘米; 底座: 50 (高) x700x700厘米, 2/3版. Wu Daxin, Great Wave, 2020, stainless steel, sculpture: 600(H)x550x550cm; base：50(H)x700x700cm, 2/3 edition.
艺术家吴达新认为，“巨浪”，代表的是沧海，是一种澎湃。创作“巨浪”，源自吴达新的祖辈父辈传承下来的对大海特殊的情愫。但在这个跌宕起伏的大时代背景下，她却显得意义非凡。“巨浪”这件作品是为祖辈们闯荡南洋的勇敢气魄立一道丰碑，用凝固大海翻滚能量汇集的一瞬做成雕塑来告示一个新的时代的来临。The artist Wu Daxin suggests that Great Wave represents the sea and is a kind of surging. The creation of Great Wave originates from the special affection for the sea inherited from my grandparents. But in the context of this upheaval era, she seems to be of great significance. Great Wave is a monument to the courage of the ancestors to seek their future in southeast ocean, and made a sculpture with instantaneous energy of the frozen sea as a sign of the coming new era.
吴达新，1969年出生于中国福建泉州，1992年毕业于华侨大学外语系日语专业。同年留学日本，就读于日本国立琦玉大学教育学部研究生，师从山口静一教授专修东洋美术史，2001年移居美国，在纽约市立大学学习影像技术，2007年毕业。吴达新在作品图像的中西文化资源、符号的利用上，一个有趣的视觉呈现是移植与并置，并在迭加中悄悄地渗透、融解。以不同文化中的符号象征的拼合，既是现实状态的一种，又是吴达新作品的一种话语方式。他直接对应和测度着现实变化，构成了中国当下生动而奇特而混杂的现实图景。他的近期个展包括：“陆地和声：吴达新个展”（艺·凯旋画廊，北京，中国，2019）、“巨鳄来袭”（北京，中国，2015）、“失度“（当代唐人艺术中心，北京，中国，2013）、“阴谋论”（空间站，北京，中国，2010），等。他参与的群展包括：“‘塑·像’ 画廊周北京2020公共单元 （798创意广场，北京，中国，2020）、“第二届安仁双年展”（四川，中国，2019）、“第二届平遥国际雕塑节”（山西，中国，2019）、“力的共生”（泉州，中国，2015）、“24艺术计划‘NAISSANCE’”（今日美术馆，北京，中国，2014）、“卡塞尔中国公共艺术展”（卡塞尔，德国，2012）、“越后妻有大地三年展”（新泻，日本，2012），等。
Wu Daxin was born in 1969 in Quanzhou, Fujian Province, China. In 1992, he graduated with a bechalor’s degree in Japanese in Huaqiao University. In the same year, he studied in Japan, with professor Yamaguchi, specialized in Japanese art history in Saitama University. In 2001, Wu Daxin moved to the United States, studied video art technology in the City University in New York, and graduated in 2007. In Wu’s work, Eastern and Western cultural resources were grasped and skillfully applied, which turned out to be an interesting visual presentation through transplant and juxtaposition, and quietly penetratesand melts into each other in the process of superposition. The splicing of symbols in different cultures not only reflects the reality, but a way of discourse in Wu’s work. It directly corresponds and measures the changes of reality, which posing a vivid, strange and confounding image of contemporary China.His latest solo exhibitions include: "Terrestrial Harmonies: Wu Daxin Solo Exhibition" (Triumph Gallery, Beijing, China), “Muggeris Back on the Prowl” (Beijing, China, 2015), “De Composure” (Tang Contemporary Art, Beijing, China, 2013), “Conspiracy Theory" (Space Station, Beijing, China, 2010), etc. The group exhibitions he participates include: “Form · Impression” Gallery Weekend Beijing 2020 Public Sector （798 Creative Square, Beijing, China, 2020), “2nd Sculpture Projects Ping Yao" (Shangxi, China, 2019), "Anren Biemmale" (Sichuan, China, 2019), “Force Symbiosis”(Quanzhou, China, 2015), “24 Art Project ‘NAISSANCE’” (Today Art Museum,Beijing, China, 2014), “Chinese Public Art Exhibition" (Kassel, Germany, 2012),“Echigo-Tsumari Art Triennale” (Niigata, Japan, 2012), etc.
作者：艺·凯旋艺术空间
特别声明：本文为艺术头条自媒体平台“艺术号”作者上传并发布，仅代表该作者观点。艺术头条仅提供信息发布平台。
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