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郑胜天先生评“传说与先知——红线内外杨晓鲁油画展”

“传说与先知——红线内外”杨晓鲁个展

“传说与先知——红线内外”杨晓鲁个展

8.0

SUNZEN Art Gallery

已结束 3437

几年前我在本地融空间的展览上第一次见到晓鲁。听说他是圣彼得堡列宾美术学院院長的高足,顿时就觉得有了沟通。上世纪几代美术学生都是在苏俄艺术的熏陶下成长的。列宾美院是大家心目中的殿堂,可望而不可及。


我觉得学习他国艺术有许多层面,除了技术以外,艺术的风格、内容、形式其实都只可看而不可学。以往“全盘西化”或“全盘苏化”对中国艺术家的发展曾起过不少误导作用。最值得学习和借鉴的是艺术的精神和文化内涵。这才是千里跋涉要求取的真经。在晓鲁的绘画中并没有表面色彩笔法的相似,但能看到俄罗斯文化的哲思与忧悯。https://img10.artimg.net/public/write/jpg/202103/f59fc2c45e0978f3548ff3314451cb3e/f59fc2c45e0978f3548ff3314451cb3e.jpg

传说与先知——红线内外展览现场

 

《传说与先知》系列描述的是我们似曾相识、却又无限陌生的一个地标。看来波澜不惊的大片湖水、云舒霞卷的万里长空,只是一连串戏剧性记忆和寓言的背景而已。晓鲁说:“短叙很难囊括和描述我对这片敏感空间的思绪“。他笔下的空间令人不安,大自然在不同张力的笼罩下充满了压抑而险恶的预示。


https://img10.artimg.net/public/write/jpg/202103/ed88eb4d753b26fb169b37f6862b7449.jpg

本文作者,著名学者、艺术家、艺术评论家、资深策展人郑胜天与杨晓鲁在SUNZEN


我们居住在一个山清水秀、风和日丽的城市,我们也居住在一个每天都充斥着瘟疫与死亡、暴力和虐杀、贪婪与欺诈、谎言和蛊惑的世界。平静的日子从来不平静。现实的景象看上去更超现实。晓鲁在温哥华创作的《传说与先知》系列,是艺术家此时此地真情的叙述。也必然会与生活在这个不测世界的观众们产生共鸣。


郑胜天

2020年夏于温哥华





Fable and the Prophet


A few years ago, I met Xiaolu for the first time at an exhibition in R Space. Hearing that he was a student of the Dean of the Repin Academy of Fine Arts in St. Petersburg, I immediately felt a connection. Generations of art students in the last century grew up under the influence of Soviet Russian art. The Repin Academy of Fine Arts was a holy palace in the heart of many and was far beyond reach.


Learning art from other countries has many different aspects. Apart from the techniques, the artistic style, subject matters and forms can only be seen but not learned. The total “Westernization” or “Russification” has misguided the development of many Chinese artists in the past. What worth learning the most, are the artistic spirits and cultural connotations, as these are the doctrines to be acquired from the long journey. In Xiaolu's paintings, the superficial colour and brushwork are not visibly similar to Russian art. What he has captured is the philosophy and compassion of the Russian culture. 


The “Fable and the Prophet” series depicts a landmark that we are seemingly familiar with but unacquainted. The calm and vast lake and the infinite blue sky become no more than the background of a series of dramatic fables and memories. Xiaolu says “a short narrative won’t be enough to describe my reflection on this sensitive space.” Under the paintbrush of him, the space is disturbing. Nature becomes full of repressive and sinister prophecies as tensions shroud over it. 


We live in a city with beautiful mountains and clear waters and sunny days. Meanwhile, it’s a world full of plague and death, violence and killing, greed and fraud, lies and deceit. A peaceful day is never peaceful. Realistic scenery can seem more surreal. Created in Vancouver, Xiaolu’s “Fabel and the Prophet” series is an honest narrative of his intimate emotions here and now. It will inevitably resonate with the audience who all live in this world full of uncertainty.




Shengtian Zheng

In Vancouver, Summer 2020.




来源:sunzen

特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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