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2018首届夜郎谷现场艺术周

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2018'首届夜郎谷现场艺术周

2018’The First Yelang Valley Live Art week

时间:2018年10月25日——28日

Time: October 25-28, 2018

开幕:2018年10月25日14:00

Opening:October 25 2018 14:00pm

贵州当地文献展

Guizhou Performance Art Literature Exhibition

10月26日下午14:00身心:终极媒介工作坊—导师:周斌

October 2614:00PM "Body and Mind":ultimate media workshop—Mentor:ZhouBin

10月27日上午10:00讲座《存在于当下》—主讲人:相西石

October 27 10:00AM Leture:Being in Present —Leturer:Xiang Xishi

10月28日上午9:00"内外观身"身体探索工作坊—导师:丸仔

October 28 9:00AM "Inner Body":body exploration workshop—Mentor:Maru

地点:贵阳市花溪区夜郎谷

Location: Yelang Valley, Huaxi area, Guiyang city


发起人:董洁

Originator: Dong Jie

现场艺术平台:夜郎谷

Live art platform: YeLang Valley

参展艺术家

Artists

艾伦·舍尔(澳大利亚)Alan Schacher(Australia)

和丽斌(昆明)He Libin(KunMing)

何玲(长沙)He Ling(ChangSha)

刘纬(成都)Liu Wei(ChengDu)

丸仔(中国香港)Maru(HongKong China)

相西石(西安)Xiang Xishi(Xi'An)

严颖嘉(中国香港)Monique Yim(HongKong China)

特邀导师:周斌(成都)

Specially invite mentor:Zhou Bin(ChengDu)

贵州当地文献展:

曹力、陈启基、蒋静、刘海滨、时永华、陶风、张玲、张路宽、章治华

Guizhou Performance Art Literature Exhibition:

Cao Li、Chen Qiji、Jiang Jing、Liu Haibin、Shi Yonghua、Tao Feng、Zhang Ling、Zhang Lukuan、Zhang Zhihua

学术观察

Academic Observation

惠书文(北京)Hui Shuwen(Beijing)

李勇(贵阳)Li Yong(Guiyang)

Jessica Wilczak(Canada)魏佳佳(加拿大)

Sophia Kidd(U.S.A)康书雅(美国)

唐佩贤(中国香港)Tong Pui Yin(HongKong China)

媒体支持

Media support

经受今生Jing Shou Jin Sheng小舒小唱Xiao Shu Xiao Chang、一甸艺术 An Art Space


前言Preface

文/董洁

Author:Dong Jie

贵州地处中国西南腹地,属于喀斯特地貌山地,是古人类发祥地之一。省会贵阳,常年气候湿润,温度适宜,历史可追溯到春秋时期,战国时属夜郎国范围。独特的地质风貌使这片土地在历史的长河中,形成了特有的人文气息。

Guizhou, located in the southwest hinterland of China, is a karst mountainous landform and one of the cradles of ancient human. The provincial capital of Guizhou is Guiyang with humid climate and suitable temperature throughout the year. Its history can be traced back to the spring and autumn period. In the warring states period is the territory of Yelang state.The unique geological features of this land, gradually forming a unique cultural atmosphere in the long history。

今年,中国改革开放已四十年,社会、经济、文化等层面都发生了天翻地覆的变化,在这巨大的影响力下,贵州也得益于高铁、航空等快速交通工具,以及大数据技术的进步,从而走出大山,走出信息闭塞,所造成的落后处境,与外界发生联系。贵州的艺术也开始频繁地与其他各地交流。

This year, after 40 years of reform and opening-up policy in China, the great changes have taken place in society, economy, culture and other field.Under this huge influence, Guizhou has also benefited from the rapid transportation tools such as high-speed railway and aviation, as well as the the development of big data technology, so that it can get out of the backward situation which caused by information blocking, and make contact with the outside world. The art of Guizhou also began to frequently communicate with other places.

过去,行为艺术在中国发展的这三十年中,一些贵州籍艺术家陈牧、杨得清、董洁等,常年生活居住在北京或成都,并在外地实施行为艺术创作。. 而贵阳曾于上世纪90年代,由于陈启基等艺术家的影响,出现了一批艺术家自发地在一些公共空间实施行为艺术创作,遗憾的是,由于缺乏妥善的资料记录与保管,现在我们已看不到这时期的作品文献。可我们还是有幸邀请到其中部分艺术家的部分作品以文献的形式展出,并有年轻一辈的作品加入,更丰富更趋于完整地呈现贵州行为艺术从过去到现在的发展面貌。

During the past 30 years of the development of performance art in China, some Guizhou artists, such as Chen Mu, Yang Deqing and Dong Jie, have lived in Beijing or Chengdu all year round and implemented performance art creation in other cities.In the 1990s, a group of artists spontaneously performed artistic creation in some public spaces in Guiyang, which was influenced by artist s such as Chen Qiji,. Unfortunately, due to the lack of proper documentation and storage, we can ‘t see the literature of their public artwork in that period anymore.However, we still have the honor to invite some of the artists' works to be exhibited in the form of literature, and some of the works of the younger generation will be added to show the development of Guizhou's behavior art from the past to the present.

因而,为了在贵州这片土地上,建立一个开放的国际性行为现场艺术交流平台,把外面优秀的行为现场形式以及作品引入贵州,引荐给贵州的观众;同时,为贵州的行为艺术发展搭建起一个良性的、积极的生态氛围。我们发起了《2018’首届夜郎谷行为现场周》这样一个活动。

Because of the situation above, we launched the first Yelang valley live arts week of 2018, in order to establish an open international live performance art exchange platform which can introduce the excellent external live performance works to Guizhou and the local audience, meanwhile, to establish a benign and positive ecological environment for the development of performance art in Guizhou.

夜郎,是秦汉时期在西南地区由少数民族建立的国家,留存了两千多年,后又神秘消失,是中国历史上神秘的三大古国之一。今考古证实,夜郎国曾出现于黔地,因而也有将夜郎视为贵州古称的说法。. 而随着一些考古文物的出土,我们将贵州地区特有的一些地方文化风格视为夜郎风格。

Yelang, is one of the three ancient mysterious countries in Chinese history, also is a country founded by ethnic minorities in southwest China during the Qin and Han dynasties, survived for more than 2,000 years and then disappeared mysteriously.At present, the archaeology has confirmed that Yelang country once appeared in Guizhou, so there are also claims that Yelang is an ancient name for Guizhou.With the excavations of some archaeological relics, we regard some local and unique cultural styles to Guizhou as the Yelang style.

举办本次活动的场地位于贵州省,贵阳市,花溪区,夜郎谷宋氏古堡。是由艺术家宋培伦先生几十年如一日一手搭建而成。

The venue for the event is located in the Song’s castle of Yelang valley, Guiyang, Huaxi district, Guizhou province. It was built by artist Song Peilun for decades.

在这里,“夜郎”即是一个古代文明国度的名称,又是一种文化风格,一种建筑样式,也是我们此次活动的场地。因此,我们的艺术周以“夜郎谷”命名。

"Yelang" is the name of an ancient civilization country, not only a cultural style and an architectural style, but also the site of our event. Therefore, our art week is named "" Yelang valley" ".

希望在既有自然景色,又有历史渊源的夜郎谷,独特的景观艺术,与贵州特有的地质人文风貌,能够激发艺术家们更多的创作灵感,创作出相得益彰的新作品。又能为贵州的行为艺术生态建设,打开一个良好的开端,破除人们对行为艺术的误解、成见、偏见,使人们知晓行为艺术也是一种艺术创作的手段;与其他的艺术形式相比,并无高低贵贱好坏优劣之分;是为表达贴切时,可供选择的选项之一。

It is hoped that both the unique landscape art and the historic Yelanggu, as well as the unique geological landscape and cultural features of Guizhou, will inspire artists to create their new works.It can also make a good start for the construction of performance art ecology in Guizhou, and break people's misunderstanding, prejudice and prejudice of performance art. To let people know that performance art is also a method of artistic creation, compared with other art forms, the forms of artistic expression cannot be treated differently.

愿今后会有越来越多的从艺者,了解了这一类型的艺术创作手段的特性,从而选择用这种方式更贴切地表达自己;也愿非艺术从艺者,即使在没有经受过美术基础训练的条件下,亦能选择这种能不受造型能力限制、更广泛地使用现成物料进行创作的方式宣泄自己。让贵州的艺术在与外界交流时,又多一种语言可使用,在发展上也更多一种可能性。

It is hoped that in the future, more artists will understand the characteristics of more artistic creation and choose to express themselves more accurately in different way. At the same time, we also hope that non-artists can choose this way to express themselves and to create without being restricted by art ability and any materials, even in the absence the basic training of art. When the art of Guizhou communicates with the outsider, it can increase the language of art and the possibility of development.

当然,这只是我们对前景的美好憧憬,并不是一个硬性要求,因为我们相信:无论对哪一种艺术形式而言,艺术家在创作中自由地超越自己,就是艺术最美好的样子。

Of course, We have good prospects for this Art Week, because we believe that no matter which art form, the artist is free to surpass himself in creation, which is the best appearance of art.

因为,此次艺术周,选择的便于在这次活动中展示的作品均为现场艺术的形式,并且是一周的时间集中呈现,因此,这次活动的名称是“现场艺术周”,其他的行为艺术形式,我们今后将努力寻求合适的展览条件进行呈现。

As the artworks presented in this activity are all in the form of live art and are performed in a concentrated way within a week, the name of this activity is "live arts week".

贵州艺术家曾创作的行为艺术作品暂时以文献的形式与外来的艺术家交流。

For the time being, the behavior art works created by Guizhou artists have been communicated with artists from outside in the form of literature.

我们这次邀请的八位外阜艺术家,每一位都有着一套自身成熟完善的现场艺术创作体系,虽然行为艺术的创作体系也远不止这八种,现场艺术的创作体系也远不止这十种,但是我们愿以此“抛砖引玉”,让贵州的观众们看到,不管是哪一种体系的行为艺术,都与其他的艺术形式一样,当走到极致,就可获得超越自我的乐受,那是我们持之以恒追求艺术的动力——“所爱至深,所感至纯”——行为艺术一样可以将至呈现于世人面前与之共鸣!

Each of the eight artists we invited has a mature and perfect live art creation system. Although the creation system of performance art and live art is far more than those eight types experienced in this activity, however, we are willing to use this activity as an experiment to let the audience in Guizhou experience the performance art of any system, just like other art forms -“ when the artists reach the extreme situation in art, they can get happiness beyond themselves”. The persistent pursuit of artistic motivation of us - “Love deeply, feel pure”.

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