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北京中间美术馆荣幸地与2050美术馆合作，将于2021年12月11日至12日在北京举办美术馆2050第四届年度论坛。本届年度论坛的主题是“重新定义历史、当下与未来——美术馆实践的能动性”，现已开放会议论文征集。
美术馆2050 x 北京中间美术馆 2021年度研讨会
论坛主题：重新定义历史、当下与未来——美术馆实践的能动性
举办时间：2021 年12月11-12日
举办机构：北京中间美术馆
征集会议论文
申请截止日期：2021年10月10日
在第四届“美术馆2050”年度研讨会上，我们将着重讨论突破已有美术馆范式的机构实践与想象。相沿成习的美术馆范式倾向于顺从、巩固艺术史的墨守成规，而不是推陈出新，批判性地重新思考正统艺术史，并积极地参与对当代艺术的界定。
本次会议将探索艺术史的形成与艺术机构实践之间的复杂关系，以及从过去的实践中可以获取的经验与教训。我们希望这些关于机构建设、历史化进程和机构韧性的海内外案例，将为我们提供一张蓝图，在一个不断变化的、愈发质疑美术馆角色的世界中，为当代艺术机构的主体性和激进性明确方向。
此次“美术馆2050”研讨会将延续2020年会议所采用的形式，来自中国以外的嘉宾将线上参会，在中国的嘉宾将在研讨会现场进行学术讨论。
关于美术馆2050
“美术馆2050”创立于2017年，是一个立足于中国的美术馆专业交流平台，旨在关注这种指数型增长在本世纪中叶前将产生的重大的文化和社会影响，以及这些变化将如何影响观众以及现有美术馆框架的理念。
此外，本平台还特别致力为中国各地从事、热爱美术馆行业的年轻人提供资源，建立交流、分享、对话的平台，创建一个充满活力的美术馆社群。
关于北京中间美术馆
北京中间美术馆位于北京市海淀区西山文化创意大道的西端，二零一一年经北京市民政局注册为民营美术馆。
中间美术馆拥有坚实的研究与展览策划实力，近年来开展当代艺术的实践与理论探索，不断回到中国二十世纪下半叶的艺术与思想的现场中，认识和梳理中国当代艺术的历史进程，挖掘在今天仍发挥着影响的意识线索、语言逻辑和艺术观念，为中国当代艺术史研究的学科建设作出持续的努力。
中间美术馆专注支持非商业性的艺术生产和思考，注重开展活跃的策展实验，引介前沿的策展思考，推动中国当代艺术领域对于策展工作的认识和发展。
活动简介
美术馆2050每年联手一家中国美术馆共同举办一场多天的学术活动，活动不仅包括学术会议和职业发展工作坊，还留有一天组织参观当地的文化和创意空间。学术会议免费对公众开放（同时提供线上直播）。欢迎参会美术馆垂询如何参与我们的职业培训工作坊和参观活动。
申请步骤
美术馆2050组委会征集以“重新定义历史、当下与未来——美术馆实践的能动性”为主题的论文摘要。美术馆2050的第四届年会将于2021年12月11日在中国北京举办。
组委会将主要接受论文，同时接受有限数量的通过电影、音乐或表演艺术等其他媒体形式的项目。组委会欢迎各类主题交叉领域的创新性研究，包括但不限于：人类学、社会学和文化研究、建筑与设计、艺术和视觉文化、教育、历史、文学、媒体研究和博物馆学。
申请文件
申请者应提交论文或报告题目，500字以内的摘要及100字个人简介，中英文均可，以PDF格式提交。
如欲申请，请于2021年10月10日之前将选题报告直接通过电子邮件发送至contact@museum2050.com。
获选的申请人将于2021年10月25日前收到通知。
MUSEUM 2050 x BEIJING INSIDE-OUT ART MUSEUM 2021 ANNUAL SYMPOSIUM
FORUM TOPIC：THE AGENCY OF MUSEUMS IN REDEFINING THE PAST, PRESENT AND FUTURE
TIME：DECEMBER 11 – 12, 2021
HOST PLACE：BEIJING INSIDE-OUT ART MUSEUM, BEIJING, CHINA
CALL FOR PAPERS
APPLICATION DEADLINE: OCTOBER 10, 2021
For our fourth annual symposium, Museum 2050 seeks to underscore institutional practices and imaginaries that break out of the paradigms established by museums globally. Such archetypes tend to consolidate a static sense of art history rather than generating new horizons for critically rethinking historical canons and actively participating in the rendering of contemporary art in the present.
The conference will explore the complex relationship between art institutions and the formation of art history, and lessons we can take from the past into a new era. We hope that these examples of institution building, historization and persistence from China and around the world can serve as a roadmap for navigating the subjectivity and radicality of contemporary art museums in a changing world that increasingly questions the utility of museums.
In line with 2020’s hybrid symposium, all participants presenting from outside of China will be asked to participate virtually while we invite all China-based participants to join us in person.
ABOUT MUSEUM 2050
Museum 2050 was initiated in Shanghai in 2017 to consider the cultural and social impacts the exponential museum growth in the region will have by mid-century and how this development will affect audiences and ideas about existing museum frameworks.
Additionally, the platform has a distinct focus on being a resource for young people from all over China, many of whom work at and inhabit these institutions, as well as providing a place to converse, share ideas and create a vibrant museum community.
ABOUT BEIJING INSIDE-OUT ART MUSEUM
Beijing Inside-Out Art Museum is located at the west end of Xishan Cultural Creative Avenue in Haidian District, Beijing.
The museum was registered as a privately owned art museum at the Beijing Municipal Civil Affairs Bureau in 2011. With a strong capacity in research and curation, the museum has been carrying out exploration of contemporary art through practice and theory in recent years. In constantly returning to the artistic and intellectual practices in the second half of the 20th century in China, the museum recognizes and articulates the historical process of Chinese contemporary art, as well as uncovers the clues of the ideologies, the rhetoric and logic, and the artistic concepts that still exert influence today, thereby making continuous efforts for the discipline of the history of Chinese contemporary art.
The museum focuses on supporting non-commercial art practice and thinking and emphasizes active curatorial experiments. It introduces cutting-edge curatorial ideas and promotes the understanding and development of curatorial work in the field of Chinese contemporary art.
ABOUT THE EVENT
Each year, Museum 2050 works with a different hosting institution in China to realize a multi-day symposium which not only includes an academic conference and career development workshops, but also a day of outings to other cultural and creatives spaces in the museum’s landscape. The academic conference is always free and open to the public (as well as being available via livestream). Institutions interested in participating are welcome to reach out regarding inclusion in professional training workshops and corresponding outings.
APPLICATION PROCEDURE
The Organizing Committee of Museum 2050 is calling for abstract submissions on the theme “The Agency of Museums in Redefining the Past, the Present and the Future.” Our fourth annual conference will be held in Beijing, China, on the 11/12th of December, 2021.
We will accept mostly paper presentations, but also a limited number of presentations delivered through other media, such as films, music, and performance art. We invite innovative research on a wide variety of topics that address the intersection of fields including but not restricted to: Anthropology, Sociology and Cultural Studies, Architecture and Design, Art and Visual Culture, Education, History, Literature, Media Studies, and Museology.
APPLICATION FILE
All proposals should include a paper or presentation title, an abstract of 250 words and a 50 word presenter biography in PDF format. You may submit your application in either English or Chinese.
To apply, please send all proposals directly via email to contact@museum2050.com by October 10, 2021.
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