近年来，国内藏界的有识之士开始将目光投向了海外拍卖市场，尤其是瓷器的拍卖。从海外拍卖数据来看，尤其以清代的瓷器最受欢迎，清代瓷器在中国收藏界没有真正热火起来的原因，源于诸多历史、文化甚至宗教因素的审美问题，国内很大一部分藏家都无法理解瓷器上的纹饰。

In recent years, people of insight in Tibetan circles have begun to focus on overseas auction market, especially the auction of porcelain. From the overseas auction data, especially in the Qing Dynasty, porcelain is the most popular. The reason why the Qing Dynasty porcelain did not really become popular in China's collection circles is that many aesthetic problems of historical, cultural and even religious factors originated, and a large number of domestic collectors could not understand the decorations on the porcelain.

十八罗汉图方瓶 口径：13.3cm，高：16cm

2018年海外秋拍市场上，一件清朝乾隆年间的瓷瓶，被一对德国夫妇拿到藏品市场来拍卖，却不想意外地拍出了100万英镑的天价!拍卖会结束后，受访的德国夫妇表示，虽不清楚该瓷器是何时流入德国的，但观其年代已久，底部还有清代印章，确实是瓷器收藏中的精品。

In the overseas autumn auction market in 2018, a porcelain bottle from the reign of Qianlong in the Qing Dynasty was auctioned by a German couple in the collection market, but they did not want to accidentally bid a million pounds! After the auction, the German couple interviewed said that although it was not clear when the porcelain had flowed into Germany, they still had a long view of its age and the bottom was still there. The seal of the Qing Dynasty is indeed a fine collection of porcelain.

近日，国内的珠海亿缘文化也向世人展出了一件“乾隆时期的五彩十八罗汉图方瓶”，其造型和样貌，都让在场的嘉宾大开眼界，是一件高端的陈设器。据介绍，这件“乾隆时期的十八罗汉图方瓶”的外口径是13.3cm，通高约16cm，文物保存完整，是由海外著名的艺术品拍卖公司英国罗斯柴尔德国际拍卖公司对外推荐的拍品。

本品为乾隆时期瓷器特有之设计，敦实而别致，瓶身铺陈出主题纹饰十八罗汉图，纵观全图，放笔纵墨，轻盈飘逸，情势俱佳，形象诡怪，得妙趣于天然，当出名家之手。全器设色绚丽华美，与莹润白皙之胎釉相得益彰，视之毫无俗艳之感，艺术品位之高不在乾隆御瓷隽品之下，当属清代陈设器之翘楚。

十八罗汉图方瓶 口径：13.3cm，高：16cm

Recently, China's Zhuhai Yiyuan Culture has also exhibited to the world a "Qianlong period of colorful eighteen Arhat square bottle", its shape and appearance, let the guests present eye-opening, is a high-end display. According to reports, the "Qianlong 18 Arhatu square bottle" has an external diameter of 13.3 cm and a height of about 16 cm. The cultural relics are well preserved. It is recommended by Rothschild International Auction Company, a famous overseas art auction company.

This product is a unique design of Qianlong period porcelains. It is solid and chic. The bottle body is decorated with eighteen Arhats. Throughout the whole picture, it is light and elegant. It has a good situation and strange image. It is interesting in nature. It is a famous artist's hand. The decoration is gorgeous and gorgeous. It complements the lustrous white fetal glaze. It has no feeling of gaudiness. The high artistic taste is not under the meaningful Qianlong Imperial Porcelain. It belongs to the elite of Qing Dynasty furnishings.

康熙，乾隆皇帝十分喜爱瓷器，有些官窑瓷器的造型、纹饰、品种等都亲自审定御批，这在《清宫内务府造办处档案雍正记事杂录》中都有记载。如：“雍正七年八月初七日，郎中海望持出菊花瓣宜兴茶壶一件，奉旨：作木样交年希尧，照此款式作霁红、霁青釉色烧造。

Emperor Kangxi and Emperor Qianlong loved porcelain very much. The shape, decoration and variety of some official kiln pottery were examined and approved by the emperor himself, which was recorded in the Records of Yongzheng Records in the Archives of the Office of Internal Affairs of the Qing Palace. For example, "On the seventh day of August in Yongzheng seven years, Langzhong Haiwang held a teapot with chrysanthemum petals in Yixing. His purpose was to make wood samples for Xiyao, and to make glazed red and blue glaze according to this style.

十八罗汉图方瓶 口径：13.3cm，高：16cm

五彩瓷器的主要着色剂为铜、铁、钴、锰等矿物元素，采用低温烧制成型。五彩为二次成型工艺，彩饰色料分釉下与釉上两种，常用颜色有红、黄、绿、紫、赭、黑等。所谓五彩并非是说五种色彩同时出现，而是多种彩色之意，但其中必须有红色方为五彩。五彩也被称为“古彩”、“硬彩”。据民国许之衡《饮流斋说瓷》释：硬彩者，彩色甚浓，釉覆其上，微微凸起。其施彩方法，是勾线后平涂填色，以水或胶水作溶剂，按纹饰需要，在已烧成的白釉瓷器上，施以多种颜色进行再度创造，在770-800℃的温度中焙烧而成。烧成后的色彩呈现玻璃质状，有坚硬质感。五彩瓷器是釉上彩中的主要品种之一。

五彩盛极于康熙时期，而乾隆时期的五彩瓷有其独特的面貌，绘图风格有明成化五彩的优雅，瓷器图案装饰也从康熙时期的繁复变为疏朗，笔意由遒劲趋向纤柔，更接近画院派的风味。所绘主题占的空间不多，比康熙时期明显收缩，陶瓷上画面留出较大的空间可题诗，乾隆五彩纹饰题材广泛，以龙凤、故事、山水人物、花鸟、鱼藻为主，纹饰色彩一变前期的浓艳为淡雅清丽，因此雍正的五彩瓷器，只要有精品现身就不愁获得高价。

十八罗汉图方瓶 口径：13.3cm，高：16cm

The main coloring agents of multicoloured porcelain are copper, iron, cobalt, manganese and other mineral elements, and are fired at low temperature. Multicolor is a secondary forming process. There are two kinds of colors: under-glaze and over-glaze. Commonly used colors are red, yellow, green, purple, ochre, black, etc. The so-called "five colors" does not mean that five colors appear at the same time, but the meaning of a variety of colors, but one must have red for the five colors. Multicolor is also known as "ancient color" and "hard color". According to Xu Zhiheng's "Drinking Liuzhai Saying Porcelain" in the Republic of China, the hard color is very strong, the glaze overlays it, slightly protruding. The method of applying colour is to apply various colours to the fired white glazed pottery to recreate it, using water or glue as solvent, according to the need of decoration, and roasting it at 770-800 C. After firing, the color is glassy and hard. Multicoloured porcelain is one of the main varieties of glazed color.

Five colors flourished in the Kangxi period, while the Qianlong period had its own unique features. The painting style had the elegance of Ming Chenghua, and the decoration of porcelain patterns changed from the complexity of the Kangxi period to the sparseness, and the brushwork tended from vigorous to delicate, which was closer to the flavor of the Academy School of Painting. The theme of the painting occupies less space than that of the Kangxi period, and the picture on the ceramics has a larger space to inscribe poems. Qianlong's five-color decorative themes are extensive, with dragons and phoenixes, stories, landscapes, flowers and birds, and fish and algae as the main themes. The rich color of the decorative colors in the early stage changes into light elegance and elegance. Therefore, Yongzheng's five-color porcelains, as long as they are exquisite. We must not worry about getting high prices.