近几年，随着拍卖企业的强势进驻，迪拜的艺术品拍卖市场已然成为整合行业的重要交易平台，众多艺术品拍卖纪录诞生于此，各方从业者的目光也纷纷聚焦于此。迪拜在艺术品市场中的地位已悄然改变，亚洲艺术市场也已经开始呈现自我的性格与气质。随着中世（ChungHsi）国际拍卖行对2018年度艺术市场报告的发布，可以为2019年艺术品市场各方从业者以及爱好者全面了解艺术品市场概况做一个参考

In recent years, with the strong entry of auction companies, dubai's art auction market has become an important trading platform for the integration of the industry. Many art auction records were born here, and practitioners from all sides have focused their attention on this. Dubai's position in the art market has quietly changed, and the Asian art market has begun to show its own personality and temperament. With the release of the 2018 art market report by ChungHsi international auction house, it can be a reference for all parties involved in the art market and lovers to have a comprehensive understanding of the art market overview in 2019

有钱任性，迪拜重现国内盛况

世界之最迪拜，中东经济金融中心，全球富豪聚集地，全球最富裕的国家。迪拜作为国际艺术品市场中心的潜力，正以一种令人难以置信的速度提升。不久前结束的第二届迪拜艺术博览会和阿拉伯石油大亨的强大购买力，被国内媒体作为“迪拜现象”来讨论，也引起了国内艺术界人士对连线迪拜的兴趣。根据近期发布的《迪拜艺术品拍卖市场调查报告》显示，2018年迪拜艺术品市场拍卖总成交额为188.5 亿元迪拉姆币，同比2017上升了30.4%。

迪拜成为市场新引擎

或许谁都没想到，在国际艺术市场回调的2018年，以石油见长的迪拜却在艺术品领域逆势而上，以同比超过30%的巨大涨幅走过了2018年以来红红火火的一年。虽然外部和内部环境总在不断变化，但艺术价值判断的“金线”以及事物和市场消长的规律却永恒不变，而这也是艺术品和市场最有魅力之处。

国际拍卖行2019年艺术品市场分析

Rich and capricious, dubai reproduces domestic pomp
The world's most dubai, the economic and financial center of the Middle East, the gathering place of the world's rich, the world's richest country. Dubai's potential as an international centre for the art market is growing at an incredible rate. The recently concluded second dubai art fair and the strong buying power of Arab oil tycoons have been discussed in the domestic media as a "dubai phenomenon", and have aroused the interest of the domestic art circles in connecting with dubai. According to the recently released "dubai art auction market survey report", the total transaction volume of dubai art market auction in 2018 was 18.85 billion dirhams, up 30.4% year-on-year in 2017.
Dubai is the new market engine
Perhaps nobody expected that in the international art market pullback in 2018, dubai, which is known for its oil, bued against the trend in the art field and passed through the prosperous year of 2018 with a huge increase of more than 30% year-on-year. Although the external and internal environment is always changing, the "golden line" of artistic value judgment and the rule of the fluctuation of things and the market are always unchanged, which is also the most attractive part of art and the market.
International auction house 2019 art market analysis

一：艺术品市场危中有机

综观2017—2018年，将几家知名拍卖行的业绩进行盘点后可见，各公司的秋拍春拍成交额无论是环比2017年春拍，还是同比2018年同期都明显有所萎缩，中国艺术品市场依然处于调整之中。引人注目的是四大拍卖巨头之苏富比、佳士得、嘉德、保利的市场支撑力度有所下降，而二线拍卖公司的竞争力却有所增强，、永宝斋、匡时等拍卖行在整个年度的表现却可圈可点。

二：成交额TOP10书画类、瓷器是核心

在各种艺术品类中，中国书画在拍卖中一向是“顶梁柱”的地位。作为艺术品拍卖市场上的主角，在大部分综合性拍卖会中书画成交额占总成交额的60%—70%左右。同时，近年来，这一板块中屡有作品创出天价，业内称之为书画的“亿元时代”。由《艺术市场通讯》整理的2017年度专场拍卖成交额TOP10中，中国书画与瓷器分别占到41.54%与40.93%，近现代书画虽然在个体成交额方面不及古代名家书画那般耀眼，但凭借相对较大总体存量和良好市场口碑，依旧占据市场主角地位。

三：瓷杂板块平均年复收益率高

2017年秋拍，据雅昌艺术市场监测中心出具的《2017年春中国艺术品拍卖市场调查报告》统计，2017年春拍中瓷器杂项板块共计成交42,503件，总成交额达105亿元，同比分别上涨 4.29%、28.15%，市场成交额占有率从34%升至41%。从近三年瓷器杂项板块市场行情走势数据看，每年的两次春秋大拍在2010年后的市场波动中相对处于“稳定期”，2014-2016年秋拍同比在成交额与成交量上持平，2015-2017年春拍同比也相对平稳。产生影响的因素就是新买家和资金入场，在前期市场大范围的波动中，一些买家或者投资资金选择暂时退出艺术品市场，但是随着市场规律的运作，去除了此前过热的泡沫，重新对艺术品价格进行有效且合理的规划，使得买家又重新回到市场中来。

四：古董行业从各自为战到团队作战

2018年古玩艺术品买家进步很快，更重视拍品来源和传承，稳定可靠的作品更容易被新晋买家所关注。低价位和高价位的拍品是卖得最好的。小众、平民化的市场有起色，价格区间在无底价到10万元之内，中间价位的(10万元到150万元)拍品处在尴尬境地。古董行业从过去经纪人各自为战的状态开始向职业化、规范化、团队化过渡。这一年内可以看到其运作模式及商业模式呈现多样化，团队协作开始出现，比如拿国际拍卖行来说，自从EPIRIS的大笔资金融入后，拍卖行的业绩呈现井喷式增长，拍品质量更加优质、多元，格局更加广阔，视野更加国际。
 

A: the art market in the organic crisis
From 2017 to 2018, after taking stock of the performance of several well-known auction houses, it can be seen that the sales volume of autumn auction and spring auction of each company has significantly shrunk from the previous spring auction in 2017 to the same period in 2018, and the Chinese art market is still in adjustment. What is striking is that the market support of sotheby's, Christie's, guardian and poly, the four auction giants, has decreased, while the competitiveness of second-tier auction companies has increased, and auction houses such as yongbausai and kuangshi have made remarkable achievements in the whole year.
Two: TOP10 painting and calligraphy, porcelain is the core
In all kinds of art categories, Chinese painting and calligraphy in the auction has always been the "pillar" status. As the leading role on artwork auction market, in major and comprehensive auction in calligraphy and painting clinch a deal the 60% that the forehead holds total clinch a deal the left and right sides of 70%. At the same time, in recent years, there are works in this plate to create sky-high prices repeatedly, which is called "billion yuan era" in the painting and calligraphy industry. Among the TOP10 auction transaction amounts in 2017 compiled by art market news, Chinese calligraphy and painting and porcelain accounted for 41.54% and 40.93% respectively. Although modern calligraphy and painting is not as dazzling as ancient masters in terms of individual transaction amount, it still occupies the leading position in the market with its relatively large overall stock and good market reputation.
Three: porcelain complex plate average annual return high
In the autumn of 2017, according to the "survey report on the Chinese art auction market in spring 2017" issued by artron art market monitoring center, a total of 42,503 pieces were sold in the spring of 2017, with a total transaction value of 10.5 billion yuan, up 4.29% and 28.15%, respectively. The market share increased from 34% to 41%. According to the market trend data of the porcelain miscellaneous plate in the recent three years, the two annual spring and autumn auctions are in a relatively "stable period" in the market fluctuations after 2010. In the autumn auctions from 2014 to 2016, the transaction volume and volume were flat, and the spring auctions from 2015 to 2017 were also relatively stable. Impact factor is a new buyer and capital to enter, in the market a wide range of fluctuation, some buyers choose temporarily withdrew from the art market or investment capital, but with the market rules of operation, in addition to the previously overheated bubble, again to effective and reasonable planning of art prices, enables buyers to return to the market again.
Four: the antique industry from the fight to fight team
In 2018, antique art buyers have made rapid progress, attaching more importance to the source and inheritance of auction products. Stable and reliable works are more likely to be noticed by new buyers. Low-priced and high-priced lots sell best. The market of minority, common people changes have improvement, price range is in without bottom price to 100 thousand yuan inside, intermediate price (100 thousand yuan to 1.5 million yuan) auction article is in awkward position. In the past, the antique industry began to transition from the state of independent brokers to professionalism, standardization and teamwork. In this year, we can see the diversification of its operation model and business model, and the emergence of teamwork. For example, since EPIRIS invested a large amount of money, the performance of the auction house has experienced a blowout growth, with the auction quality becoming more high-quality, diversified, broader and more international.

当下，拍卖场上的买家群体正在悄然生变。近两年的顶级拍品，尤其是馆藏级艺术精品的流向不再是传统意义上的收藏家，而是企业和机构。国际拍卖行表示，企业收藏艺术品有助于提升企业的文化品位，同时也是一种资产配置模式。可以说，企业家或是企业收藏撑起了近几年中国艺术品的高端市场，他们也将是未来驱动艺术拍卖市场的强劲力量，未来市场成熟可期

At present, the group of buyers on the auction market is changing quietly. The top auction of the past two years, especially the collection of fine art flow is no longer the traditional sense of collectors, but enterprises and institutions. International auction house expresses, company collects artwork to concent to promote the culture grade of the enterprise, also be a kind of asset to allocate mode at the same time. It can be said that entrepreneurs or corporate collections have supported the high-end market of Chinese artworks in recent years, and they will also be a strong force driving the art auction market in the future, which is expected to mature in the future