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纪录片|大卫·霍克尼:游泳池


我坚信艺术应当是非常令人愉快的。我认为彻底绝望的艺术本身就自相矛盾,因为之所以要有艺术就是为了对抗绝望。艺术最底线都意味着你在努力把自己的感受传递给他人,而能够交流本身就带走了一小部分绝望。艺术的这种矛盾是内在固有的,看看艺术史就知道。


 

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艺术家 · ARTIST / ©David Hockney

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纪录片|大卫·霍克尼:游泳池

Documentary | David Hockney: Swimming pool


▲ David Hockney大卫霍克尼 -《泳池及两人像》

英国艺术家大卫·霍克尼常说他活在当下:“这是我现在所做的,我不想太多。我现在还活着,总是现在。”


The British artist David Hockney has often said that he lives in the present: “It’s always just what I’m doing now. I don’t reflect too much. I live now. It’s always now.” 


DAVID HOCKNEY’S SELF-PORTRAIT WITH RED BRACES, 2003 (LEFT) AND HOCKNEY’S DOMESTIC SCENE, LOS ANGELES, 1 (RIGHT). © DAVID HOCKNEY. PHOTOGRAPH BY RICHARD SCHMIDT.


人的任何活动可能都需要游戏感。有人品评我的作品,说它们太游戏化了。我说,这根本算不上批评,这是表扬。我的确视其为表扬,因为我相信没有游戏感就不会有新奇感,即便科学家也具有游戏感。游戏感产生了惊奇、意外和发现,任何富有游戏感的人都明白这个道理。


Any human activity may require a sense of play. Some people commented on my works and said they were too game oriented. I said, this is not criticism at all, this is praise. I do regard it as praise, because I believe that without a sense of play, there can be no novelty, even if scientists have a sense of play. The sense of play produces surprise, surprise and discovery, and anyone with a sense of play knows this.


DAVID HOCKNEY, GARDEN, A 2015 PAINTING OF HOCKNEY’S LOS ANGELES HOME. © DAVID HOCKNEY. PHOTOGRAPH BY RICHARD SCHMIDT. 


游戏感可资利用,我就利用游戏感来进行创作。人们常忘了游戏是严肃的,可我知道它当然是严肃的。有些人持有这样一种观点,觉得只有枯燥的才是艺术,要不枯燥就不是艺术。真是的!我一直认为事实正好相反,枯燥的东西多半不是艺术,令人兴奋、令人激动的东西多半才是艺术。我还不知道有什么好艺术是枯燥的,不管是音乐、诗歌还是绘画。莎士比亚之所以令人兴奋不就是因为他不枯燥吗?


The sense of game is available, so I use it to create. People often forget that games are serious, but I know they are. Some people hold the view that only boring is art, otherwise boring is not art. Damn it! I have always thought that the opposite is true. Most boring things are not art, but exciting and exciting things are mostly art. I don't know what good art is boring, whether it's music, poetry or painting. Isn't Shakespeare exciting because he's not boring?


PORTRAIT OF AN ARTIST (POOL WITH TWO FIGURES), 1972. © DAVID HOCKNEY. COURTESY ART GALLERY OF NEW SOUTH WALES / JENNI CARTER.


我大多数时间都在工作,因为工作让我兴奋,带给我极大的快乐。我工作还因为除了工作我不知道还能干吗。我想自己要是不工作肯定会疯掉,可能也不会喜欢这个世界了,我也许命中注定就要工作。有时我想坐着发呆也许更好,但做不到,我倒是希望能做到。我有能力享受,可是不幸我有这股冲动这股劲头,要分享我的感觉,艺术家通常做的就是分享感觉。


I work most of the time, because work makes me excited and brings me great happiness. I work because I don't know what else to do besides work. I think if I don't work, I will go crazy. Maybe I won't like the world. Maybe I'm destined to work. Sometimes I think it's better to sit in a daze, but I can't, I hope I can. I have the ability to enjoy it, but unfortunately I have the urge to share my feelings. What artists usually do is share my feelings.

IGGER TREES NEARER WATER, WINTER 2008, A YORKSHIRE LANDSCAPE. © DAVID HOCKNEY. PHOTOGRAPH BY RICHARD SCHMIDT.


我们所有人都能在某种程度上理解悲剧,并能在生活中感受到它——失去所爱之物、失去所爱之人,可有些人却看不到生活中喜剧的一面,这在我看来是最大的悲哀。


All of us can understand tragedy to some extent and feel it in our lives - losing what we love, losing the people we love, but some of us can't see the comedy side of life, which is the biggest sorrow to me.





 往期精彩回顾 



陈清勇|制造“真相”的文人姿态
弗朗西斯·培根 FRANCIS BACON|Works全集
【首发】杨加勇|20年代:艺术,是一种特质的复合光体
TIMES FIGURE|方凯:时代人物中的肖像气质
ACEI文献|惠书文:艺术,改变世界的另一种力量
【惠书文|艺评】林惠兴:我们终究不安的世界
【惠书文|艺评】李卓·涂涂:绘画秩序中的图像隐喻
【惠书文|艺评】鲍贤杰 20年代:凝固的“漆”象
【惠书文|专栏】王小双 · 20年代:透质的微光与凝望
【 惠书文|艺评】李勇·20年代:从记忆碎片到一粒尘埃

【 惠书文|艺评 】朱峰 · 20年代:雕于气,塑之以息的“数字装置”

策展手记|惠书文:由观念到“物质”的超验知觉,遇见黄鹿——合与生

【惠书文|艺评】陈蜀:在这个时代中,我们的记忆都是“被选择”后的意识残留




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作者:中国当代艺术

特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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