“病魔、疯狂和死亡是围绕我摇篮的天使，且持续的伴随我一生。我想要创作的不是那种给人们挂在客厅墙上的漂亮图画，而是捕捉人性的作品，可以扣动心弦最深处的艺术。”
Edvard Munch：Love and anxietyBut works that capture human nature
艺术家 · ARTIST / ©Edvard Munch
发行推广 · LSSUANCE OF PROMOTION / ©AnArtSpace
©Edvard Munch 爱德华·蒙克
Self portrait of burning cigarettes
布面油彩 Oil on canvas
燃烧香烟的自画像，1895
It’s hard to view the work in The Experimental Self: Edvard Munch’s Photography, an exhibition currently on view at Scandinavia House, in any sort of impartial way, to evaluate it separately from Edvard Munch’s more famous work.The photographs and film shown here are largely of interest because they were created by Munch, whose seminal 1893 painting “The Scream” is a prescient, enigmatic example of existential alienation, a theme much explored in 20th-century art.Edvard Munch and Rosa Meissner in Warnemünde(1907), one of a series, shows its subjects overexposed, concealing detail. In addition, the image is doubled, so that the ghosts of its subjects appear to be standing directly behind them.
作者：中国当代艺术
特别声明：本文为艺术头条自媒体平台“艺术号”作者上传并发布，仅代表该作者观点。艺术头条仅提供信息发布平台。
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