马杰法国新展“境里境外”（Ma jie: one honor art, without border exhibition）于2016年9月14日在法国chateau guiraud 33210 sauternes France 开幕。

　　展期 Exhibition：2016.09.14 - 2016.09.30

　　策展人 Curator：Olivier jean-piere

　　开幕 Opening : 2016.09.14 16：00–22:00

　　地点 Location：Chateau Guiraud Bordeaux sauternes 33210 France

城墙 布面丙烯 50x50cm

　　在当今中国艺术品市场灼热爆发的时代，外表平和内心狂野的艺术家马杰却始终有条不紊地在北京东部工作室潜心研究属于自己的艺术表现风格。数年来他从不被多彩的大千世界所纷扰，自十年前从布满分裂、病体、压抑的悲观主义作品系列延续至今极具里程碑意义的性冷淡风的表现形式，渐进的创作历程形成中西多元化的显著特征，其各个阶段的创作均在前一阶段的基础上演变和发展着，也许是叛逆的心里和睿智的审视社会诸多现象给人类带来的影响，造就了他的追求，并依据其形式的逻辑而延展画面。

　　At the moment when Chinese art market is developing at a such breaking pace, Ma Jie, an artist with mild appearance,yet wild inner emotions, has always been studying in a studio in eastern Beijing and a style of his own finally taking into its form. For the past several years, he never gets disturbed by the colorful outsides.From the works covered with split, causative agent, depressed pessimism ten years ago, to the milestone sex apathy style, his creation gradually integrates the featuresof Chinese and western arts, and evolves on the basis of the previous development. rebellious heart and wise assess of many social phenomenon brings humanity great impact, creating his pursuit, and extending pictures according to his logic.

屋顶的和平鸽 布面丙烯 50x50cm

美丽孤儿 布面丙烯 50x50cm

　　在马杰的作品里中国传统艺术元素被创造性地实现了现代转化。抽象表现的画面并没有掩盖人类现实领域的空虚，《屋顶的和平鸽》《金钱的废墟》《战后》等作品都让人感觉到一种淤积多年的内心沉淀的“溢出”，持续不断的演绎了人类对劫后余生世界的恐慌，为了缓解外部环境对于心理负荷所体现出挥之不去的负担，在他《美丽孤儿》的作品中清冷的街道，万籁俱寂的苍穹高高挂起一轮冷月，黑暗中画布方寸之间的月亮也许就是地球上最美丽的孤儿。对于自我生存现实极度敏感的他，绘画中呈现的是一个个骚动不安的灵魂和其内心深处的潜意识，那些近于错置的写意“涂抹”正是一种不经矫饰而直达心灵的语言状态。

　　In Ma Jie's works, Chinese traditional artistic elements have been modernized creatively. Abstract picture did not obscure the human reality in emptiness. The works like ‘dove on the roof’, ‘the Money Ruins’ and ‘Postwar’ makes people feel a ‘spillover’ of inside precipitation deposited for many years, continuously interpreting the human panic in the aftermath of the world. In order to ease the mental pressure from external environment, in his ‘beautiful orphan’ ,the deserted streets, the silent sky with cold moon, and the moon in the darkness areperhaps the most beautiful orphans on earth. For him who is extremely sensitive to reality, what the paintings represent is a restless soul and the inner depths of the subconscious, and those close to the wrong set of freehand ‘brushwork’ are the direct language state of mind without any modifications.

战后 布面丙烯 50x50cm

金钱的废墟 布面丙烯 50x50cm

　　近期的《窑变系列》表现了从水墨精神到瓷质器皿窑变的探索。同时也引喻人类在社会熔炉中各种关系位置随之产生的变化，按马杰讲“人类就像炉内窑变的器皿，社会就是一个大熔炉”，作品将含蓄写意智慧发挥得淋漓尽致。

　　His recent ‘series for the evolution of porcelain’ performs the exploration from the ink-wash painting spirit to the evolution of porcelain, and implies the corresponding change of human relationship in the social melting pot. According to Ma Jie, humans are like vessels, while society is a melting pot. His works plays the implicit freehand wisdom incisively and vividly.

窑变系列一 布面丙烯 50x50cm

　　在艺术界马杰无疑是一位思路清晰、指向明确的艺术家。近十年来马杰游历欧洲二十多个国家进行创作交流，拜访诸多世界知名艺术家，并多次作为中国当代艺术家的身份参加各种艺术活动。经过多年来不间断创新，将东方文化内涵和西方表现技巧在画面里水乳交融。马杰作品中既有中国古典文化美学观，又融入了当今时代的语境，从而形成了独特的艺术语言。他将画面所发生的一切变化视为一种观念的变化，就如同里西特所言：“我不相信画所呈现的现实，所以我改变风格如同换件衣服一样容易，不过是掩饰自己的一种方式罢了”。

　　In the art world, there is no doubt that Ma Jie has a clear thinking and clear goal. In the past ten years, he has visited more than 20 countries in Europe, exchanged ideas and communicated with many world-class famous artists, and has participated in various art activities as the identity of contemporary Chinese artists. After years of continuous innovation, the oriental culture and Western skills are combined in the picture. In his works, there are not only the Chinese classical cultural aesthetics, but also the context of the modern times, thus forming a unique artistic language. He regards all changes in the pictures as concept. As Richter said’ I don't believe painting presents the reality, so I changed the style as easily as changing clothes, to conceal myself.

记忆 布面丙烯 50x50cm