珐琅彩瓷器是在景泰蓝基础上演变而来。二者不同之处景泰蓝是在铜胎上经施珐琅釉而烧成，瓷胎上施珐琅釉则叫珐琅彩。珐琅彩始于康熙后期，雍正期的珐琅彩水平最高，工艺最美。乾隆时则转向粉彩，故珐琅彩终止于乾隆后期，期间有一部分瓷器其釉料有珐琅釉和粉彩共存。珐琅彩的制作是由景德镇烧制的上好素白瓷送进宫中再由宫中画上珐琅彩釉烘烤而成。画工技艺高，加工水平严，如有缺陷即刻打碎处理。由于珐琅彩器是专供宫延皇室玩赏之用，不得向外流失，故数量少。

Enamel porcelains evolved from cloisonne. The difference between the two is that cloisonne is made by applying enamel glaze on a copper body, while enamel glaze on a porcelain body is called enamel color. Enamel began in the late Kangxi period. The level of enamel in yongzheng period is the highest and the craft is the most beautiful. During the Reign of Emperor Qianlong, it turned to pastel, so the falangcai ended in the late Period of Emperor Qianlong, during which part of the porcelain glaze had the coexistence of enamel glaze and pastel. The production of falangcai is made by jingdezhen firing superior plain white porcelain sent to the palace and then the palace painted with enamel glaze baked. High painting skills, strict processing level, such as defects immediately break processing. Because the enamel ware is specially for the palace and the royal family to enjoy the use, can not be lost to the outside, so the number is small.

珐琅彩的主要特征：

一、瓷胎――瓷胎细薄，修胎规则，完整无缺，大多为小件，超过一尺大的都少见。

二、造形――多为碗、瓶、烟壶之类的日用小件瓷或动物造型陈设品。

三、底釉――为纯白釉，不偏青也不偏黄，釉面光滑洁净无疵。

四、珐琅彩色――色极鲜艳且柔和，很少为纯色而为粉彩型偶合色。色种多，同一物上可现7、8种颜色，多达10多种。

Main features of enamel:

1. Porcelain foetuses -- Porcelain foetuses are thin, regular and intact. Most of them are small pieces, and few of them are more than one foot in size.

2, shape - bowl, bottle, snuff bottle and other daily small pieces of porcelain or animal style furnishings.

3, the bottom glaze - pure white glaze, neither green nor yellow, smooth and clean glaze without defects.

4. Enamel color -- the color is very bright and soft, rarely pure color and pastel color. Color variety, the same object can be 7, 8 colors, up to more than 10.