白蒂身上有很多的标签，比如女性，青年，旅德。诚然，白蒂将这些巧妙的融合在了一处。

　　白蒂的作品带着一种青春的荷尔蒙，躁动、迷茫，包括忧伤，这些正如同青春。这样敏锐的触觉出自一位女性之手就显得理所应当。这是一个充满了艺术的时代，因为充满了不确定才能有艺术的空间。而女性的视角不但敏锐，更与男性艺术家来自不同的出发点。代表不同性别的视角，属于女性的真实表达本身就是难得一见的。女性在中国传统地位上的不自由与束缚让女性艺术家的自我解放与探究更加困难。但也正因为如此，女性艺术家往往能在这个时代捕捉到更深层、更隐晦的问题，因为在她们的视野里有一些长期被男性忽略的地方。

　　扭曲的形体、厚重的笔触、强烈刺激视觉的配色这种看似涂鸦的混乱宣泄，就这样赤裸裸的将情绪抛在毫无准备的观者面前，一切看似毫无规矩可言。白蒂显然已经找到了自己的道路，她的作品其实是简单而真诚的。在厚重的油彩背后，简单的形态，布局，模糊的人物，零剧情的表达，却有着令人无法忽视的张力。她是自信的，化繁为简，越是要表现越应该排除喧扰。这种自信，源于本土境遇和时代表达的契机。她捕捉到的是青春的伤感，是人群间的无助，是沉闷的社会与颓废的迷茫。而这些内在的情绪，在简单到几乎宣泄的画纸上显得格外刺眼，赋予她的作品一股尖锐的力量。这种力量，鲜少在柔弱的女子手下展现，这种矛盾本身便是分外迷人的。

Preface of Bai Di Exhibition

Gao Peng

　　There are plenty of tags on Bai Di, such as female, youth and Chinese artist residing in Germany. Indeed, Bai Di has elaborately integrated these into a whole.

　　The works of Bai Di exude a kind of adolescent hormone, restless, perplexed and dolorous, precisely as youth. It seems very appropriate that such a keen sense of touch comes out of the hands of a woman. This is an era full of arts, due to the fact that enormous uncertainties lead to art spaces. Female perspectives are not only acute, but also based on a starting point different from male artists'. Originally, it is rare to see the true expressions belonging to females, which represent a distinct gender perspective. In addition, non-free and restrained status of females in Chinese tradition makes it more difficult for female artists to pursue self-liberation and exploration. However, also because of this, female artists can always capture more profound and obscure problems of this age, since there are some places chronically ignored by men in their fields of vision.

　　Distorted shapes, strong brush strokes and intensely visual-stimulation color blending, in this way the chaotic catharsis appearing like graffiti nakedly casts emotions in the face of totally unprepared audiences. Everything seems to be of little discipline. Obviously, Bai Di has found her own path, and her works are actually simple and sincere. Behind the dense paint, the plain forms, layouts, blurry figures and non-dramatic presentations surprisingly possess a tension impossible to neglect. She is confident, and able to simply things. The more she desires to manifest, the more she needs to exclude noise and disturbance. Her confidence roots in the local circumstances and the moment of contemporary expression. What she captures are the sorrow of youth, helplessness among people, dull society and decadent confusion. And these inner moods appear particularly dazzling on the painting papers as simple as almost abreaction, endowing her works a poignant power that barely revealed under the hands of delicate women, which contradiction itself is extraordinarily fascinating.

作者：高鹏