第七届ART021开幕在即，今天我们很荣幸地公布本届博览会的第二款艺术家海报，来自艺术安尼施·卡普尔的作品《一千个名字》。在此特别致谢艺术家及常青画廊提供支持。

安尼施·卡普尔的艺术创作起点，可追溯至一系列不固定的雕塑物件。它们看上去是由彩色的颜料堆积而成，展现了卡普尔对于物体的材料本质以及把物体和其周围世界分隔开来的“表面”所进行的初步审视，而这在艺术家之后的创作里成为了不可或缺的探索方面。不明确的形状，在自然和抽象世界之间存在，处于过渡状态并且似乎跳脱了材料本身的主体—纯色在此所带来的视觉冲击力引发了物体的视觉幻象，使之挣脱于种种限制，并把这些形态带入进感觉阈限。

Dating back to the beginnings of Anish Kapoor’s artistic activity are a series of unstable sculptural objects. Seemingly formed from coloured pigments, they are the first fruits of an exploration into the very materiality of the object and the skin that separates it from the world, that has remained an integral concern in the artist’s work. Indefinite forms, halfway between the natural and the abstract world, bodies in transition which seem to leap spontaneously out of the material itself – the intensity of pure colour is in the service of the illusion of the object, suggesting a breaking free of borders, and placing these forms in the realm of the liminal sublime.

© 安尼施·卡普尔,《一千个名字》, 树脂, 红色素, 180x60x45cm, 1982

图片致谢艺术家与常青画廊

安尼施·卡普尔1954 年出生于孟买。他在七十年代搬到了伦敦，且现在仍在那里工作与生活。卡普尔的作品曾在众多国际顶尖美术馆和艺术机构中展出。他近期个展的举办机构包括：布宜诺斯艾利斯纪念公园，阿根廷(2017)；罗马当代艺术博物馆，意大利(2016)；墨西哥国立自治大学当代艺术博物馆，墨西哥城，墨西哥(2016)；凡尔赛宫，巴黎，法国(2015)；犹太博物馆与宽容中心，莫斯科，俄罗斯(2015)；萨基普·萨班哲博物馆，伊斯坦布尔，土耳其(2013)；马丁·格罗皮乌斯博物馆，柏林，德国(2013)；悉尼当代艺术博物馆(2012)。此外，卡普尔还曾参与诸多美术馆和机构举办的群展，其中包括：蛇形美术馆，伦敦；第九届卡塞尔文献展，卡塞尔；斯德哥尔摩现代艺术博物馆；蓬皮杜艺术中心；巴黎卢浮宫。卡珀尔的作品被诸多公共和私人机构收藏，包括纽约现代艺术博物馆和阿姆斯特丹市立博物馆。卡普尔在最近几年中受委托创作的公共艺术项目包括：《沉降》(布鲁克林大桥公园，纽约)；《新方舟(全球第一座可移动式充气音乐厅，巡展于日本)；《轨道塔(为2012 年伦敦奥运会打造的位于伊丽莎白女王公园的大型永久性高塔雕塑)；《利维坦》(巴黎大皇宫)；《圣地(“提兹谷巨人”系列里的第一件作品，米德尔斯堡，英国)；《马厦斯》(泰特现代美术馆涡轮大厅，伦敦)；《云门》(芝加哥千禧公园)；《地下(与常青画廊合作于阿戈斯蒂诺中世纪高塔呈现)；《圣吉米那诺与泥土电影院》(与常青画廊[巴西利卡塔馆]合作于意大利拉特罗尼科的波里诺国家公园呈现)。安尼施·卡普尔于1990 年获得威尼斯双年展最佳年轻艺术家Duemila 奖，于1991年获得英国透纳奖。卡普尔在2001 年成为英国皇家建筑师学会荣誉会员。2013 年，他因其在视觉领域中的突出贡献而被予荣誉爵士头衔。

Anish Kapoor was born in Bombay in 1954. In the 70s he moved to London, the city where he lives and works today. His work has been shown in the most important museums and institutions throughout the world. Recent solo exhibitions include Parque de la Memoria, Buenos Aires (2017); MACRO Museo d’Arte Contemporanea, Rome (2016); MUAC Museo Universitario Arte Contemporáneo, Mexico City (2016); Château de Versailles, France (2015); The Jewish Museum and Tolerance Center, Moscow (2015); Sakıp Sabancı Museum, Istanbul (2013); Martin-­‐Gropius-­‐Bau, Berlin (2013); Museum of Contemporary Art, Sydney (2012). He has taken part in numerous group exhibitions in contexts such as the Serpentine Gallery, London; Documenta IX, Kassel; Moderna Museet, Stockholm; the Centre Georges Pompidou and the Louvre in Paris. Numerous public and private collections feature works by the  artist, among these MoMA in New York and the Stedelijk Museum in Amsterdam. Among the most renowned public commissions carried out by Kapoor in recent years are Descension (Brooklyn Bridge Park, New York); Ark Nova (the world’s first inflatable mobile concert hall, touring Japan); Orbit (a permanent tower commissioned as part of London 2012 Olympic Games for the Queen Elizabeth Park, London); Leviathan (Grand Palais, Paris); Temenos (first of the Tees Valley Giants project), Middlesbrough, U.K; Marsyas (Tate Modern Turbine Hall,  London); Cloud Gate (Millennium Park, Chicago); Underground (with Arte Continua, medieval tower of Sant’Agostino), San Gimignano and Earth Cinema (Arte Pollino un altro sud, with Arte Continua, Basilicata), Latronico, Italy. Anish Kapoor received the Premio Duemila at the Biennale di Venezia in 1990 and the Turner Prize in 1991. Since 2001, he has been an honorary member of the Royal Institute of British Architecture, and in 2013 he received a knighthood for services to the arts.