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2019年11月16日,香格纳北京将荣幸推出艺术家何伟与唐茂宏双个展,集中呈现两位艺术家近期创作的一系列绘画作品。展览将持续至12月22日。
From 16 Nov. to 22 Dec., 2019, ShanghART Beijing is delighted to present a dual solo exhibition of He Wei and Tang Maohong, featuring new paintings created by the two artists.
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作为何伟在香格纳画廊的第一个个展,此次展览带来了艺术家近年来的创作以及新的实验方向。稀薄的颜料经反复叠加、渗透后化为一片混沌,而当中缓慢升起的几何线条,稍纵即逝的“强光”痕迹,又以一种奇异的方式重新梳理出整个画面的秩序。艺术家不懈试验,意在通过抽象的画面、色彩、线条,于相互交织的感性和理性之间找寻过渡的方法,以及如何直面两种情绪的矛盾和对立。
As the gallery’s first solo presentation of He Wei, this show indicates the artist's recent explorations on abstract painting. Through repeated superimposition and infiltration, the washes of pigment on He’s canvas merge into chaos, while the slowly rising geometric shapes and the fleeting traces of “strong light” modulate the whole picture in a singular way. Persistently experimenting with abstract planes, colours and lines, the artist is looking for transitions between the intertwined sense and sensibility, as well as ways to confront the contradictions and opposites of the two qualities.
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在另一空间中,唐茂宏的最新系列作品《五个大人物》则由五张大尺幅绘画组成。区别于艺术家过往实践中对于现成图像的挪用,人体在本次展览中得到简化拉伸,以自足的姿态不断出现在辅助线所构建的“坐标”之上;巨大的锥体在加剧画面荒诞感的同时,更提示着艺术家为消解一切指向性意义,回归图像空间关系所做出的努力。
Another exhibition brings together five large-scale paintings by Tang Maohong under the title "Five Big Men", marking a significant departure from the artist’s use of found images in earlier practice. This new suite of works features the simplified, stretched human bodies, which appear constantly on the "coordinates" constructed by composition lines-with all kinds of self-satisfied postures; the huge cones, in particular, make the picture even more absurd, suggesting Tang’s endeavours in dispelling all the specific meanings, and returning to the spatial relationship between objects.
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关于艺术家
About the Artists
何伟,1980年出⽣于新疆,2005年毕业于四川美术学院油画专业,现生活和工作于北京。近期展览包括:拼拼凑凑的利维坦,Luhring Augustine Bushwick,纽约,美国(2019);何伟:原⾊,C-空间,北京(2016);何伟:⽭盾,望远镜艺术家⼯作室,北京(2015);夏纪 2014,千高原艺术空间,成都(2014);何伟:⽆法触及的地⽅,季节北京,北京(2010);新界面 3:搜索未来,刘海粟美术馆,上海(2007)等。
HE Wei was born in 1980 in Xinjiang, graduating from Sichuan Academy of Fine Arts, Oil Painting Department in 2005. He now lives and works in Beijing. Major exhibitions include: A Composite Leviathan, Luhring Augustine Bushwick, New York, U.S.A. (2019); He Wei: Primary Colour, C-Space, Beijing (2016); He Wei: Contradiction, Telescope, Beijing (2015); Summer Discovery, A Thousand Plateaus art space, Chengdu (2014); He Wei: Place Beyond Touch, ART SEASONS, Beijing (2010); New Interface 3 – Searching the Future, Liu Haisu Art Museum, Shanghai (2007).
唐茂宏,1975年出生于广西,毕业于中国美术学院,现工作生活在北京与首尔。近期展览包括:唐茂宏: 诺阿•诺阿,香格纳新加坡(2019);唐茂宏:河床,香格纳北京(2017);BHAU DAJI LAD博物馆影像艺术项目,BHAU DAJI LAD博物馆,孟买,印度(2014);唐茂宏: 飞地控,香格纳北京(2013);2012 漂流记,ARKO艺术中心,首尔,韩国(2012);第七届上海双年展,上海美术馆,上海 (2008);星期天,光州市立美术馆,韩国(2006);唐茂宏: 兰花指, 录像及版画,香格纳H空间,上海(2006)。
TANG Maohong was born in 1975 in Guangxi, graduating from China Academy of Art. He lives and works in Beijing and Seoul. Major exhibitions include: Tang Maohong: Noa Noa, Southeast Asia Residency Exhibition, ShanghART Singapore (2019); Tang Maohong: Riverbed, ShanghART Beijing (2017); Video Art at Bhau Daji Lad Museum, Bhau Daji Lad Museum, Mumbai, India (2014); Tang Maohong: Exclave Con, ShanghART Beijing (2013); Nomadic Report 2012, Arko Art Center, Seoul (2012); The 7th Shanghai Biennale, Shanghai Art Museum, Shanghai (2008); Tang Maohong: Sunday, Gwangju Art Museum, Gwangju, Korea (2006); Tang Maohong: Orchid Finger - Video & Silkscreen Prints, ShanghART H-Space, Shanghai (2006).
作者:香格纳画廊
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