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/ December 13th, 2020
Xiang Jing
向 京-AN ART SPACE
向京·原创少女心，玻璃钢着色，36x28x12cm; 35x35x35cm，2015-2016
“我是一个兴致勃勃的人性观察者” I am an enthusiastic human observer
First of all, people create works by being shaped and self-shaped to become a certain person. If an artist suddenly gets inspiration from other people and makes a creation, I don't think it can last 10 or 20 years even if it does, but these influences still need to be digested and transformed by individuals to complete self-construction.
人首先通过被塑造和自我塑造，成为某个样子的人，进而创作作品。如果说艺术家从其他人那里突然得到灵感做出创作，我觉得即便有这种情况也无法持续10年20年，这些影响还是要被个体消化和转换，完成自我构建。
——向京
▲ 向京：我是一个兴致勃勃的人性观察者
I am an enthusiastic human observer
©向京 · 妝扮，玻璃钢着色，118x202x120cm，2015-2016
而這次的肉身，已經不必區分人的身體還是動物的身體，它更像一隻巨大的器官，佈滿細小、分散、敏感器官的器官。希望從去人類中心的視角裏，肉身能夠再次返回自然的整體。
While I have been involved in a large number of physical propositions in my creative career, what I believe is the dualism of spirituality and flesh, and the self of thinking and consciousness is the real existence.
©向京 · 有限的上升，玻璃钢着色；230x46x40cm；240x50x51cm；265x55x70cm；252x86x55cm，2013-2016
Today, the flesh is on the verge of disintegration due to new technology intervention. I try to return to the subject of the flesh again. This time, the flesh no longer needs to distinguish between human and animal bodies. Organs of sensitive organs.
【 惠书文｜艺评 】朱峰 · 20年代：雕于气，塑之以息的“数字装置”
策展手记｜惠书文：由观念到“物质”的超验知觉，遇见黄鹿——合与生
作者：中国当代艺术
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