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WANG Jian was invited to the “Minimalism: Space. Light. Object.”

"Minimalism: Space. Light. Object.", the first exhibition of the most important Minimalism in Asia, presented by the National Gallery and ArtScience Museum Singapore. It explores the development of Minimal art from the 1950s to the present day, in some multiple perspectives, from New York, to Europe and the Asia Pacific region, and delves into Asian philosophy and meditate on notions of the Void and ‘nothingness’ exploring the impact these ideas had on Minamalism, contemporary artists across the world now. Tracing its shift from painting to photography, sculpture, to installations, immersive environments, Music, Video and multimedia, by more than 80 artists, 150 pieces of works, which features work by some of the most significant artists of the past 70 years, including Mark Rothko (USA, 1903-1970), Donald Judd (USA, 1928-1994); Anish Kapoor (India, 1954); Tatsuo Miyajima (Japan, 1957 ); Lee Ufan (Korea/Japan, 1936); Olafur Eliasson (Denmark/Iceland, 1967); Mona Hatoum (Arabic, 1952). TAN Ping (China, 1960), ZHANG Yu (China, 1959) and WANG Jian (China, 1972) from PIFO Gallery in China are invited to the exhibition with other Chinese artists: Ai Weiwei (China, 1957), Song Dong (China, 1966), etc. 

WANG Jian

Photography,2009-2016

Giclée print



 Artist - WANG Jian

Minimalism: Space, Light. Object., ArtScience Museum Singapore, installation view, figure left is Donald Judd's work, the right is Wang Jian's work


Wang jian's 16 photographic pieces are included in the exhibition. He takes hundreds of photographs as he goes about his daily life, the abstract and minimal artwork draws from Eastern philosophies, Chinese Maximalism, and echoes the repetition apparent in Minimalist art from the 1960s. The unassuming beauty of simple actions and the everyday are his inspiration. His photographs capture moments in time such as a shadow, the way that light spills from a window onto a smooth wall, the curve of someone's neck as it falls to the shoulder or a bare window in the side of a blank wall. Wang Jian's recurring ritual of photographing his daily life produces seemingly simple images that articulate the sublime in the mundane. 

WANG Jian

Photography,2009-2016

Giclée print


WANG Jian 

Chinese, b. 1972, Handan. Lives and works in Beijing.

Wang Jian's works could be considered as visual auto biographies. Everything and nothing are equally important to him and to his work. Every thought and feeling, his time in the studio and every other moment of his life, is compressed and held in the vast emptiness of his black canvases as well as in the small blank spaces he sometimes leaves unpainted. To some extent WangJian's work could be defined in terms of Chinese Maximalism.

Wang Jian's ideas are fixed, complete and finished – almost in an instant as his practice often has a starting point in photography – and then fixed again in the pragmatic form of a painting. Yet many of his works are simultaneously in a state of continual flux and uncertainty. Many of his photographic sketches', artworks in their own right, also act as departure points for other works. The liminal – the fissures and areas of intense blackness in his paintings – all gesture at ‘nothingness’ and bring us full circle resolving Wang Jian’s practice once again into a coherent body of work that is simultaneously spiritual and sublime, relevant and provocative.

Minimalism: Space. Light. Object., ArtScience Museum Singapore, installation view


(courtesy of the  ArtScience Museum Singapore in part of photos and texts )


Exhibition Date: 2018.11.16 - 2019.04.14

Venue: ArtScience Museum, The National Gallery, Singapore

More information info: 

https://zh.marinabaysands.com/museum/minimalism.html

Related link: 

NEWS | Tan Ping,Zhang Yu,Wang Jian at Singapore Minimalism Show



 Upcoming Exhibition



关于画廊   About Gallery


偏锋新艺术空间成立于2006年,是中国专注于抽象艺术研究与发展的主要画廊。坚持对中国当代艺术进程的洞察以及对欧洲战后艺术大师的探索,并在两者的对话与碰撞中寻找各种可能的艺术力量。偏锋深信艺术的体验产生于一个又一个的变革中创造的新世界。艺术家的作品,正是探索世界的第三只眼睛。对于收藏家,我们为其提供专业知识,鼓励他们发掘个人独特的视角,只因两者的充分结合,才能构建卓越的收藏。我们希望更多的藏家可以秉持鉴赏家的心态,更深入的理解亚洲与西方的抽象艺术,以及欣赏画廊发掘、重塑并坚信的艺术家。


PIFO Gallery was founded in 2006. Which is China's premier gallery to present abstract art. PIFO brings together the works of contemporary Chinese artists with European post-war masters. At PIFO we believe that the experience of art is profoundly transformative. Seeing the world differently through the works of artists is an inspiration. We encourage our collectors to develop their individual vision and share our expertise in art to help them build excellent collections. The goal is to spread connoisseurship for Asian and Western abstraction in art and deepen the understanding and appreciation for the artists that we (re-)discovered and believe in. 




媒体/图片垂询 Press enquiries/images

郭萌萌 Mengmeng guomengmeng@pifo.cn

T: +86 10 59789562-8005

其他垂询 All other enquiries

王彧涵 Sophia Wang sophia.wang@pifo.cn

M: +86 18210011135

作者:偏锋新艺术空间

特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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