OCAT Institute is pleased to announce the opening of the exhibition “The Abode of Anamnesis” on March 8, 2019 at 5:00 pm. “The Abode of Anamnesis” is the realization of “Picturing Histories: Historical Narratives in Contemporary Chinese Photography”, the winning proposal of OCAT’s inaugural Research-based Curatorial Project. After 3 months of planning and development, it will be open to the public for the first time this March. 

As a writer and curator, He Yining has always been interested in the way in which photography is able to freely straddle the boundaries of contemporary art, responding to and raising questions about contemporary and historical social issues through effective, diverse, and interdisciplinary means; narrative theories in photography have also been a focus of her research in recent years. As part of her research project, the current exhibition will revolve around practices based on contemporary photographic narratives; in addition to shedding light on the development and characteristics of the photographic medium in the context of postmodern visual narratives and pointing out the similarities and differences between the narrative functions of photography and other media, the exhibition will also explore the complex relationship between history, memory, archive and photographic narratives. 

In recent years, photographers around the globe have begun to break the conventional linear sequence in the construction of photographic texts, opting for a new wave that allows multiple narrative strategies of the real or the fictional. They fuse documents, historical photos, texts, and carefully-constructed images, taking viewers to times and places in the past, to boundaries that can or cannot be told.  This kind of practice not only reflects the artists’ interest and urgent desire to delve into history, but also reveals the space that has been opened for photographic practices by the richness of social and cultural environments in history.  

“The Abode of Anamnesis” focuses on several cases in Chinese contemporary art that enter historical narratives through photography. The exhibition seeks to analyze the context in which the current trend occurs, to examine the creative strategies adopted by different artists and to explore the unique viewpoint photography offers in the construction of historical narratives from different angles. By means of exploring histories of individuals and families, historical events, discussing varied historical episodes, or even reflecting on the theme of photography as a medium of historical narratives, the artists in this exhibition think of themselves as archaeologists and approach their subjects from various perspectives. While revisiting, rewriting, and reconstructing history, they have also been searching for more specific cultures. 

During the exhibition, a variety of forums, workshops, talks and other events will be held in the spirit of promoting cross-media and cross-disciplinary research on theories of visual narratives. An exhibition catalogue containing the contents of the aforementioned events will be published by the end of the exhibition. 

This is a free event. Please register with us by sending “0308+name+email” to the OCAT Institute WeChat platform. Reservation is successful upon completion.  

OPEN CALL: 2019 Research-Based Curatorial Project

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