显生宙是指生命出现的时间。在生命出现之初的生物，它们大都是介于动植物之间、生命与非生命之间的状态。古生物与现在哪些因科技构建而成的新物种或生命阶层，就像是产生了一次穿越时空的对话，生命是什么？

作品是以古生物为原型并加入引发生命范畴思考的元素而创作的介于生命与非生命的形象。旨在通过模糊生命与非生命的界限来表现当下人工智能，生物改造，生物艺术等话题产生的对于生命范畴的质疑与思考。科学研究对什么时候出现了生命好像已有定论，那生命的概念在当下是不是正在被重新定义。在物理学领域熵是事物的混乱程度的度量，那么事物发展只要满足自身的熵减速度大于熵增速度就可以视为生命？这些新物种或生命阶层是否正在模糊生命与非生命的界限。是否新的生命正在出现。

Phanerozoic refers to the time when life appeared. At the beginning of life, most of the creatures are between animals and plants, between life and non life. Paleontology and the new species or life class constructed by science and technology are like a dialogue through time and space. What is life?

The work is a kind of image between life and non life, which is based on the ancient life as the prototype and added with the elements of life category thinking. The purpose of this paper is to show the question and thinking of life category generated by artificial intelligence, biological transformation, biological art and other topics by blurring the boundary between life and non life. Scientific research seems to have reached a conclusion about when life appeared. Is the concept of life being redefined at present. In the field of physics, entropy is a measure of the degree of chaos of things. So as long as the development of things meets the requirement that the rate of entropy decrease is greater than that of entropy increase, it can be regarded as life? Whether these new species or life classes are blurring the boundary between life and non life. Whether new life is emerging.

《显生宙》奇虾/37*42*62 cm/树脂/2019

《显生宙》角石/27*27*60 cm/树脂/2019

《显生宙》水母/83*40*55 cm/树脂/2019

《显生宙》爬腹虫/65*33*65 cm/树脂/2019

《显生宙》怪诞虫/32*32*105 cm/树脂/2019

《显生宙》系列展览现场

侵入/30*30*30 cm/树脂/2020

望/120*45*70 cm/假眼、石膏/2018

白衣/66*33*30 cm/树脂/2020

2019年毕业于鲁迅美术学院雕塑系；

现云南艺术学院雕塑系研究生在读。

2017年 雕塑系第一工作室影像作品展 雕塑系山地画廊

2018年 第一工作室装置作品展 鲁迅美术学院美术馆

2018年 “自行解道”展览 雕塑系山地画廊

2018年 “金石为开”展览 鲁迅美术学院美术馆