吴湖帆（1894年-1968年）， 江苏苏州人，为清代著名书画家吴大澄嗣孙。初名翼燕，字遹骏，后更名万，字东庄，又名倩，别署丑簃，号倩庵，书画署名湖帆。近现代绘画大师，书画鉴定家。
吴湖帆早年与溥儒被称为“南吴北溥”，后与吴子深、吴待秋、冯超然、在画坛有“三吴一冯”之称。

作为鉴定家，他与收藏大家钱镜塘同称“鉴定双璧”。

作为一位集绘画、鉴赏、收藏于一身的显赫人物，他的成就是多方面的，可以说代表了中国绘画史上的一种现象。

Wu Hufan (1894 - 1968), the Jiangsu native of Suzhou, was Qing Dynasty renowned painter-calligrapher Wu Dacheng the child grandson.Initially is famous the wing swallow, the character steed, latter changes the name ten thousand, the character Tungzhuang paper, also names attractively, leaves bureau the clown , number attractive hut, calligraphy and painting signature lake sail.Near modern drawing master, calligraphy and painting appraisal.
Wu Hufan long ago was called with the broad Confucian “south Wu Beipu”, latter with the wuzi depth, Wu Daiqiu, Feng aloof, has “a three Wu Feng” in the painting world the name.
As the appraisal, he with collects everybody Qian Jingtang with to call “the appraisal twin jewels”.
As a collection drawing, the connoisseurship, collects in a body prominent character, his achievement is various, may say has represented in the Chinese drawing history one kind of phenomenon. 

吴湖帆以其雅腴灵秀、清韵缜丽的画风自开面目，称誉画坛。上世纪三四十年代，吴湖帆更以其出神入化、游刃有余的笔下功夫，成为海上画坛的一代宗主。

Wu Hufan with its ya plump Lingxiu, Qing Yun community Li's painting wind self-opening face, reputation of the art scene. In the 340 's, Wu Hufan, with its superb and comfortable pen, became a generation of masters of the Sea painting.

吴湖帆《唐韩幹双马图》立轴 设色纸本 乙亥年（1935年）十月三日作 89x52厘米

Wu Hufan "Tang Han Tong bi ma map" vertical shaft color paper this year (1935) October 3 as 89x52 cm
这件作品画的是黑白双骏，丰腴圆润，四肢纤细，皆类唐人笔。画作中马蹄硕大，当是取法敦煌北魏壁画。此作正值画家复笔重彩风格逐渐成熟的时期，色彩妍丽高雅，黑马更是于结构关键处复笔添色，富贵堂皇。此幅既可见吴湖帆先生一路上溯血战古人，又可见笔其墨技巧至臻至精，极为珍罕。此画是吴湖帆先生为同年生属马的挚友临摹唐韩幹而作，畹华，就是梅兰芳先生。

This work is painted black and white double June, plump and mellow, slender limbs, all kinds of tang pen. The horseshoe is huge in the painting, when it is a mural of Dunhuang Northern Wei. This is a time when the painter's heavy color style gradually matured, the colors Yu Elegant, the Black horse is in the key structure of the complex pen add color, rich and magnificent. This is not only visible to Mr. Wu Hufan all the way back to the bloody ancients, but also can see the pen of his ink skills to the essence, extremely rare. This painting is Mr. Wu Hufan for the same year of the horse's best friend Copy Tang Han, Wancho Hua, is Mr. Mei Lanfang.
此双马如是厩马，则应有马鞍；若是野马，却状如良马，气度从容、高贵优雅、逸兴神飞，如此画风如见唐人壁画，浓丽与清雅并俱。可见吴湖帆画马不仅取其形，亦得其意，并非简单的临仿。望其神韵，正如其曾自题《赞 马诗》中所言：「青骢连钱，紫丝三华，银蹄龙脊，白踏烟斜。谘嗟欸段，安步桑麻。胡不万里，骁腾天涯。」此幅精妙绝纶，堪称代表作。

This double horses is a stables horse, there should be a saddle, if the Mustang, but like a ryoma, calm, noble and elegant, Yi Xing God fly, so the style of painting like the Tang people murals, strong and elegant furniture. It can be seen that the Wu Hufan painting horse not only takes its shape, but also has its meaning, is not a simple imitation. Look at its charm, as it once said in the "Zan poem": "Green yuncong even money, purple silk three Hua, silver Hoof Ridge, white tread smoke oblique." Consultation Hatsuki, Walking Mulberry hemp. Hu is not thousands of miles, valiant to Teng Tianya. "This fine piece is a masterpiece."
 

吴湖帆绘画的入古出新，得益其深厚的鉴定古画的能力，尤其是元以后的文人画，凡经吴湖帆品题，在市场上往往能创出高价。

Wu Hufan painting into the ancient new, thanks to its deep identification of ancient paintings ability, especially after the yuan after the literati painting, where Wu Hufan obstructions, in the market can often create high prices.