《再次进场——傅文俊数绘摄影作品展》于今日下午3:30在重庆美术馆1号展厅开展，届时举行学术研讨会，展览将持续到1月27日。

此次个展展出艺术家傅文俊新近创作的《错位》《食色》《F1》《问茶》《景观》五个系列约160件作品，把自己最新的创作思考与实践成果向观众呈现。这既是傅文俊对自己艺术历程的阶段性总结，也是由此为基点开启新的艺术探索之路。

展览学术主持、批评家、四川美术学院教授、西安美术学院博士生导师王林撰写展览序言《再次进场，再次出发——傅文俊数绘摄影作品展序》如下：

我把傅文俊摄影作品称为“数绘摄影”已是数年前的事了，我注意到他的自我介绍是“提出并创立了数绘摄影流派”——这个建立个人艺术流派的决心与追求，是傅文俊对其创作成果的自信，也是一份对师友期待的担当。我和他在四川美院新媒体艺术系创办“1十2”实验影像艺术展，其初衷就是想通过师生互动的教学活动，让摄影不止于瞬间成像，而是通过影像和时间发生真实性的场地关系。学院作为历史实体，有可能让创作产生知识生产的连续性而“流”变成为“派”。文俊兄在这方面还有很多事情可做，这是题外话。

说到傅文俊的数绘摄影，自然会提到他的几次个展，前后题为《相机绘画》、《数绘摄影的写意方式》、《走过场》等等，这一次叫做《再次进场》。可见他的态度是在当代艺术中进进出出又出出进进，意旨在“我之为我，自有我在”。恰恰是这一点，保证了他从纪实摄影开始，一路走来，其创作历程从符号拼接到图像组合，从电脑剪辑到数码绘制，渐始进入“从心所欲不逾距”的自由状态，其具象与抽象、图形与构建、拍摄与制作、形色与调性，取得了相当的自主与自治。从本展五个部分的安排即可见出端倪：

《错位》是综合性的，有复合型的图像处理；
《食色》是一组风格化的抽象作品；
《F1》是由白描与淡彩组织起来的主题人像；
《问茶》可谓几何化形式构成；
《景观》则重返具象，但不同的是现实与超现实互助的全景式壁画构图。

总体说来，傅文俊作品有一种复调性质，这和他在世界各地采集图像资源有关，他对瞬间抓拍的敏感来自中外文化的复杂感受。本来，图像的拼合很容易流入简单化与浮浅化，但不，傅文俊有着在摄影艺术中追求知识重建的野心，试析《问茶》之所为：尽管作品不无对于文化碎片的种种反应，有如我们对现实问题的感受，但当傅文俊用理性化几何抽象重组画面，并在动态化的色彩组织——凡?高式的黄蓝色彩互补强化——表达感觉性之时，他超越了东西文化的纠葛。在这个时候，艺术不是理解，也不是感觉，而是具有文化自主与语言自治意识的个人创造，因为“感觉到了的东西，我们不一定理解它；只有理解了的东西，我们才能更深刻的感觉它”——艺术乃是人生对于世界的“深刻的感觉”。

如果一个艺术家能够把泛滥繁芜的信息与复杂多变的感受，提炼成为单纯明确的言说方式，而又不失其诗性感觉的丰富性，这是一种本事；但更为重要的是，当代艺术观念之维还在于对文化现实针对性即问题意识的发掘。傅文俊早有准备，“再次进场”即意味着再次出发甚至是重新出发，因为中国当代艺术过度市场化和商业化的美学追求，毕竟是一个诱人而又伤人并且多少有些害人的陷阱。

是为序

2019年1月16日
于重庆美术馆


展览信息：
《再次进场——傅文俊数绘摄影作品展》
主办单位：重庆市文学艺术界联合会
承办单位：重庆美术馆、重庆市摄影家协会
学术主持：王林
特邀批评家：何桂彦、尹丹、邓旭、冯大庆
开幕时间：2019年1月16日下午3：30
展览时间：2019年1月16日-1月27日
展览地点：重庆美术馆1号展厅
展览地址：重庆市渝中区临江路1号国泰艺术中心


Again Enter the Scene, Again on the Way
--- Preface for Fu Wenjun Digital Pictorial Photography Solo Exhibition

By Wang Lin

It was several years ago that I called the photographic artworks of Fu Wenjun as “Digital Pictorial Photography”. I’ve noticed that his artist statement says “he has put forward and created the school of Digital Pictorial Photography”. Fu Wenjun’s determination and pursuit of building up a personal art style display his self-confidence on his creation, and also his responsibility for the expectations of friends. I and Wenjun have founded the “Image 1+2” Exhibitions by Teachers and Students at New Media Art Department of Sichuan Fine Arts Institute. Our intention was, with the help of this interactive educational activity, to make photography go beyond an instant imaging, and to create a site relation of image and time. Art Institute as an entity with history could lead the creation into a continuous knowledge production, and could promote a “trend” into a “school”. On this, Wenjun has a lot to do. This is digression.

Speaking of Fu Wenjun’s Digital Pictorial Photography, it’s natural to review his previous solo exhibitions, including the ones titled “Digital Brush”, “Ways of Xieyi Presented in Digital Pictorial Photography”, “Show of Formality”, and this time “Again Enter the Scene”. Obviously, in the field of contemporary art he goes inside and outside, outside and inside, in a state of “I am as I am, I am free to exist”. Thanks to it, he could be able to start from documentary photography, and keep walking to the present. His creation journey, from symbolic juxtaposition to image blend, from computer montage to digital drawing, manifests his gradual entering into a state of “doing what he intends freely without breaking the rules”. He has achieved independence and autonomy in terms of figurative and abstract, shape and construction, camera-shooting and manipulation, form, color and tone. The traces could be found in the five series to exhibit this time: 

Misplacement, a comprehensive series with mixed image manipulation;
Human Nature for Food, a stylized abstract body of work;
F1, thematic portraits presented with line drawing and light color;
Ask Tea, a composition of geometric shapes;
Landscape, a return to the figurative, but in a different way, with a panoramic mural-style composition of reality and hyperreality.

Generally, Fu Wenjun’s works have a character of polyphony, that is related to his travelling around the world to collect image resources. His sensibility on snapshot comes from complex feelings about Chinese and foreign culture. Frankly speaking, image combination could easily descend to simplicity and superficiality. But Fu Wenjun is ambitious to pursue knowledge reconstruction in the photography art, which could be recognized from what he does in the series Ask Tea: the works present diverse reactions to cultural fragments, just like our feelings towards the questions of reality, but with the image recombination of rational geometric abstract and the application of dynamic color organization --- intensification created by complimentary yellow and blue in Van Gogh’s way --- to express feelings, he has surpassed the dispute of Eastern and Western culture. At the moment, art is not understanding, not feeling, but personal creation consciousness provided with cultural autonomy and language self-government. Because “we may not understand the thing we feel, only the thing we understand, we could have a profound feeling about it”, art is life’s “profound feeling” towards the world.

It’s an artist’s talent and ability if he could extract overflowed, complicated information and complex, changeable feelings into pure, clear ways of expression, at the same time to keep the poetic richness; but what’s more important, contemporary art should pay more attention to explore the targeted culture and reality, that is problem awareness. Fu Wenjun is prepared, and this solo exhibition “Again Enter the Scene” means to be again on the way or even to restart, because Chinese contemporary art’s aesthetic pursuit is excessively marketized and commercialized, which is an attractive, hurtful and somehow harmful trap.

This is preface.

January 16, 2019
Chongqing Art Museum

Exhibition Details:
Organizer:Chongqing Federation of Literary and Art Circles
Co-organizer:Chongqing Art Museum, Chongqing Photographers Organization
Academichost: Wang Lin
Invitedart critics: He Guiyan, Yin Dan, Deng Xu, Feng Daqing
Opening:3:30pm, January 16, 2019
Exhibitionperiod: January 16 -27, 2019
Venue:Chongqing Art Museum, No.1 Hall
Address:Guotai Arts Center, No.1 Linjiang Road, Yuzhong District, Chongqing