当今社会多元、繁杂、艺术潮流也是面目各异，艺术风格层出不穷。审美观、价值观已发生了巨大的变化。艺术家必须在形象思维和抽象观念之间做出选择。而观众有时既对许多是似而非的思想概念持某种怀疑态度，又对自己的审美直觉犹豫不定。这在一定程度上反映了现今人们思想上的焦虑和困惑。其实形象和概念本来就是事物的二个方面，各有自己的特点和局限。艺术形象在体现人的感官、情感方面更具优势。我们无法想像一个没有形象的世界，就如同无法接受一个没有情感的世界。对绘画来说重要的不仅仅是一种理智的、观念性的游戏，更是一种情感的表达。我们有理由相信人的不带有任何观念性、概念性的审美本能依然存在，不会消失。

　　写实主义绘画风格也以能直接地表现现实，自然中的形象之美，而始终能在各种艺术流派中保持着自己独特的艺术价值。

　　王兵的绘画作品正是追求于写实绘画的二大特点：坚实的造型、生动的色彩。画面简洁明快、色彩沉稳响亮、笔触准确而流畅。画家不光致力于完善自己的绘画技巧，同时对中国的文化艺术传统有意识地不断加以学习、借鉴。努力用西方艺术的表现形式体现东方民族的内在气质。作品题材广泛，不局限于某种狭窄的范围。竭力使作品摆脱现今艺术越来越符号化的现象。无论是风景、人物、还是静物，始终坚持寻找适合于内容的表现方法，既不流于表面的摸仿传统的复古风格，也不跟随所谓当代潮流。色彩明朗的景物，大色块对比显著、明暗对比强烈，画风活泼、爽朗。色调低沉的画面，含蓄内敛、怡静隽永，具有自己独特的艺术趣味。笔下的江南风光水色融合、光影交叉、古朴而俏丽，在用笔上既符合油画艺术的外部特征又体现出中国传统绘画的精神气质、笔墨韵致。随意而富有流动性，极具表现力。为平淡的景色抹上_层亮丽又含蓄的韵味。

　　画家执著于对日常生活的描绘，利用绘画材料的特点，与现实保持一种恰当的关系，使之成为一个来源于现实又不同于现实的“真实的虚构“。把在生活中感受到的美，用一种绘画的方式重新阐释在画布上，从而达到与观众情感上的交流。

　　Artistic trends are diverse features of different complex as today’s society.And the artistic styles emerge in an endless stream.Tremendous changes have taken place in terms of aesthetic standards and values.Artists have to make a choice between the imaginal thinking and the abstract idea.However，spectators will not only their own

　　aesthetic standards.To some extent，it reflects anxieties and perplexities in thoughts.Actually，the imaginal thinking and the abstract idea are two sides of the same coin which are as different as they can be.The imaginal thinking has more advantages in human sense and emotion.We can’t conceive of the world without image as the world without emotion will never be accepted.It is the importance of not only an intellectual and conceptual game but expression as well.We have reasons to believe that the ability to appreciate beauty without conception still exists and will never disappear.

　　A realistic style always maintains the unique artistic values among various artistic movements because of its direct expression of reality and natural beauty in image.

　　The two characters of Wang Bin9’S realistic paintings are solid modeling and vivid colors.They are uncluttered beautifully bare，colored profoundly and brightly，painted exactly and fluently.He commits himself to not only perfecting painting skills，but also studying Chinese traditional artistic culture.He endeavours to give an expression of the eastern inherent quality through the method of western expression.His works are not restricted within narrow limits but extensively.He does his utmost to make his works got rid of symbolism.Whatever landscape，figure of subject，he always holds to his convictions to search for the suitable technique of expression which doesn’t imitate old fashion style apparently and contemporary trends.He has his own artistic interests which are brightly colored landscape，striking contrasts of great color lumps，contrasting colors，vigorous style，low—spirited pictures with suitable colors and shadows which is simple and unsophisticated.The painting skills express the spirit of Chinese traditional painting based on oil painting external characters.That his paintings have a delicate charm with haphazardry and mobility is a strong expression which increases the lingering charm for the bland landscape.

　　The artist is attached to paint the daily life making use of the characters of painting materials to keep the right relationship to reality.This is the realistic imagination which is different from the reality but from the reality.The beauty in the life can be expressed on the canvas by the method of painting for the connection with spectators in terms of emotion.