看过阿海的画，我觉得插图感、阅读性、文学性这个东西，其实很有意思，就是那种插图和文字的结合。阿海的画确实插图感很强，其实就是讲故事，他的画好多都在讲故事，叙事性很强，延续了中国古代一直的做法，现在，绘画的故事感应该重新提出来。中国传统文化的精髓，那些范本，都是有题材，有故事在里面的。阿海感知到了，虽然他的表现手法有区别，但是，依然传承了中国画传统的做法，绘画的叙事性挺强烈的。

　　阿海绘画的处理是颠覆的，梦幻的。他的画面有足够充分的自由，所以，看他的画，肌理的细致与唯美，技术的处理，很天然，感觉恰到好处。

　　与之前他的水墨画相比，阿海的转变是清晰的。其实过程也很重要，绘画的插图感，阅读感，文学性，是一种叙述的综合表达。他的画很会讲故事。耐人寻味。

　　After watching Hai’s paintings, I find that the sense of illustration, reading, and literature, or the combination of illustration and words is really interesting. In Hai’s paintings, there is a strong sense of illustration, which is actually storytelling. Many of his paintings are telling stories, which continue the strong narrative method in ancient China. Nowadays the storytelling in painting should be mentioned again. Those models, the essence of traditional Chinese culture, have theme and stories. Hai has sensed it. Although his expression is different, he still applies traditional method of Chinese painting with strong narrative sense.

　　Hai’s painting is subversive and dreamy. His pictures have enough full freedom, therefore, in his paintings, the delicacy and beauty of texture, as well as the technique skills are fairly natural and at just the right level.

　　Compared with his ink painting before, Hai’s transformation is clear. Actually process is also important. The sense of reading and literature is a combined expression of narration. His paintings are good at storytelling, and really thought-provoking.

作者：武艺