艺术家简介

　　毕冠良，1964年6月出生。北京人，中国美术家协会会员，国家一级美术师，清华美院高研班导师，文化部艺术考级委员会学术委员，文化部中国山水画高研班导师，中国山水画协会副秘书长，中国山水画创作院艺委会主任，中国民主建国会会员，北京美术家协会会员、北京书法家协会会员，原求是杂志社《红旗画刊》栏目主持、撰稿人。

　　先后就学研修于中国人民大学、中国画研究院创研班、清华美院博士生导师杜大恺工作室、中国国家画院高研班龙瑞工作室，现专职从事中国画教学、研究与创作。

　　Bi Guanliang was born in June, 1964. As a Beijingnese, he is a member of the Chinese Artists Association, a National Level Artist, a tutor of the advanced research class in the Arts Academy of Tsinghua University, a committee member of the Arts Test Committee in the Ministry of Culture, a tutor of the advanced research class for the Landscape Painting in the Ministry of Culture, a Deputy Secretary General of the Chinese Landscape Painting Association, a director of the Landscape Painting Creation Committee, a member of the China Democratic National Construction Association, a member of the Beijing Artists Association, a member of the Beijing Calligraphers Association, and a former director and writer of the Red Flag Pictorial in the Qiushi Magazine.

　　He has studied in Renmin University of China, the research class in the Academy of Chinese Painting, Du Dakai Studio in the Arts Academy of Tsinghua University, and Long Rui Studio in the advanced research class of the China National Arts Academy. Now he is engaged in the teaching, research and creation of the Chinese paintings.

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文章

画室随想

文/毕冠良

　　《礼记-大学》中有这样的记载：“大学之道，在明明德，在亲民，在止于至善。”要达到“止于至善”的修为，除去肉体的修行外，我想更重要的是灵体的修行至善。我爱我的画室，我把画室当做灵体修行的地方，早晨可以迎着初升的太阳展卷遐想，再慢慢咀嚼那些如泣如诉的语言，静静地感受先贤们细腻悠长的笔调。夜晚可以让我仰望着如水的月光尽情畅享，感怀星空下另一个世界的芬芳。在画室的顶上，每到夜晚就会有一幅月光映衬出的静谧花影，望着这花影不禁让自己的思绪在古圣先贤们的墨迹中徜徉，那朦胧仿佛是雾中飘零的荷叶，又好似哪位丹青妙手趁你不备写下的逸品画卷。我把绘画当做灵修的手段，当我走进画室的同时也就打开了我心灵的画室，那种神圣的感觉无异于任何一种宗教的教徒在禅堂或是圣殿。在我的心灵中，画室是一个神圣的地方，是一块产生智慧的净土，在这里我可以用我的画笔播种希望；我可以在悠悠的古琴声中去感悟人生的苦乐；我可以格物穷理的冥想一个问题直到脑际明亮；我可以向东坡居士那样在波涛翻涌的赤壁下高唱：“大江东去浪淘尽，千古风流人物……”；还可以如易安居士在落红之下低吟浅唱：“红了樱桃，绿了芭蕉，雨打窗棂湿绫绡。”古人的修行，皆能证道，源于他们大都怀着一颗诚敬之心，每当我身处画室之中，这种诚敬之心便会油然而生，佛语云：‘灵台清静，静能生慧，慧能生智。”岁月流失，总有一些东西不会改变，譬如四季轮回。我想，我的画室就是我永不改变的心灵之台吧。（完）

Random Reflection

By Bi Guanliang

　　As it was summarized in The Book of Rites – The Great Learning, “The way of the great learning involves manifesting virtue, loving the people, and abiding by the highest good.” To reach the highest good, one should exercise physically, but what matters more is the spiritual cultivation. I love my studio, and regard it as a place for my spiritual cultivation. In the morning, I unfold my book in the rising sun, think over the pathetic and touching language, and peacefully taste the subtle and profound tones of ancestors. At night, the moonlight glows against the silent shadow of trees and flowers. Faced with these shadows, I am lost in the paintings of the previous sages. The hazy moonlight is like the flying lotus leaves in the fog, and it looks like an excellent painting by a talented artist when you are fully unprepared. I compare painting to a way of spiritual cultivation. My studio opens a window for my spiritual world. The holy feeling of walking in my studio is like the feeling of a religious believer who walks in the meditation room or the temple. In my opinion, my studio is a holy place which generates wisdom. We can sow the seeds of hope; we can experience the happiness and sorrows of life in the music of the Chinese zither; we can ponder a problem until the dawn; we can speak loudly in the magnificent Chi Bi like Su Dongpo, “the endless river eastward flows; with its huge waves are gone and all those gallant heroes of bygone years”; we can also sing in a low voice like Li Qingzhao, “cherries become red, and bananas turn into green. The rain beats the windowsill and wets my silk coat”. The ancients’ cultivations all reveal the truth because they are respectful. When I am in my studio, I will naturally be respectful. As it is said in Buddhist terms, “if you are peaceful, you will be intelligent; intelligence generates wisdom.” Although time goes by, something remains the same, such as changes of the four seasons. My studio is my spiritual platform which never changes.

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作品

云壑清心得自在 200cm×200cm 2014年

高原雨霁色宜人 200cm×200cm 2014年

寻春不见春踏遍 68cm×136cm 2015年

雨润春山翠意浓 68cm×136cm 2015年

山光悦鸟性 潭影空人心 125cm×170cm

夜泊石钟山 50cm×50cm 2015年

采菊东篱下 悠然见南山 50cm×50cm 2015年

雨润苍山秀 50cm×50cm 2015年

山居雅韵 50cm×50cm 2015年

溪壑祥云 50cm×50cm 2015年

客路青山外 43cm×43cm 2015年

松下问童子 43cm×43cm 2015年

赏荷图 50cm×50cm 2015年

悟禅图 68cm×68cm 2014年