一种材质用久了会形成一种比较成熟的作品形态，继续下去又不想重复的解决办法之一是停一下看能否找到一条小径绕到另一片农作地。2012年底的一天很偶然地拿起毛笔蘸点颜色在尺寸不大的纸片上开始不知所云的兴致勃勃，之后的三个月把之前的工作完全撂下，就产生了这一批小纸本。每天睡醒全神贯注地从一个高跟鞋的后跟尖尖或者一个手指头开始像树枝生长般让形象自己生长上去，她们似乎也全神贯注在自己的世界里，甚至不愿意与我交流，看着一片片诞生的图像陌生得如同远古森林里的琥珀，恍惚是时光机把现代人的属性装进去？我会小心翼翼地尾随她们弥漫到另一个时空里与其他者相遇？亦或会与不会都是琥珀系列对我的意义？

　　A type of material may establish a kind of mature state of one’s works after being used for a long time, so one of the solutions to continue using it while avoid repetition is to stop for a while, trying to find another way to a brand new field. On a day at the end of 2012, I occasionally took up a brush to paint on a piece of small paper excitedly, not knowing what to express. In the following 3 months, I even suspended all the previous works and created those small paper works. Every day after woke up, I would concentratively let the images grow upward like a growing tree from a heel of shoe or a finger. Seemingly, they were also focusing on their own world, even not willing to communicate with me. Looking at those images created one after another like the amber in ancient forest, I felt dizzy as if the time machine had embedded the nature of modern people into them? Will I secretly follow them to another time space where I will meet some others? Maybe will or will not is all the meaning of the Amber Series to me?

作者：沈晔