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陈薇,燕赵所传英气集结而成奇女子也。性豪爽而身姿幽雅,情多漾触物起兴而惟静中所显也。
公元二零零八仲春,薇于山东临沂展其山水画作,皆大帧巨制,浩浩乎犹江海湖山涌入市城,万人空巷,多有不信如此巨制鸿篇出于如此小女子也。
昔西河佳人舞剑器,一舞剑器动四方,其来如雷霆收震怒,罢如江海凝青光之势,令观者如山色沮丧焉。今薇之把笔,心能扶摇九万里,下视野马尘埃生物气息吹,其逍遥心,已有赞天地之化育之意矣。
薇尝言立孟良崮徒生感恩上苍泽润草木生息黎民,故知画道无为然心存天理也。薇作画,山立风骨见神采,此中国文化天人合一之精神之比兴符号也;薇作画,草木含情,,此亦万物齐一神人万物齐一相激相荡风吹水起是也。
夫天行健,薇之画,如勃拉姆斯《田园交响曲》,其主旋律起,天风浩荡溥畅而至,树木摇曳,山瀑奔涌,而第二旋律随之再起,则人心向道而善也。其理在得道多助,此乃自然天意合人心焉,及至第三旋律之配器依主旋律打击成节点,其欣赏者安能不欣欣然情起心动如潮焉。
陈薇,河北北漂之画家,门出中国国家画院李宝林工作室。其与余仅一面之缘,然因特网QQ中常有论画艺之交流。此斯儿余网友也。万斛泉源者是焉。今于QQ上得薇赴山东所展作品多帧,有感而发,是为日记,别无它焉。
公元纪年二零零八初夏智德老人於京城会元堂
Chen Wei, a miraculous woman who was born in Hebei. She is greathearted as well as elegant, with full love for the nature and likes to express her emotion in the quiet.
In the late spring of the year 2008, Wei held a solo exhibition of her landscape paintings in Linyi, Shandong. The huge size works of hers were just like endless river running into the city, which attracted an endless stream of audience. Many people couldn't believe that such majestic works were created by such a woman.
Once there was a beautiful girl of Xi He brandishing swords. Everytime she did it the thunder boomed, and once she stopped, the oceans then appeared a green light, which made people frightened as grey mountains. Today in Wei's paintings, you can see that her heart flies over the sky, overlooking at all the small lives on the land. As if her elegant free state has melted all in the nature.
Wei has ever said that :"Standing on the Meng Liang Gu, you will appreciate all given by nature. Then I come to know that for painting, nothing is everything." On her paintings, the mountains stand solemnly and the grasses are full of tender. They respectively symbolizes the Chinese spirit of "man is an integral part of nature" and the emotion of that 'God, man and nature become the one'.
As heaven maintains vigor through movement, Wei's paintings are just like Johannes Brahms' Pastoral Symphony, the minute the theme starts, the wind begins to blow freely, the trees begin to shake heavily and the spring begins to run. When the second melody starts subsequently, people's heart can't help embracing the kindness. It's because the truth is always supported by the mass. Until the third melody of rhythm starts in coordination with the theme, the audience has already been pleasant with heartbeat.
Chen Wei, a north-drifter painter from Hebei, studies from Li Baolin Studio of Chinese Paintings Research Institute. We've met each other for only once, but we keep frequent contacts on the Internet through QQ, talking about the painting art. Her nick name is Wan Hu Quan Yuan. Today I've been touched by some of her works on exhibition in Shandong on QQ, so comes this diary for it, without anything about others.
In the early summer of the year A.D.2008,
Zhi De Oldie at Hui Yuan Tang in Beijing
作者:智德老人
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