顾景舟（1915-1996），原名景洲。别称：曼希、瘦萍、武陵逸人、荆南山樵。自号壶叟、老萍。宜兴紫砂名艺人，中国美术家协会会员，中国工艺美术大师。18岁拜名师学艺。三十年代后期至上海制壶仿古。1954年进入宜兴蜀山陶业合作社。1956年被江苏省政府任命为技术辅导，带徒徐汉棠、高海庚、李昌鸿、沈遽华、束凤英、吴群祥等人。一生三次参加全国工艺美术代表大会，在港、澳、台、东南亚影响特大，被海内外誉为“壶艺泰斗”，作品为海内外各大博物馆、文物馆收藏。

1915年生于江苏宜兴川埠乡上袁村，顾景舟可以说是历代紫砂陶艺名家中，名号最多的一位，他本名景洲，后改名为景舟、名号有曼晞、瘦萍、武陵逸人、荆南山樵及壶叟等。曾自创堂号为自怡轩。他在壶艺上的成就极高，技巧精湛，且取材甚广。可说是近代陶艺家中最有成就的一位，所享的声誉可媲美明代的时大彬，世称“一代宗师”、“壶艺泰斗”。

景舟石瓢是顾景舟先生最为代表的作品，其取样于大满瓢，身筒不再是削直的锥体，而是圆浑饱满。 壶腹呈现微妙的弧线。相应地，壶嘴、鋬与壶身筒衔接处，琢塑出大的弧度，既好像壶体自然生成，又配合了壶身筒的圆浑。

桥钮与平盖衔接之间，各个角度琢塑和缓的弧度到盖面，与壶身相呼应，连壶钮形成的内空间，也与壶体造型相映成趣。从壶底到桥钮，成为立体而圆满、完整的造型，底足为围棋足（圆足），亦是展现了顾老对造型的功力把握。

顾老的石瓢激荡绵绵浩气，如月盈中天。既中正平和，却又不失劲力，刚柔相济。蕴含老庄的虚淡、沉静闲适，也融入儒家的坚毅与进取。是紫砂界中不可多得的珍品，其收藏价值难以言喻！

Gu Jingzhou (1915-1996), formerly known as Jingzhou. Nicknames: Mancy, Slender Ping, Wuling Yiren, Jingnan Shanqiao. Self-titled potter, Lao Ping. Yixing Zisha famous artist, member of China Artists Association, master of Chinese arts and crafts. At the age of 18, he studied art with famous teachers. From the late 1930s to Shanghai, the pot was made to imitate antiquity. In 1954, he joined the Yixing Shushan Ceramic Co-operative. In 1956, he was appointed by Jiangsu Provincial Government as a technical counselor, with Xu Hantang, Gao Haigeng, Li Changhong, Shen Quhua, Shu Fengying, Wu Qunxiang and others. He participated in the National Congress of Arts and Crafts three times in his life, which had great influence in Hong Kong, Macao, Taiwan and Southeast Asia. He was praised as a "pot art master" at home and abroad, and his works were collected by major museums and cultural relics at home and abroad.

Born in Shangyuan Village, Chuanbu Township, Yixing, Jiangsu Province, in 1915, Gu Jingzhou was one of the most famous purple sand pottery artists in the past dynasties. His original name was Jingzhou, which was later renamed Jingzhou. His name was Manzhao, Shouping, Wulingyiren, Jingnan Shanqiao and Hutao. Zeng created his own name as Ziyixuan. His achievements in pot art are very high, his skills are exquisite, and his materials are very wide. It can be said that one of the most successful modern pottery artists enjoyed a reputation comparable to that of Dabin in the Ming Dynasty, known as "a generation of master" and "pot art master".

Jingzhou Shi Po is Mr. Gu Jingzhou's most representative work. It is sampled from Da Fu Po. The body is no longer a straight cone, but round and full. The ampulla presents a delicate arc. Correspondingly, at the joint of the spout, the felt and the barrel, a large radian is created, which is similar to the natural formation of the barrel and matches the roundness of the barrel.

Between the bridge button and the flat cover, each angle is moderately curved to the cover, which corresponds to the body of the pot. The inner space formed by the button is also interesting to the shape of the pot. From the bottom of the pot to the bridge button, it becomes a three-dimensional and complete shape. The sole foot is Go Foot (round foot), which also shows Gu Lao's mastery of the shape.

Gu Lao's stone ladle stirred up a mighty atmosphere, like the moon in the sky. It's peaceful, but it doesn't lose its strength. It's a combination of strength and softness. It contains the emptiness, calmness and leisure of Laozhuang, and also integrates the perseverance and enterprising of Confucianism. Purple Sand is a rare treasure in the world, its collection value is beyond words!