“浑沌的舞台”——这是对王易罡创作的一个正确描述吗？

　　在第一眼看到王老师的作品时，人们可以看到厚重的质感，挥洒自如、自由奔放，没被任何东西束缚的笔触，没规律的上下游走，并以杂乱的颜色碰合在一起。

　　我们完全看不到原始白色？布的痕迹，甚至很难相信作品是建立于原始光滑的空白画布上。

　　看者可能认为王老师的画作是一种正在进行的作品，或者认为它太混乱，在我们规范和制度化的世界中，可能会使一些人感到不安。然而，当观众真正沉浸在艺术中并探索其内涵时，他们会看到其实颜色的飞溅在下笔前是无法预先思量，无法预谋的，所有这些笔触痕迹都是相互连接，这些千变万化的演变可以比作说书人的故事。这种混乱的色彩是一种叙述，代表了艺术家的生活体验；他的快乐，悲伤，爱和苦都全表现在画布上。

　　在王的眼里，“浑沌的舞台”就是我们日常的生活。他对人类状况的描绘，带着所有的喜悦和悲伤释放在画布上，并通过抽象笔触表现出来。

　　他的作品从未预先设计过，从极小的油漆点到粗体的色彩线条，都是在绘画过程中发展起来的。随着想像力的真正释放，潜意识占据了统治地位，因此真实地体现了生命的混乱。许多抽象作品看起来是多成分的，但是太多的人工痕迹最终必流向商业化，这导致失去了必要的火花，没有了自由想像的火花，抽象艺术就会失去意义。

　　对于王易罡的创作，画布成为一个完全开放的领域，没有媒体或预先设置的界限，层层叠叠的颜料，一次又一次的破坏后再建立，不断成为新的和独特的东西。他的作品永不确定，但充满了无法预测的结果，真正代表了生活带给我们的挑战和惊喜。

　　这是一个美丽的浑沌。

《2019抽象作e11》 115x94cm 布面油画

　　The stage of Chaos'. Is this an apt phrase to describe the works created by Wang YiGang?

　　Upon the first glance at the canvas one can see a mass of texture – whirlwinds of brush strokes that spread freely in all different directions, bound by nothing. The strokes rise and fall and clash together in a medley of colours.

　　There is no trace of the original white in sight, and it is hard to even believe that the work used to be smooth, blank canvas.

　　The viewer may view Wang's paintings as a work in progress or perceive it as too disorderly, which, in our world of timetables and regimes, may unsettle some. However, when the viewer truly immerses themself in the art and explore its texture, they will see that the splashes of colour lie in a way that cannot be premeditated before the first stroke. All these brush traces are connected, and the evolution of these kaleidoscopic configurations can be likened to the telling of a story. This chaos of colours is a narrative that represents the life experience of the artist; his happiness, sorrow, love, and pain is all painted into art.

　　In Wang's eyes, 'the stage of Chaos' is simply the abundant life that is all around us. His portrayal of the human condition, with all its joy and sadness, is put on the canvas and represented through the abstract.

　　His artworks are never pre-designed; from the miniscule dots of paint to the bold lines of color, all is developed in the painting process. With the true release of the imagination the subconscious reigns, thus there is a true representation of the chaos of life. Many abstract works look multi–componential, however too many artificial traces creates the danger of a commercial touch. This leads to the loss of an essential spark, and without this, abstract art loses its meaning.

　　For Wang's creations, the canvas becomes a complete open realm with no boundaries of media or set patterns. Layer on layer of pigments destroy and revise previous endeavours, continually becoming something new and unique. His work is never certain but full of unpredictable outcomes, truly representing the challenges and happiness that life gives us. It is a beautiful Chaos.

《2016抽象作品r65》 100x100cm 布面油画

《2017抽象作品s151》 120x100cm 布面油画

《2017抽象作品s157》 94X78CM 布面油画

《2018抽象作品a71》 120x100cm布面油画

《2018抽象作品a72》 120x100cm 布面油画

《2019抽象作e15》 115x94cm 布面油画

《2019抽象作e16》 115x94cm 布面油画